Digital Commons Network^™

Permutations, Casey Beck

School of Art, Art History, and Design: Theses and Student Creative Work

I make pottery not only out of a passion for my material, clay, and for the complex processes of wheel throwing and atmospheric firing, but also out of a passion for living with, using, and sharing handmade objects. For me, using pottery daily is an act of celebration. My philosophy of making pots comes in part from the particular history of utilitarian pottery that has developed over the last sixty years in Minnesota and Western Wisconsin, where I went to school and began my career as a potter. More recently, the form language that I employ in my work has …

Apt 2b, Aleda Marinda Rosenblum Katz

Senior Projects Spring 2024

Apt 2B

I have comfort in the haphazard mess that I grew up in. 502 East 11th Street had an accumulation of stuff from my grandmother, grandfather, mother, father, myself and the creatures we were willingly and unwillingly surrounded by.

After my grandmother died, her debt was passed through to my mother who was forced to sell the 1830s tenement apartment building my mom and I both grew up in. All I could think about were the spatulas and wooden spoons that had fallen behind the stove and pennies that had wedged themselves in the cracks of the floorboards that …

Floral Alchemy: Decorative Porcelain Tableware, Stacy Lynn Larson

Graduate Theses, Dissertations, and Problem Reports

This written thesis accompanies and addresses work shown in my Master of Fine Arts thesis exhibition, Floral Alchemy: Decorative Porcelain Tableware, at West Virginia University. Within this document, I address my research, inspiration, and process as I created the body of work shown in my thesis exhibition. My personal fascination with plants and flowers stimulates my research in the relationship between flora and humankind. Throughout history, plants have consistently had a deep impact on human culture as seen in mythology, language, ritual, art, and medicine. With an understanding of this historical context, I analyze my personal connection with flowers in …

Horse Cave Heritage Festival, 2013 (Fa 1400), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1400. Audio, photographs, and narrative stage logs documenting the Horse Cave Heritage Festival, an annual September event in Horse Cave, Kentucky celebrating local heritage with craft artisans, antique vehicles, children’s activities, food, music, and other attractions. Includes interviews and a narrative stage hosted by the Kentucky Folklife Program.

Evaluation Of Some Selected Gap-Filling Materials Used In Restoration Of Archaeological Pottery Excavated From Tell Basta In Sharkia: An Experimental And Applied Study, Walid Kamel El-Ghareb

Journal of the General Union of Arab Archaeologists

تقييم بعض مواد الاستكمال المستخدمة في ترميم الفخار الأثري المستخرج من تل بسطة بالشرقية: دراسة تجريبية وتطبيقية [Ar]

الفخار الأثري الذي تم الكشف عنه بتل بسطة بالشرقية هش ومكسور، ومعظم القطع الفخارية المستخرجة من الحفائر تعاني من فقد لأحد الاجزاء مثل البدن أو الفوهة أو المقبض أو الحافة أو القاعدة، ومثل هذه النوعية تحتاج إلى عمليات استكمال حيث تعد من أهم عمليات الترميم والصيانة لتلك النوعية من الآثار الفخارية. وتعتبر عملية الاستكمال بمثابة إعادة احياء تاريخي للفخار بالتعرف على معالمه الاجتماعية والاقتصادية والدينية. وتم إجراء تقييم لبعض مواد الاستكمال المختارة بإجراء العديد من التجارب والاختبارات كتعيين وقت التشغيل ودرجة الانكماش …

2023 Addendum To The Rough Cilicia Kiln Site Ceramics (Syedra, Delice, Biçkici, And Antiochia Ad Cragum): An Update To The Kiln Sites, Nicholas K. Rauh

Rough Cilicia Archaeological Survey Project, 1996-2011

This addendum summarizes the ceramic remains recovered by the Rough Cilicia Archaeological Survey Project at four posited amphora kiln sites in the survey area: the Syedra Kiln Site, the Biçkici Kiln site, the Antiochia ad Cragum Kiln Site, and the Delice Kiln Site. All four sites were identified early on during the survey (1995-1997). The survey team conducted grab collections and triaged dozens of sherds recovered by 1997, before returning the bulk of these fragments to the field. A representative sample of the amphora fragments together with context ceramics for each site was conserved at the Alanya Archaeological Museum. In …

Silhouette, Andy Bissonnette

School of Art, Art History, and Design: Theses and Student Creative Work

As a potter, I am deeply interested in the union between form, surface, and function. I believe these elements are intrinsically connected and the most successful pots are able to balance all three in a way that is both aesthetically pleasing and practical. From the proportional relationship between the foot and rim, to the way a glaze breaks or pools across an articulated surface, each detail is crafted with intention and care. Silhouette is a metaphor for how I conceptualize and conceive each of my pieces. It’s a way to explore form through both an aesthetic and practical approach. My …

