Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Entire DC Network

Designing Small Successes, Edwin Low Jun 2018

Designing Small Successes, Edwin Low

Research Collection Institute of Service Excellence

Edwin Low of Supermama talks about how he’s built his team and the differences between Singaporean and Japanese customers


Monstrous Maternity: Folkloric Expressions Of The Feminine In Images Of The Ubume, Michaela Leah Prostak Mar 2018

Monstrous Maternity: Folkloric Expressions Of The Feminine In Images Of The Ubume, Michaela Leah Prostak

FIU Electronic Theses and Dissertations

The ubume is a ghost of Japanese folklore, once a living woman, who died during either pregnancy or childbirth. This thesis explores how the religious and secular developments of the ubume and related figures create a dichotomy of ideologies that both condemn and liberate women in their roles as mothers. Examples of literary and visual narratives of the ubume as well as the religious practices that were employed for maternity-related concerns are explored within their historical contexts in order to best understand what meaning they held for people at a given time and if that meaning has changed. These meanings …


Whose Blue Heaven? Musicality In The Early Japanese Talkies, Richard M Davis Mar 2018

Whose Blue Heaven? Musicality In The Early Japanese Talkies, Richard M Davis

Research Collection School of Social Sciences

This article focuses on the advent of synchronized sound production in Japan in 1931 – three years later than the United States – and the generative ambiguities of how sound and music’s relationship to film was figured in that year’s anxious discourse. I argue that this ‘belatedness’ is echoed in relationships of on-screen image and offscreen sound, noise, and music in two important early sound films, The Neighbor’s Wife and Mine (Gosho 1931) and A Tipsy Life (Kimura 1933).