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Thin Blue Seam, Sebastian Anton-Ojeda
Thin Blue Seam, Sebastian Anton-Ojeda
Senior Projects Spring 2017
This performance began as an exploration of liminal spaces in the context of a post-modern world. The lines between a suburban, consumptive society, fraught with binaries and thresholds while on the fringes of nature, were what interested me the most. However, this line of thought quickly took me to far more ancient places, to a view of nature driven by animism and pervaded by spiritual introspection. In Celtic Ireland, to give an example, every stone and river is witness to a myth. The Celts of the old world as described by anthropologist Marie-Louise Sjoestedt are constantly straddling the line between …
Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore
Look At Where You Listen: A Study Of Commercial Music And Mediation, Thomas Walton Moore
Senior Projects Spring 2017
A joint senior project submitted to the divisions of arts and social studies. This project aims to reconsider the 'album' as a format of music distribution that has effects on the consumption-of and relationship-with music as commodity. This project consists of writing and recorded-music-making. Please email tom (at) dpimusic (dot) com for a link.
The Polyrhythms Of The Ear Canal: Investigating The Human Body As An Instrument And Listening Machine Inspired By Hearing, Attention, And Alvin Lucier, Philippa Ruthe Kelmenson
The Polyrhythms Of The Ear Canal: Investigating The Human Body As An Instrument And Listening Machine Inspired By Hearing, Attention, And Alvin Lucier, Philippa Ruthe Kelmenson
Senior Projects Spring 2017
Halfway into my college career, I was asked if my attention and hearing impairments had ever benefitted me in any way. Although I refused to see it at the time, it is this exact dichotomy between hearing as passive reception and listening as active concentration that informs my musical work. From otoacoustic emissions to tinnitus frequencies, the ear is an active amplifier of its own sounds, acting as an instrument responding to sound information. To distinguish acoustic elements generated outside of the ear from those taking shape within it, we are required to internally perceive all acoustic information. But is …
It Takes A Long Time To Move, Issy Marie Cassou
It Takes A Long Time To Move, Issy Marie Cassou
Senior Projects Spring 2017
A doorway.
A grave.
A body.
A scar.
The hole was dug in my studio a month after I had moved in and the day after I burned my foot in the metal shop. A new navel sits on the top of my left foot and a raised scar marks an accidental grave in the ground of studio ten in Red Hook, New York. It came from water. A leaking pipe. Blueprints of the building did not point here as the source of the water main because there are no blueprints. Instead, a pipe in the corner and a shot …