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A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox Nov 2015

A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox

Doctoral Dissertations

This dissertation examines the artistic, historical and theoretical concerns that, for the past century, have shaped the Irish short story, the Irish nation and the body of criticism that mediates between the two. In Ireland, I argue, the prevailing critical narrative of the short story’s emergence and ongoing literary purpose has been bound up with the political narrative of the nation state’s decolonization. This process I view as symptomatic of a broader critical tendency to view Irish cultural narratives as inextricable from national ones, whereby literary interventions either are viewed as mere reflections of, or are assimilated to systems of …


Stephen Dedalus' Search For Identity In Catholic Ireland, Cristina L. Cuevas Oct 2015

Stephen Dedalus' Search For Identity In Catholic Ireland, Cristina L. Cuevas

FIU Electronic Theses and Dissertations

The purpose of my research was to explore the interplay between religion and art in James Joyce’s novel, A PORTRAIT OF THE ARTIST AS A YOUNG MAN. My aim was to trace the development of the protagonist, Stephen Dedalus by analyzing how Catholicsim is an institution that forms him, yet must reject to realize his artistic potential. I researched Joyce’s background to gain an understanding of the exilic experience on the literature. Through the exilic lens, I realized that Catholicism was the predominant influence on Stephen’s need to embark on a self-imposed exile at the end of the novel. …


‘Ireland On A Plate’: Curating The 2011 State Banquet For Queen Elizabeth Ii, Elaine Mahon Aug 2015

‘Ireland On A Plate’: Curating The 2011 State Banquet For Queen Elizabeth Ii, Elaine Mahon

Articles

State dining has been shown to define the social, cultural and political position of a nation’s leaders (Albala, 2011; Baughman, 1959; Strong, 2003) and has been used by rulers for centuries to display wealth, cement alliances and impress foreign visitors (Albala, 2007; De Vooght and Scholliers, 2011; Young, 2002). This paper will show how the state banquet for Queen Elizabeth II was carefully curated to represent Ireland’s diplomatic, cultural and culinary identity. As the first visit by a reigning British monarch since Ireland had gained independence from Britain in 1922, the state visit of Queen Elizabeth II to Ireland in …


Faith In Our Fathers: Can You Believe In Fictional Priests?, Eamon Maher Jun 2015

Faith In Our Fathers: Can You Believe In Fictional Priests?, Eamon Maher

Articles

I was struck recently by an article that appeared in the online section ofthe Irish Times (November 14th. 2015). Written by a priest called Martin Boland, the piece was prompted by the publication of a novel by John Boyne, A History of Loneliness, which has as its main protagonist Fr Odran Yates, who is forced to live in an Ireland where the priest is more likely to be viewed as a paedophile or pariah than as a respected member of society. Clearly a novelist as disaffected as Boyne admits to being with the Catholic Church, would find it hard to …


Henry Viii And The Irish Political Nation: An Assessment Of Tudor Imperial Kingship In 16th Century Ireland, Emily Schwartz Jun 2015

Henry Viii And The Irish Political Nation: An Assessment Of Tudor Imperial Kingship In 16th Century Ireland, Emily Schwartz

Honors Theses

Ireland in the 16th century was by far the most self-governed domain under the authority of King Henry VIII. Within Ireland there were two distinct groups of people, the Gaelic Irish and the Anglo-Irish, whose cultural differences divided the island into two distinct political nations. The majority of Ireland was dominated by Gaelic Irish lordships. Gaelic Irish lords recognized the English king as their overlord, but followed Gaelic customs and laws within their lordships. The small sphere of English influence in Ireland was reduced even more by the political hegemony of the Anglo-Irish magnates. The most powerful magnate, the 9th …


The Irish Ordnance Survey's Six Inches To One Mile Map Of Ireland: Anglicization And Otherness, Reese C. Hentges Mar 2015

The Irish Ordnance Survey's Six Inches To One Mile Map Of Ireland: Anglicization And Otherness, Reese C. Hentges

History Undergraduate Theses

By examining the power maps and language have over a nation this research reveals a correlation between the creation of the 1846 Six Inches to One Mile Maps of Ireland and the decline of the Gaelic language at the expense of the English language. By examining Irish Ordnance Survey maps, Ordnance Survey Memoirs of Ireland, and other documents from the Irish Ordnance Survey while the Six Inches to One Mile Maps of Ireland this thesis demonstrates that the Six Inches to One Mile Maps of Ireland was a tool of imperialism used by Great Britain to culturally assimilate Ireland by …


Blarney In St. Louie: Performing Irishness At The Louisiana Purchase Exposition, 1904, Cassandra L. White Jan 2015

Blarney In St. Louie: Performing Irishness At The Louisiana Purchase Exposition, 1904, Cassandra L. White

All Master's Theses

The dynamics of power between the privileged and those who must be subordinate to them was glaringly apparent at the 1904 Louisiana Purchase Exposition in St. Louis. While natives from many countries were displayed in ethnographic villages, the Irish were represented in the Irish Industrial Exposition concession on the Pike. A group of ninety performers came from Ireland to show their skills this concession; among these were a troupe of actors from Dublin. The Dublin troupe was engaged to perform AE’s Deirdre, but left before they had been at the exposition for a month because they felt that the Irish …


"There Were Streets": Urban Renewal And The Early Troubles In London/Derry, Northern Ireland, Margo Shea Dec 2014

"There Were Streets": Urban Renewal And The Early Troubles In London/Derry, Northern Ireland, Margo Shea

Margo Shea

Spatializing Politics is an anthology of emerging scholarship that treats built and imagined spaces as critical to knowing political power. In academic and popular discourse, spaces tend to serve as passive containers, symbols, or geographical coordinates for political theories, ideologies, and histories. By contrast, the essays in this collection illustrate how buildings and landscapes as disparate as Rust Belt railway stations and rural Rwandan hills become tools of political action and frameworks for political authority. Each chapter features original research on the spatial production of conflict and consensus, which ranges from exclusion and incarceration to reclamation and reconciliation. By focusing …