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Arts and Humanities

2010

Memory

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'The Drink Has Called It Into Being': A Year In A Wine Column, Moya Costello Oct 2010

'The Drink Has Called It Into Being': A Year In A Wine Column, Moya Costello

Dr Moya Costello

For a year, between 2009 and 2010, I wrote a wine-review column in a free regional newspaper as a passionate amateur. I conceive of the wine reviews as creative nonfiction and of myself as a role model for my students who have the option of writing on food. Genre has its courtiers and jesters and, in itself, it is bound for change as any other cultural phenomena. I think of my wine-writing practice as destablising that specific genre, attempting a transformation of it into an expanded field, via the efficacy of writing and wine as art. It is contentious to …


Memory And True Lies, Ibpp Editor Oct 2010

Memory And True Lies, Ibpp Editor

International Bulletin of Political Psychology

This article discusses the concept of memory, its relation to culture, and three hypothetical phenomena associated with it.


Beyond The Battlefield: Direct And Prosthetic Memory Of The American War In Viet Nam, Susan L. Eastman Aug 2010

Beyond The Battlefield: Direct And Prosthetic Memory Of The American War In Viet Nam, Susan L. Eastman

Doctoral Dissertations

“Beyond the Battlefield: Direct and Prosthetic Memory of the American War in Viet Nam” examines shifts in American, Viet Namese, and Philippine memorial, literary, and cinematic remembrance of the war through the cultural lenses of later wars: the Gulf War (1990-1991) and the “War on Terror” that began in 2001. As opposed to earlier portrayals of the American War in Viet Nam (1964-1975), turn-to-the-twenty-first-century representations engage in an ever-broadening collected cultural memory—a compilation of multifaceted, sometimes competing, individual and group memories—of the war. “Beyond the Battlefield” begins with the Vietnam Veterans Memorial (1982) because it serves as the impetus for …


Representations Of Remembrance: Literature And Memory In Borges, Pigila, And Fresán, Paul Michael Mcneil Jul 2010

Representations Of Remembrance: Literature And Memory In Borges, Pigila, And Fresán, Paul Michael Mcneil

Theses and Dissertations

This study examines three works by Argentine authors of the late 20th and early 21st centuries: Jorge Luis Borges's "La memoria de Shakespeare," Ricardo Piglia's La ciudad ausente, and Rodrigo Fresán's Mantra. These works explore the theme of memory directly, and provide insight into the role of memory in relation to literature, technology, and media. To understand memory and its functions and failures, I employ concepts from recent scientific inquiry into the nature of memory, particularly neuroscience and clinical psychology. Within this framework, I show how memory and narrative fiction share a number of similarities, and explore the …


“Making Sense Of The Lunacy: Synesthesia, Paratextual Documents And Thoughtless Memory In John Dufresne’S Deep In The Shade Of Paradise”, Laura Nicosia Jul 2010

“Making Sense Of The Lunacy: Synesthesia, Paratextual Documents And Thoughtless Memory In John Dufresne’S Deep In The Shade Of Paradise”, Laura Nicosia

Department of English Faculty Scholarship and Creative Works

No abstract provided.


"So Say We All"—Reimagining Empire And The Aeneid, Corinne Ondine Pache Jul 2010

"So Say We All"—Reimagining Empire And The Aeneid, Corinne Ondine Pache

Classical Studies Faculty Research

Battlestar Galactica, a television series that aired on the SyFy Channel from 2003 to 2009, tells the story of the Twelve Colonies, a human society whose home planets have been destroyed by a race of robots, the Cylons. These androids, originally created by mankind as a slave workforce, have at the moment of their revolution evolved to become physically indistinguishable from humans, and, after they turn against their creators, as the Internet Movie Data Base tag line puts it: "The fight to save humanity rages on." While the series presents itself as a traditional science fiction narrative with the …


Memory Created, Maria Fabrizio May 2010

Memory Created, Maria Fabrizio

Theses and Dissertations

Memory is like afternoon light penetrating the windows of a fast moving car. The light coming through the trees creates images, reveals objects and faces, and introduces fluctuating sensations of warmth and coolness. Sometimes these images appear in logical sequences and at other times they are fleeting, surreal, and ambiguous. While memories are often presented linearly as fact, in actuality our stories only grasp at the truth. They are fragmented, imagined, and rearranged. By examining the intersection of reality and imagination in memories we see retelling as an act of creativity.