The Day Before The Day, Marlaina Lutz

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

The reason any particular moment has the potential to change the course of your life is because of the accumulation of meaningful moments that happened in between. The in between is where care happens. It’s where acts of kindness are done without witnesses and where vulnerability is met with an unconditional reception. It’s where trust is built and where our darkest and brightest parts become exposed. Can you remember what you did the day before you decided someone was your best friend? Or what you did the day before you spoke to a parent for the last time? What about …

The Birds That Embrace Both Illusions: An Intersemiotic Translation Of All Watched Over By Machines Of Loving Grace By Richard Brautigan, Veronika Yadukha

Comparative Literature M.A. Essays

This essay analyzes the influence of various worldviews on Richard Brautigan's poetry, which form his particular language. A combination of Zen Buddhism, Japanese aesthetics, American poetic tradition, and echoes of the philosophy of absurdism are some of the core themes that serve as mechanisms for Brautigan's poems.

For each chapter of the book All Watched Over by Machines of Loving Grace, I make an intersemiotic translation transposing Brautigan's poems into ceramic tea bowls. By combining different art forms and translating from an abstract symbolic art – poetry – to a form of applied art that is much more physically …

La Cerámica Ecuatoriana Del Periodo Formativo. Las Culturas Valdivia, Machalilla Y Chorrera, José Luis Pano Gracia

Tejiendo imágenes. Homenaje a Victòria Solanilla Demestre

Nos proponemos en este artículo hacer una reflexión sobre la cerámica que se produjo durante el periodo Formativo o Preclásico en el área andina septentrional (3500-500 a.C.). En especial, sobre las figuras de cerámica que se desarrollaron en las culturas del país que hoy denominamos Ecuador, principalmente las pertenecientes a los yacimientos de Valdivia, Machalilla y Chorrera. Asimismo, trataremos de establecer las oportunas comparaciones con las que se dieron en las tierras del antiguo México, como es el caso de las pretty ladies o mujeres bonitas que tan abundantemente salieron en las excavaciones del yacimiento de Tlatilco. Sin olvidarnos tampoco …

Pottery Horizons Of The Jalul Ceramic Assemblage In The Iron Age Iia-C From Square G4 In Its Historical And Geographical Context, Michael Christian Orellana Mendez

Andrews University Seminary Studies (AUSS)

This is a dissertation abstract.

Ryan Hitt Collection, University Archives And Special Collections, Prescott Memorial Library, Louisiana Tech University

University Archives Finding Aids

The Ryan Hitt Collection (800 C.E. - 1600 C.E.; 2 linear feet) is a collection of pottery shards, points, and plumbs found by the donor hunting for artifacts in fields and woods.

Ceramics And Life In Tandem, Katharine Lee Robbins

LSU Master's Theses

From the ground up, my work emerges slowly. As each coil is added, I am conscious of how my body is interacting with the rich red clay body. Each time I press clay between my hands, the material reacts and changes. It gives me comfort to feel a tangible response as I push my body into the clay. The cyclical process of art making becomes my daily ritual. Each step is repeated over and over again until it becomes ingrained in my body’s existence.

As I add coils to my work, particularly the large sculptures, I continuously circle around each …

Sweet Nothing, Austin Riddle

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

These pots were made as companions for you and your home. A vase for your table, full of freshly picked flowers as you and your partner eat breakfast and plan your day's activities. Large platters and compartment trays to present home-cooked meals with friends on a warm summer evening. Whiskey sippers that nestle in warm hands, topped off as needed from a half-empty bottle of Jack Daniels.

As a maker, I play these moments on repeat in my mind. As a designer, these scenarios direct the formal elements I develop for each piece. Pushing out an exaggerated belly on a …

The Shape Of Faith: Understanding God Through Pottery, Kenton Ke

Undergraduate Theses, Professional Papers, and Capstone Artifacts

The Bible uses the relationship between a potter and the clay as a metaphor to describe the relationship between God and humans. “Yet you, Lord, are our Father. We are the clay, you are the potter; we are all the work of your hand.” (Isaiah 64:8, NIV). This paper will expand on this metaphor, and draw parallels between the development of personal relationships with God and the complicated processes of pottery making.

