Digital Commons Network^™

Migiwa Orimo Interview, Jessica Ruiz

Asian American Art Oral History Project

Artist Bio:
Migiwa Orimo is an artist whose primary work takes the form of installation. Orimo was born and raised in Tokyo, Japan. After receiving her degree in literature and studying graphic design, she immigrated to the US in the early eighties.

In her process of creating installations, she begins by entering a space of language. Often her installations consist of disparate elements--text, painting, drawing, objects, video and sound. In attempting to establish relationships and tension between those elements, similar to constructing sentences, she explores the notions of gap, slippage, and “a realm of disjunction.”

She exhibits her work nationally; …

Kioto Aoki Interview, Austin Sandifer

Asian American Art Oral History Project

Artist Bio: Kioto Aoki is a conceptual photographer and experimental filmmaker who also makes books and installations engaging the material specificity of the analogue image and image-making process. Her work explores modes of perception via nuances of the mundane, with recent focusing on perceptions of movement between the still and the moving image. She received MFA from The School of the Art Institute of Chicago and is currently a 2017-2018 HATCH artist in residence at the Chicago Artist Coalition.

https://kiotoaoki.com/

Currents Of Consumption: How National Narratives Of Japanese Cuisine Collide With Localized Forms Of Sushi In Northern California, John Ostermiller

Master's Projects and Capstones

This paper examines how national narratives of Japanese cuisine collide with the expectations, preferences, and perceptions of American consumers (particularly Northern California). The global economy has benefited the circulation of positive images of Japan managed by the Japanese government, but the commercialization of Japanese cuisine is also at odds with government efforts. In Japan, sushi is often synonymous with nigirizushi: sliced seafood and a daub of wasabi atop vinegared rice. As part of Japan’s washoku tradition, this singular image of sushi (allegedly) reflects the deepest essence of Japanese cultural sensibilities tied to simplicity, perfection, and nature. But in America, consumers’ …

Historical Consciousness, The Cultural Imaginary And Postcolonial Subjectivity In Ruth Ozeki's A Tale For The Time Being, Cassandra S. Curatolo

Cal Poly Humboldt theses and projects

This project fuses personal narrative and literary criticism, as it excavates Ruth Ozeki’s representations of Japanese culture in the novel A Tale for the Time Being. I argue that her use of stereotype unsettles popular images of Japan by constructing characters who challenge the hegemonic gaze of the Western cultural imaginary. My reading connects continuing investment in these stereotypical representations to the postmodern epoch, where individuals and society as a whole have become incapable of dealing with the past. I explore the links between postmodern amnesia, the disappearance of a multiplicity of perspectives in history and the inclination of …

Japan's Employment 'Catch-22': The Impact Of Working Conditions For Women In Japan On Japan's Demographic Population Crisis, Mary Perkins

Master's Theses

This thesis examines Japan’s aging population crisis and gender inequalities in the workplace. This topic presents an interesting and challenging phenomenon for Japan, as Japan’s economy and technology have developed more rapidly than almost any other country, establishing Japan as one of the Group of Seven industrialized nations. Yet Japan still significantly lags behind other industrialized nations when it comes to women’s rights and opportunities for advancement in the workplace. This is in turn hampering efforts for Japan to address a population crisis, with an older population growth rate far outpacing the growth of demographic groups that would support the …

Blasian And Proud: Examining Racialized Experiences Amongst Half Black And Half Japanese Youth In Japan, Helen Itsel Aracena

Senior Projects Spring 2017

Senior Project submitted to The Division of Social Studies of Bard College.