The Door In The Threshold., Ani Kristine Volkan May 2010

The Door In The Threshold., Ani Kristine Volkan

Electronic Theses and Dissertations

This paper is the supporting document for the Master of Fine Arts exhibition, The Door in the Threshold, held in the Slocumb Galleries at East Tennessee State University from March 15-19, 2010. The exhibition contains twelve pieces of artwork, mounted on the wall. The paper expands upon such themes as memory and family as explored by the work in the gallery. The title of both the paper and show reference the impact of my Armenian heritage on my creative process. Doors in Armenian folklore were sacred places containing the threshold to the spiritual. Thus, my pieces are meant to …


Screen/Writing: Time & Cinematics In An Age Of Rhetorical Memory, Joshua Hilst May 2010

Screen/Writing: Time & Cinematics In An Age Of Rhetorical Memory, Joshua Hilst

All Dissertations

This essay argues that part of memory is external to ourselves. This memory, which began with writing but has since grown to encompass digital media, the internet, and other forms of new media, faces a two-fold problem in the information age. The first is privatization, which is represented by copyright, and has heretofore received a greater share of scholarly attention. Regulation is represented through the concept of protocols, which are the rules digital media execute in order to perform functions. Protocols are a regulation of external memory, which I argue also represents a threat to deliberation, the form of rhetoric …


Voice On The Skin, Sarah Turner Apr 2010

Voice On The Skin, Sarah Turner

Theses and Dissertations

“The body can write on the skin from the inside—the soul, the mind, and the passions rise to the surface in boils, blushes, and rashes, and the invisible inside speaks by writing from the other side of the page”. -James Elkins Skin not only covers but reveals what is behind it. I utilize its language as indicator of flaws and pathologies. I depict and manipulate this, not just as it already exists with the human body, but as projections of my psychological states onto inanimate objects. Proposing that sight is a kind of touch, we touch with our minds, through …


Amnesia Y Nostalgia, Una Odisea Africana Y Española: La Inmigración Africana En La Espana Contemporanea Como Vista En Tres Representaciones Fílmicas Españolas, Lorraine Anne Lynch Apr 2010

Amnesia Y Nostalgia, Una Odisea Africana Y Española: La Inmigración Africana En La Espana Contemporanea Como Vista En Tres Representaciones Fílmicas Españolas, Lorraine Anne Lynch

World Languages and Cultures Theses

Este trabajo explora los temas de la nostalgia y la amnesia, de los africanos inmigrantes así como de los españoles, representados en tres películas contemporáneas españolas que se tratan de la inmigración de los africanos a España. Va a explorar estos temas de la amnesia y la nostalgia a través de los pasos de un inmigrante africano – 1ª paso) el viaje difícil de África a España, 2ª paso) la vida del inmigrante dentro de España, y 3ª paso) el regreso a África - como representados, respectivamente, en las siguientes películas: 14 kilómetros (2008), Said (1998), y Pobladores (2006).


Empty Streets In The Capital Of Modernity: Formation Of Lieux De Mémoire In Parisian Street Photography From Daguerre To Atget, Sabrina Lynn Hughes Apr 2010

Empty Streets In The Capital Of Modernity: Formation Of Lieux De Mémoire In Parisian Street Photography From Daguerre To Atget, Sabrina Lynn Hughes

USF Tampa Graduate Theses and Dissertations

This study proposes the existence of lieux de mémoire in the photographs of Eugene Atget (1857-1927). My framework is based on historian Pierre Nora's definition: a lieu de mémoire is an object or idea which has become a symbolic stand-in for a community's memorial heritage. I suggest that Atget's photographs of the streets of old Paris, in concert with an empty-street aesthetic function as lieux de mémoire for their primary audience, antiquarians and professional archivists who specialized in old Paris.

