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Classical Archaeology and Art History

Fordham University

Nietzsche

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On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich Oct 2012

On Nietzsche’S Judgment Of Style And Hume’S Quixotic Taste: On The Science Of Aesthetics And ‘Playing’ The Satyr, Babette Babich

Articles and Chapters in Academic Book Collections

This essay reviews Nietzsche’s discussion of scholarly judgments of style beginning with his own inaugural lecture at Basel together with David Hume’s stylistic reflections in Hume's “On the Standard of Taste.” This casts light both on the context and the substance of Nietzsche’s own scholarly concern with the question of style and taste in terms of what Nietzsche called the “science of aesthetics” and consequently of scholarly judgment in both classics (or classical philology, here including archaeology and historiography) and philosophy. I also include a brief discussion of Nietzsche’s phenomenological performance practice of dance or playing the “satyr.”


Genius Loci. Zu Nietzsche, Lou Und Dem Sacro Monte, Bzw. Den Sacri Monti, Babette Babich Apr 2012

Genius Loci. Zu Nietzsche, Lou Und Dem Sacro Monte, Bzw. Den Sacri Monti, Babette Babich

Research Resources

No abstract provided.


Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich Jun 2009

Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich

Articles and Chapters in Academic Book Collections

To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …


Reflections On Greek Bronze And 'The Statue Of Humanity'. Heidegger's Aesthetic Phenomenology And Nietzsche's Agonistic Politics, Babette Babich Jan 2007

Reflections On Greek Bronze And 'The Statue Of Humanity'. Heidegger's Aesthetic Phenomenology And Nietzsche's Agonistic Politics, Babette Babich

Articles and Chapters in Academic Book Collections

No abstract provided.