Digital Commons Network^™

Intermedial Strategies Of Memory In Contemporary Novels, Sara Tanderup

CLCWeb: Comparative Literature and Culture

In her article "Intermedial Strategies and Memory in Contemporary Novels" Sara Tanderup discusses a tendency in contemporary literature towards combining intermedial experiments with a thematic preoccupation with memory and trauma. Analyzing selected works by Steven Hall, Jonathan Safran Foer, and Judd Morrissey and drawing on the theoretical perspectives of N. Katherine Hayles (media studies) and Andreas Huyssen (cultural memory studies), Tanderup argues that recent intermedial novels reflect a certain nostalgia celebrating and remembering the book as a visual and material object in the age of digital media while also highlighting the influence of new media on our cultural understanding and …

New Challenges For The Archiving Of Digital Writing, Heiko Zimmermann

CLCWeb: Comparative Literature and Culture

In his article "New Challenges for the Archiving of Digital Writing" Heiko Zimmermann discusses the challenges of the preservation of digital texts. In addition to the problems already at the focus of attention of digital archivists, there are elements in digital literature which need to be taken into consideration when trying to archive them. Zimmermann analyses two works of digital literature, the collaborative writing project A Million Penguins (2006-2007) and Renée Tuner's She… (2008) and shows how the ontology of these texts is bound to elements of performance, to direct social interaction of writers and readers to the uniquely subjective …

Experiencing The Ineffable, Joseph O'Brien

CrissCross

I can recall the first time I learned to take a fish off the hook after catching it. My grandfather and I were fishing in a river near my home in Connecticut, the sun shone off the yellow of a pumpkinseed sunfish's belly. After removing it from the hook, I put it in a five-gallon pail of water. Despite the clarity of the things I do recall, there are those elements of this memory that remain wholly inaccessible to me. I cannot remember whether it was late spring or early autumn, what color my rod was, or if there were …

Family Memory, Religion And Radicalism: The Priestman, Bright And Clark Kinship Circle Of Women Friends And Quaker History, Sandra Stanley Holton

Quaker Studies

In the nineteenth century, women Friends frequently preserved private family papers - spiritual memoranda, letters, diaries, photograph albums, household accounts, visitors books and so on. One such collection holds the personal papers of women in, among others, the Bragg, Priestman, Bright, and Clark families, who lived during this period mainly in the regions of Newcastle, Manchester and Bristol. Such material allows an exploration of the domestic culture shared among these families and, in particul ar, the legacy of family memory preser ved among this collection. A significant part of that legacy, it is argued, was the various representations of womanliness …

The Missing Picture - Film Review, Lior Zylberman

Genocide Studies and Prevention: An International Journal

Review of The Missing Picture, directed by Rithy Panh

The Ha-Ha Holocaust: Exploring Levity Amidst The Ruins And Beyond In Testimony, Literature And Film, Aviva Atlani

Electronic Thesis and Dissertation Repository

ABSTRACT

Jewish humour sheds a crude light on the social, political, and historical realities of the Holocaust. Paradoxically, contentiously, doses of levity during this period were very much a reality, and even a psychological necessity. The purpose of my thesis is to explore the historical, social, and political ramifications of such laughter provoking manifestations. In doing so, the nuances are highlighted which are found within the laughter of the ghettos, the transit camps, and the concentration camps. Furthermore, some of these jokes, and their subsequent variations, reappear within the discourse of children of survivors. The dissertation explores how some of …

Spaces That Remember, (Mis)Remembered Places, Malgorzata Bakalarz-Duverger

Jan Karski Conference

No abstract provided.

A Space Without Memory: Time And The Sublime In The Work Of Janet Cardiff And George Bures Miller, Margherita N. Papadatos

Electronic Thesis and Dissertation Repository

The central question of my investigation is: how do artists present the unpresentable when presentation itself is impossible? Concentrating solely on Janet Cardiff and George Bures Miller’s artworks Opera For a Small Room (2005) and The Killing Machine (2007), I redevelop Jean François Lyotard’s concept of the sublime as put forth in his The Inhuman: Reflections on Time, in order to ask how Cardiff and Miller give shape to the unpresentable in their work. Opera and Killing are works that dynamically problematize and play with ideas of presentation, subjectivity, memory, and time. Thus, I explore my central question of …

The 2014 Jan Karski Memory And Responsibility Conference Program, Loyola University Chicago

Jan Karski Conference

No abstract provided.

Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets

CLCWeb: Comparative Literature and Culture

In her article "Time, Photography, and Optical Technology in Nabokov's Speak, Memory" Tetyana Lyaskovets discusses how Vladimir Nabokov narrates time in his autobiography by invoking photography and optical instruments. Photography and optical technology function in Speak, Memory as metaphors and probe the limits of chronological time. Nabokov portrays time as personal and reversible time that collapses the past and the present and allows one to glimpse the future. Because this temporal collapse is not possible physically but, as Nabokov believes, can be achieved through one's will, he engages optical technologies which provide a spatial form for his project to …

Imaginings On The Edge: Myth, Mourning And Memory In Sydney's Fringe Communities, Ian C. Willis

Ian Willis

Sydney’s urban sprawl has moved across the Cumberland Plain and swallowed up former rural communities and created new suburbs on the rural-urban fringe. Urban growth has precipitated new cultural landscapes and destroyed others as the metropolitan edge makes its way across the countryside. The outer metropolitan area is a theatre for the re-making of place in fringe communities that illustrate the dynamic nature of the rural-urban frontier and the contested forces that are unleashed by urban growth.

Effects Of Popular Music On Memorization Tasks, Kristin Sandberg, Sarah Harmon

Journal of Undergraduate Research at Minnesota State University, Mankato

This study investigated the effects that popular music has on memory performance. It was proposed that popular music would adversely affect both studying and memory recall. Forty introductory psychology students participated in the study. Subjects were given a list of fifty words to study in 6 ½ minutes, with music either being present or absent. This was termed the learning stage. In this study, four conditions were tested. In all 4 conditions, subjects were assigned to either a “music” pre-period or a “non-music” pre-period and a “music” post-period or a “non-music” post-period. After they had studied the words, subjects were …

The [Ftaires!] To Remembrance: Language, Memory, And Visual Rhetoric In Chaucer's House Of Fame And Danielewski's House Of Leaves, Shannon Danae Kilgore

Honors Program Theses

Geoffrey Chaucer's dream poem The House of Fame explores virtual technologies of memory and reading, which are similar to the themes explored in Danielewski's House of Leaves. "[ftaires!]", apart from referencing the anecdotal (and humorous) misspelling of "stairs" in House of Leaves, is one such linguistically and visually informed phenomenon that speaks directly to how we think about, and give remembrance to, our own digital and textual culture. This paper posits that graphic design, illustrations, and other textual cues (such as the [ftaires!] mispelling in House of Leaves] have a subtle yet powerful psychological influence on our reading and …

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …

A Time To Remember U.S. Rise As A World Power, Ian A. Isherwood

Civil War Institute Faculty Publications

This summer marks the centenary of the outbreak of the First World War. In the United States, the war has been long eclipsed by the other great conflicts straddling it - the Civil War and Second World War - and as a result has been unfairly pushed to the margins in our national memory.

My hope is that the First World War's centennial, starting this summer and ending in 2018, will be an opportunity for Americans to break out of our intellectual isolationism and discover again a conflict that not only transformed world history, but also America's place within it. …

Less Is More. Effects Of The Amount Of Information And Its Presentation In The Recall And Reception Of Audio Described Characters, Nazaret Fresno, Judit Castellà Mate, Olga Soler Vilageliu

Writing and Language Studies Faculty Publications and Presentations

Audio description is a discipline within Translation Studies aimed at making audio visual products and events accessible to blind and visually impaired audiences. Works of art, TV programs, films and stage arts are audio described in order to guarantee that anyone, regardless of his/her visual capacity, can enjoy them. In the case of films, it consists of a verbal description of visual details such as settings and characters (what they look like, what they do and how they do it) provided to the audience in those parts of the movie where no relevant sounds or dialogues are heard.

The nature …

The War That Does Not Leave Us: Memory Of The American Civil War And The Photographs Of Alexander Gardner, Katie Janae White

Theses and Dissertations

In July of 1863 the photographs A Harvest of Death, Field Where General Reynolds Fell, A Sharpshooter's Last Sleep, and The Home of a Rebel Sharpshooter were taken after the battle at Gettysburg by a team of photographers led by Alexander Gardner. In the decades that followed these images of the dead of the battlefield became some of the most iconic representations of the American Civil War. Today, Gardner's Gettysburg photographs can be found in almost every contemporary history text, documentary, or collection of images from the war, yet their journey to this iconic status has been little discussed. The …

Introduction To History, Memory, And The Making Of Character In Roth’S Fiction, Victoria Aarons, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

No abstract provided.

Memoric Form: Poem As Memory, Lawrence V. Eby

Electronic Theses, Projects, and Dissertations

Machinist in the Snow is a narrative long poem, much like a novel in verse that deals with the loss of memory and environmental rebirth. In the book, the narrator exiles himself into a frozen nature and attempts to return the frozen wasteland into its former, flourishing environment. The poems take on the memoric form of memory in a wide range of poetic forms from the traditional sonnet, haiku, or villanelle, to a scattered projective verse. In the center of these poems is an attempt to mimic the mind in the way that it shifts, in its moments of clarity, …

Held, Erika Diamond

Theses and Dissertations

My work is a symptom of my ongoing quest to achieve immortality. I perpetually attempt to make permanent the traces we leave behind and the impressions we make upon each other. I use the body to portray boundaries – between the skin and the heart, comfort and disquiet, holding and letting go. The objects I make serve both as an agent for physical contact and as the commemoration of an ephemeral interaction. I create personal fossils, revealing the interstices formed when two bodies come into contact with one another. I use materials that reference endurance and longevity to record transient …

Submersion, Hannah M. Harper Ms.