According to Nora's structure, identification of a lieu de mémoire requires first the establishment of a historical tradition. In the …


Contemporary Memoir: A 21st-Century Genre Ideal For Teens, Dawn Latta Kirby, Dan Kirby Mar 2010

Contemporary Memoir: A 21st-Century Genre Ideal For Teens, Dawn Latta Kirby, Dan Kirby

Faculty and Research Publications

A brief narrative description of the journal article, document, or resource. For the past 20 years, the authors have been reading and teaching literary memoir to students of all ages. In the mid-1980s, they began looking for ways to incorporate more nonfiction into their literature classes, hoping to find a fresh genre unflattened by instruction. They wanted to explore with students a genre that literary critics had not already overanalyzed and for which they had not created formulaic heuristics for student analysis. More than anything else, the authors wanted to find literary works that connected directly with students' lived experiences. …


A Land Fit For Heroes?: The Great War, Memory, Popular Culture, And Politics In Ireland Since 1914, Jason Robert Myers Jan 2010

A Land Fit For Heroes?: The Great War, Memory, Popular Culture, And Politics In Ireland Since 1914, Jason Robert Myers

Dissertations

Despite the fact that over 200,000 Irish men fought in the British Army during the First World War, Ireland's sizeable contribution to the war remained in the shadows of history for most of the twentieth century. This dissertation examines the cultural components of the memory of the Great War in Ireland and argues that, taken together, they constitute an alternative Irish national identity that threatened and challenged republican nationalism. These cultural components existed in the realm of vernacular memory, which lay beyond the reach of the Irish government. By examining commemorative rituals, war memorials, and popular culture, this project breathes …


Scraping Down The Past: Memory And Amnesia In W. G. Sebald's Anti-Narrative, Kathy Behrendt Jan 2010

Scraping Down The Past: Memory And Amnesia In W. G. Sebald's Anti-Narrative, Kathy Behrendt

Philosophy Faculty Publications

Vanguard anti-narrativist Galen Strawson declares personal memory unimportant for self-constitution. But what if lapses of personal memory are sustained by a morally reprehensible amnesia about historical events, as happens in the work of German author W. G. Sebald? The importance of memory cannot be downplayed in such cases. Nevertheless, contrary to expectations, a concern for memory needn’t ally one with the narrativist view of the self. Recovery of historical and personal memory results in self-dissolution and not self-unity or understanding in Sebald’s characters. In the end, Sebald shows how memory can be significant, even imperative, within a deeply anti-narrativist outlook …


Rightly Or For Ill: The Ethics Of Remembering And Forgetting, Alison Nicole Reiheld '93 Jan 2010

Rightly Or For Ill: The Ethics Of Remembering And Forgetting, Alison Nicole Reiheld '93

Doctoral Dissertations

Forgetting a birthday, a wedding anniversary, a beloved child's school play or a dear colleague's important accomplishments is often met with blame, whereas remembering them can engender praise. Are we in fact blameworthy or praiseworthy for such remembering and forgetting? When ought we to remember, in the ethical sense of 'ought'? And ought we in some cases to allow ourselves to forget?

These are the questions that ground this philosophical work. In fact, we so often unreflectively assign moral blame and praise to ourselves and others for memory behaviors that this faculty, and moral responsibility for it, deserve careful philosophical …


Momma’S Memories And The New Equality, Vershawn Ashanti Young Jan 2010

Momma’S Memories And The New Equality, Vershawn Ashanti Young

Writing, Rhetoric, and Digital Studies Faculty Publications

No abstract provided.


The Cultural Memory Of German Victimhood In Post-1990 Popular German Literature And Television, Pauline Ebert Jan 2010

The Cultural Memory Of German Victimhood In Post-1990 Popular German Literature And Television, Pauline Ebert

Wayne State University Dissertations

My dissertation analyzes the representation of Germans as victims of the Third Reich and the Second World War in post-1990 German memory. After unification, there no longer were two states that could each blame the other as the heir of National Socialism and this past had to be renegotiated. The claim that many Germans had been victims became central as evidenced by the vast number of popular literature, commercial cinema and television programs of this subject. I argue with Wulf Kansteiner (2006) that to understand collective memory, we should explore mass media representations. As the majority of highbrow artifacts do …


Recasting The Role Of Memory In The History Of Rhetoric: The Case Of Nineteenth And Twentieth Century Autobiographies By Rhetors Of Color, Hector Carbajal Jan 2010

Recasting The Role Of Memory In The History Of Rhetoric: The Case Of Nineteenth And Twentieth Century Autobiographies By Rhetors Of Color, Hector Carbajal

