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The Appropriation Of Buddhism In New Age Music: New Age Musicians Can Do Better At Representing Buddhist Cultures, Jack T. Robinett
The Appropriation Of Buddhism In New Age Music: New Age Musicians Can Do Better At Representing Buddhist Cultures, Jack T. Robinett
Access*: Interdisciplinary Journal of Student Research and Scholarship
This paper explores the appropriation of Buddhism in new age music and argues that New Age musicians should do better at representing Buddhist cultures. Beginning by discussing the popularity of mindfulness and its incorporation into secular settings, this paper highlights the historical connection between sounds, meditation, and spirituality, emphasizing the significance of music in religious expression. This paper then delves into the origins and essential teachings of Buddhism, and an overview of new age music, which uses ambient sounds to create a relaxing atmosphere. New age music also includes various elements of Buddhist practice, like chants, mantras, and ritual instruments …
Neither Buddhist Nor Taoist, But Both (And Even More): Exploring The ‘Hall Of Infinite Principle’ (Guangli Fotang): A Chinese Temple In The Romanian Capital, Serban Toader
Occasional Papers on Religion in Eastern Europe
This ethnography regards the sole Chinese temple in the Romanian capital Bucharest, its people and activity, as well as the thinking that supports this new religious movement (Maitreya Great Tao,Mile Dadao 彌勒大道). It is common knowledge that Taoism, Budhism, and Confucianism appear, at least in the official discourse, as a braided rope of unified Chinese tradition, each of the three at the same time preserving their particular features. Nevertheless, Mile Dadao not only seems to implicitly unite the three traditions in one (to which other foreign or popular traditions may be added as well), but also aims to act as …
Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan
Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan
Yale Journal of Music & Religion
The early 20th century was a period in which understandings of music, religion, and the nation-state underwent rapid change in Japan. In this article I examine Japanese cultural discourse from the first decades of the 20th century in which the shakuhachi, a Japanese bamboo flute, was frequently portrayed as a religious instrument. In some cases, this discourse referenced pre-20th century historical affiliations of the shakuhachi with the Fuke-sect, an organization that was loosely affiliated to Rinzai Zen Buddhism. But the article also explores how religio-musical discourse surrounding the shakuhachi intersected with developments in modern Japanese religious life, …