Undergraduate Honors Theses

The artist discusses the influence, concept, and process behind creating a cohesive body of work and accompanying show, Submersion, for the completion of her Bachelor of Arts degree and undergraduate research for the Fine and Performing Art Scholars branch of East Tennessee State University's Honors College. The show is to be held May 1st through May 7th of 2014 with its reception on May 3rd in the Submarine Gallery located on ETSU campus. The artist explored themes of the unknown, subconscious, and memory, using water as a reoccurring symbol. The works include five large portraits and two small to medium …

The Highland Clearances And The Politics Of Memory, Daniel Guy Brown

Theses and Dissertations

This dissertation explores the ways that the Highland Clearances of Scotland have entered into public consciousness through primary and secondary sources. My dissertation argues first that the Highland Clearances fall within the sphere of colonial intervention, and secondly that there exists a robust body of cultural production that reflects the postcolonial nature of the Highlands. This cultural production is the subject of my dissertation, which examines primary and secondary histories, historical novels, drama and public memorials that preserve and reconstruct the memory of the Clearances. The first chapter examines a number of primary and secondary histories of the Highland Clearances. …

The Pool Of Memory, Elizabeth Diane Hansen

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

A selection of images portraying "The Pool of Memory"

A Memento Of Complexity: The Rhetorics Of Memory, Ambience, And Emergence, Glen Southergill

All Dissertations

Drawing from complexity theory, this dissertation develops a schema of rhetorical memory that exhibits extended characteristics. Scholars traditionally conceptualize memory, the fourth canon in classical rhetoric, as place (loci) or image (phantasm). However, memory rhetoric resists the traditional loci-phantasm framework and instead emerges from enmeshments of interiority, collectivity, and technology. Emergence considers the dynamics of fundamental parts that generate complex systems and offers a methodological lens to theorizing memory. The resulting construct informs everyday life, which includes interfacing with pervasive computing or sensing familiarity. Further, congruently with a neurological turn that contradicts simplification, this dissertation resituates rhetorical memory as generative …

Working Memory, Sonya Badigian

Senior Honors Projects

No abstract provided.

La Muerte, La Memoria Y La Filosofía Existencial En La Literatura Testimonial Pos-Dictatorial De Primo Levi, Jorge Semprún Y Jacobo Timerman, Andrew Mcnair

Senior Theses and Projects

What effect does the ubiquity of death in a traumatic experience have on an individual's memory and soul, and how is this manifested in one's written testimony? Through the analysis of their philosophical introspection, the testimonies of Primo Levi's The Drowned and the Saved, Jorge Semprún's Literature or Life, and Jacobo Timerman's Prisoner Without a Name, Cell Without a Number meditate on the atrocities they experienced during Levi and Semprún's incarceration under the Nazi regime in Europe between 1942 and 1945, and Timerman's imprisonment under the regime of Jorge Rafael Videla in Argentina between 1976 and 1983. The …

Remembering The Perpetrators: Nationalist Postmemory And Andrés Trapiello’S Ayer No Más, Katherine O. Stafford

Dissidences

In the last decade, much scholarly work has been dedicated to “postmemory,” a term coined by Holocaust scholar Marianne Hirsch and defined as “the response of the second generation to the trauma of the first.” This framework, originally applied to the creative work of the second generation of Holocaust victims, has also been used to treat the legacy of pain of Spanish Civil War victims. In literature, the majority of 21^st century Spanish Civil War novels center upon the Republican victim (see Bertrand de Muñoz “Tendencias”). Andrés Trapiello’s novel Ayer no más counters this trend, as the protagonist is …

Square With The World, Dustin Andrew Young

School of Art, Art History, and Design: Theses and Student Creative Work

Memory influences everything in our lives. Massive amounts of information are stored from each experience and that data influences future thoughts and decisions. Included are the collective memories of daily headlines and images from pop-culture, as well as personal memories from my own history. Contemporary society is constantly inundated with emotionally charged imagery that aims to shock viewers by appealing to their sensibilities. By reworking the images to avoid shock and specificity, my artwork turns these depictions into mnemonic symbols that stir the mind with associations.

Advisor: Aaron Holz

Memory Picture, John Gumerson

Manuscripts

It is a delicate, fragile picture - that first memory. It must be handled carefully like an important aged document lest it crumble to dust. Swiftly, silently it must be viewed, for too much revealing of it fades into an obscure mist which defies definite outline. Yet transparent it stands - that Christmas of my fourth year.

The Act Of Killing - Review, Robert Cribb

Robert Cribb

Critically reviews Joshua Oppenheimer's celebrated film The Act of Killing. Suggests that the film appears to have been staged in sigificant places and that it gives a misleading impression of the character of the 1965-66 killings, especially by downplaying the role of the military in order to emphasise the psychopathic character of Anwar Congo and his friends.