Enduring Traditions: The Collared Pithos Of Transjordan, Trisha Gallimore Broy

Dissertations

Problem

The collared pithos is a very tall, ovaloid, ceramic storage vessel peculiar to the southern Levant. Through the data that has emerged from Cisjordan a general consensus has developed that the collared pithos is part of an Iron Age 1 tradition that ended in the early years of the Iron Age 2. The data from Transjordan, however, is less familiar in discussions of the vessel, as it has only been added to the corpus within the last few decades. Preliminary indications from excavations in Transjordan reveal a different chronological scope and evolution of form than is observed in Cisjordan. …

Six Unusual Boats From Tell Awlad Dawood In The Nile Delta, Ehab Gamil Abd El-Krim, Ahmed Said Nassef

Journal of the General Union of Arab Archaeologists

(En)

Tell Awlad Dawood is a Predynastic and Early Dynastic settlement located in Sharqiya Province. The site is a small Tell. It has been occupied from the beginning of the 4th millennium BC to the Late Period, but its main occupation took place during the Predynastic and Early Dynastic times. The site of Tell Awlad Dawood in the eastern Nile Delta has been the focus of excavation since 1978. Until 1997, the main discoveries made at the site were: some buildings, bowls, platters and vats, ovoid and globular pots, large pots with a wide opening, jars, some lithic industry, and …

Drink Up: A Study Of The Food-Safe Quality Of Ceramics Glazes With The Addition Of Rutile, Morgan A. Baldinelli

Honors College Theses

Food-safe ceramic glazes can be altered with additives and become harmful to the user of the ceramic ware. Rutile is a frequently used material added to glazes to create variegation in glazes, but it is commonly known to cause defects in the glaze that can be unsafe for food. This experiment is conducted to determine if rutile can be added to food-safe glazes and still retain their food-safe status. A food-safe glaze is a shiny, thin coating that does not leach chemicals or has an excess of colorants; common food-safe glazes are white liners and clear glazes as they have …

Common Objective, Josh Scott

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Pots are like people. Gestural qualities can make pots appear to move like people. They form groups in ways that people might. Repeated forms on a pedestal can appear to be in formation like a military unit. More importantly, pots perform specific jobs or tasks in ways similar to people.

Inherently, the job someone holds or the function of a pot will have an effect on perceived importance. A funerary urn may seem to be a more important form than a coffee mug, yet both are committed to specific tasks. This can be likened to a lineman and a doctor. …

Thank You For Tody, Britton Thorp

Theses - ALL

The objective of this thesis paper is to describe my current projects and research within my studio practice. First, this thesis illustrates my personal journey from addiction to recovery and therefore sets the tone of gratitude for the rest of the paper. Next, the paper discusses my methodology and processes within the ceramics medium. Then, the thesis goes on to draw conceptual parallels between fine art and the culinary arts, leading the reader back to core concepts within recovery and art making. Finally, the paper concludes by discussing core values discovered throughout my tenure as a maker and reaffirms why …

Thank You For Tody, Britton Thorp

Theses - ALL

The objective of this thesis paper is to describe my current projects and research within my studio practice. First, this thesis illustrates my personal journey from addiction to recovery and therefore sets the tone of gratitude for the rest of the paper. Next, the paper discusses my methodology and processes within the ceramics medium. Then, the thesis goes on to draw conceptual parallels between fine art and the culinary arts, leading the reader back to core concepts within recovery and art making. Finally, the paper concludes by discussing core values discovered throughout my tenure as a maker and reaffirms why …

Growth, Taylor Sijan

School of Art, Art History, and Design: Theses and Student Creative Work

I craft functional pottery that is richly decorated with layers of abstracted botanical imagery. While working within the parameters of function, I explore the possibilities for expressing and evoking beauty through altered porcelain forms and lush surfaces. As a potter, I create forms that inspire curiosity and interaction through a balance of originality and suggested function. I connect myself to others through the intermediary of the vessel, conveying my reverence for plants, nourishment and beauty. People then interpret how to use my work, adding their own sentiments as it becomes part of their lives. Pots live in the home, bridging …

Microstructure And Damage Assessment Of Some Ptolemaic Pottery Objects At Tell Abu Yasin In Sharkia, Egypt: Case Study, Walid ᾿El-Ghareb ᾿El-Ghareb

Journal of the General Union of Arab Archaeologists

(En)

Tell Abu Yasin is one of the most important sites in Sharkia governorate and dates back to Ptolemaic age. Many tests and analyses were performed to diagnose damage manifestations of some pottery pieces. The research has proven that the clay used in that pottery is Nile Clay, while tempers are sand, grog, and limestone powder. The used shaping technology was potter wheel, surface treatment is slip layer, and the burning atmosphere inside the kiln was reduced for the first pot and oxidized to the second and third piece. Pottery objects suffer from physiochemical damage by soil sediments, in addition …

Pottery Horizons Of The Jalul Ceramic Assemblage In The Iron Age Iia-C From Square G4 In Its Historical And Geographical Context, Michael Christian Orellana Mendez