Open Access Theses & Dissertations

The primary object of study in this dissertation is memory within autobiographical writing among writers of color. Specifically, this project uses autobiographies by Gloria E. Anzaldúa and Frederick Douglass as case studies for how minority writers of color remember within the act of writing. Memory is an important object of study because it is partially the medium by which knowledge is reproduced, reconstructed, and invented. Autobiographical writing is significant because it is a genre that has enabled individuals to write themselves as part of history. Being a part of history is important because it allows a subject to change the …


Chintz Appliqué Albums: Memory And Meaning In Nineteenth Century Quilts Of The Delaware River Valley, Carolyn K. Ducey Jan 2010

Chintz Appliqué Albums: Memory And Meaning In Nineteenth Century Quilts Of The Delaware River Valley, Carolyn K. Ducey

College of Education and Human Sciences: Dissertations, Theses, and Student Research

This study examined two sub-sets of a unique style of chintz appliqué album quilt that developed in the 1840s in Delaware River Valley, specifically Philadelphia, Pennsylvania, and Trenton, New Jersey. The two groups provide examples of two distinct roles that the album quilts played in the lives of their makers: one acting as a literal record of familial ties, serving to preserve memory and reinforce family structure and the other representing the work of the members of the First Baptist Church of Philadelphia, providing a vehicle to recognize and appreciate dedicated service and playing a role in encouraging interest and …


Altered Interactions, Kristen Rego Jan 2010

Altered Interactions, Kristen Rego

Theses and Dissertations

Surrounding materials, signage, and detritus on the daily path offer plenty to look at, if not too much. The eye seeks comfort in its passive vision by ignoring its peripheries. Identification of my personal vision reveals itself through the manipulation of ignored material. I consider hand-made vs. machine made, singular vs. the multiple particularly in plastics, packaging and other utilitarian objects. Industrial processes influence my one-person operation. Understanding the way objects are made allows for an opportunity to connect with them. I’m already surrounded by them, the least I can do is get to know them better.


Commemoration, Memory, And Forgotten Histories: The Complexity And Limitations Of Australian Army Biography, Peter J. Dean Jan 2010

Commemoration, Memory, And Forgotten Histories: The Complexity And Limitations Of Australian Army Biography, Peter J. Dean

Arts Papers and Journal Articles

Military biography in Australia raises questions about the specific historiography more generally, and about the commemorative and celebratory tendencies in Australian military writing. Recent advances in the field illustrate the continuing tensions within the writing of military history in Australia, and reflect some of the same tendencies elsewhere in the English speaking world.



Dred Scott Vs. The Dred Scott Case: History And Memory Of A Signal Moment In American Slavery, 1857-2007, Adam Arenson Dec 2009

Dred Scott Vs. The Dred Scott Case: History And Memory Of A Signal Moment In American Slavery, 1857-2007, Adam Arenson

Adam Arenson

The Dred Scott Case centered on the Scott family—Dred and Harriet, and their daughters Eliza and Lizzie—but in the recorded history, after March 6, 1857 the Scotts suddenly fade, as if their lives ended that day in the courthouse. They did not. Elsewhere I have examined how the Dred Scott decision catalyzed the transformation of St. Louis politics, turning Missouri toward gradual emancipation just as the South’s proslavery advocates were declaring victory. And I have described how the Scotts’ lives were recovered to memory through the actions spearheaded by their descendents. Here I chronicle how the legacies of the Dred …


Whatever You Say, Say Something: Remembering For The Future In Northern Ireland, Margo Shea Dec 2009

Whatever You Say, Say Something: Remembering For The Future In Northern Ireland, Margo Shea

Margo Shea

The question of how to ‘deal’ with the past in post‐conflict Northern Ireland preoccupies public conversation precisely because it separates a violent history from a fragile peace and an uncertain future. After a brief examination of contemporary Northern Ireland's culture of remembrance, this article provides some analysis of the potentials and dangers of efforts to confront the legacies of the Troubles. I argue here that the challenge for post‐conflict heritage work in Northern Ireland lies in forging practices that permit and facilitate different ways of encountering complex and contradictory histories. These new efforts to remember encourage citizens to incorporate disparate, …