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Tracing The Material: Spaces And Objects In British And Irish Modernist Novels, Mary Allison Wise

USF Tampa Graduate Theses and Dissertations

Tracing the Material considers how James Joyce’s Ulysses, Virginia Woolf’s The Years, and Samuel Beckett’s Murphy represent material spaces and objects as a way of engaging with the fraught histories of England and Ireland. I argue that these three writers use spaces and objects to think through and critique nineteenth and early twentieth-century conflicts and transitions, particularly in the areas of empire, nationalism, gender, and family. Writing in the 1920s and 1930s, in the decline of British ascendency, the rise of the Irish Free State, and between the World Wars, these writers seek to interpret their history through …

James Joyce's Model Dublin, Barry Sheehan

Academic Articles

“You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space.” (Joyce,1986, p.31).

James Joyce wrote about Dublin from a position of exile. He created a model Dublin, one in which he mixed people and places, events and activities, real and imagined and combined them into a city that suited his own ends.

This imagined city has been examined remotely in a multiplicity of ways, and by people in a way that the real city has not. One can ask whether it is Dublin at all? …

The Future Of Joyce's A Portrait: The Künstlerroman And Hope, David Rando

English Faculty Research

This essay aims to capture some of the future effects that result from A Portrait's manipulation the artist novel genre. Drawing on Ernst Bloch's distinctions between the detective and the artist novel genres, this essay views A Portrait as a hybrid of both genres, at once obsessed with detective fiction's 'darkness at the beginning' (as emblematized by Stephen's anxiety surrounding the Foetus inscription) and the artist novel's 'not-yet' (as emblematized by the wish image of Stephen's green rose). A Portrait's status as an artist novel is complicated by Stephen's reprisal in Ulysses, but this essay argues that, …

James Joyce’S Gnomon Of Pain In “Grace” And “The Dead”, Bari K. Boyd

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Resonant Texts: Sound, Noise, And Technology In Modern Literature, Leah Hutchison Toth

Theses and Dissertations--English

“Resonant Texts” draws from literary criticism, history, biography, media theory, and the history of technology to examine representations of sound and acts of listening in modern experimental fiction and drama. I argue that sound recording technology, invented in the late 19th century, equipped 20th century authors including James Joyce, Virginia Woolf, Ralph Ellison, and Samuel Beckett with new resources for depicting human consciousness and experience. The works in my study feature what I call “close listening,” a technique initially made possible by the phonograph, which forced listeners to focus exclusively on what they heard without the presence of an accompanying …