Dissertations

Problem

Several scholars have debated the traditional and low chronology of the Iron Age in Southern Levant using pottery as one of their main pieces of evidence. Both approaches disagree in regards to the dates assigned to the early Iron Age II pottery. To achieve a better understanding of the problem, the still rudimentary knowledge of Iron Age II pottery in Transjordan needs to be improved. Since 1992, Tall Jalul—the largest tell site in the central Jordan plateau—has been due for a comprehensive study of its ceramic assemblages. The site produced Iron Age IIA-C pottery in stratified layers, and it …

Combat Artist, Delvin Goode

Master's Theses

The integral bond that unites the American citizen with the selfless men and women of the Armed Forces will be strengthened through my juxtaposition of uncommonly complementary crafts. “Combat Artist”, featuring high-quality ceramic mugs, unique packaging, pristine painted panels, and kindred graphics will bridge a gap that enhances relationships between these two worlds through a shared love of country and shared culture. The resultant works create fantastic windows into my military life communicating messages full of humor, patriotism, and love. I aspire to masterfully unite ceramic techniques with proven principles of design distributed across all mediums within my work, culminating …

Waiting Room, Adam Lefebvre

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Waiting can be exasperating, but sometimes that helplessness, knowing there is nothing to do but wait, is a comfort.

I have come to understand the value of the handmade through using and living with thoughtfully crafted objects. I am attracted to goods made by people who give voice to their material. When this is done well, I slow down and pay more attention to the object and the task they are performing.

Attraction and distraction. What are the differences between objects meant to attract our attention and those meant to distract? I would much rather lead a life full …

Legacy - September 2020, South Carolina Institute Of Archaeology And Anthropology--University Of South Carolina

SCIAA Newsletter - Legacy & PastWatch

Contents:

Ancient Weapons from the Siege of Ninety Six…..p. 1

Director’s Notes…..p. 2

New Books Include Contributions by SCIAA Staff…..p. 4

Artillery Ammunition from the 1781 Siege of Star Fort…..p. 5

The Wateree Bug: Hellgrammites, Dobsonflies, and Mississippian Period Potters…..p. 8

Sixteenth-Century Scale Weights from Santa Elena…..p. 12

Update on the Activities of the Southeastern Paleoamerican Survey (2014-2020)…..p. 17

Field Slave Quarters Discovered at Historic Brattonsville…..p. 23

Castle Pinckney Work Continues: Testing and Monitoring During the Down Season in 2020……p. 26

A Vietnam War-Era Training Village at Fort Jackson…..p. 28

Archaeological Survey at Rose Hill Plantation State Historic Site…..p. 31 …

The Ramey Incised Pottery Of Cahokia (Il) Usa: Diffusion And Reinterpretation Of Its Iconographic Message, Melissa Mattioli

Congreso internacional sobre iconografía precolombina, Barcelona 2019. Actas.

Una interpretación iconográfica adaptada y adoptada por toda la zona Mississippiana. Cahokia es el asentamiento más antiguo y más grande en la América del Norte precolombina. Situado a pocos kilómetros de la actual ciudad de St. Louis, MO (USA), este sitio arqueológico se convirtió en el mayor asentamiento Mississippiano desde la mitad del siglo XI hasta su abandono, al final del siglo XIV. El modelo cosmológico Mississippiano, trasmitido a través de la iconografía de la cerámica Ramey Incised, generalmente está relacionado con los mundos superior e inferior. Tradicionalmente, se reconoce que la presencia de la cosmógrafia de estilo Cahokiano fuera …

Ancestral Pueblo Pottery: Cataloguing, Curation, Mount-Making And More, Elizabeth A. Jennings

Ursidae: The Undergraduate Research Journal at the University of Northern Colorado

Ancestral Pueblo pottery is some of the most renowned pottery of its kind in North America, yet outside of the archaeology and art history communities its beauty and complexity is not well known. The University of Northern Colorado has a vast and remarkable collection of artifacts, predominately comprised of Native American pottery and ceramics. This collection was not previously widely accessible, partially because it was not published. The purpose of my research was to create an exhibition highlighting this collection of Ancestral Pueblo pottery in Michener Library at University of Northern Colorado, as well as an interactive touch screen kiosk …

Eat My Quartz, Neil Celani-Morrell

School of Art, Art History, and Design: Theses and Student Creative Work

Pottery has a remarkable ability to tap into the human collective experience, so it is no surprise I express my own understanding of the world by working within the boundaries of “the pot”. With the capacity to communicate conceptual meaning and to serve as objects of utility, pottery not only dances in the notorious territory between art and craft, it embodies the human spirit.

My pots are totems of my existence and this work is an authentic representation of my creative journey. They are an homage to the key influences in my life which have informed and encouraged my creativity …