Digital Commons Network^™

Managing Historical Capital In Shandong: Museum, Monument And Memory In Provincial China, James Flath

History Publications

This paper traces the development and distribution of museums and public monuments in one province of China during the twentieth century, with special emphasis on the cultural policies of the post–Mao reform era. By considering the museum and monument (i.e., artifacts, historically significant geographic features, and the physical representation of historical experience) as among the most tangible aspects of historical capital, it is demonstrated how region, province, and nation are involved with public and private interests in an ongoing dialogue over what types of history are to be represented, and in what context. This evidence suggests that while the state …

"Return To Sender": Confronting Lynching And Our Haunted Landscapes, Mark J. Auslander

All Faculty Scholarship for the College of the Sciences

This article considers a set of controversial images, primarily taken between 1880 and 1920, depicting lynchings and racial violence. Emory University has made these images publicly available, prompting some to worry that the collection will re-inflict trauma on those who suffered under racism in the United States. The articles asks, in part: if new initiatives in museums or other public spaces could help Americans to collectively confront their inner demons and move beyond the timeless repetition of trauma.

The article is available from Southern Changes: The Journal of the Southern Regional Council, 1978-2003.

Unearthing The Past: The Archaeology Of Bog Bodies In Glob, Atwood, Hébert And Drabble, Anthony Purdy

French Studies Publications

Within the narrative poetics of the archaeological find, accounts of the discovery of beautifully preserved Iron Age bodies in the peat-bogs of Northwestern Europe constitute a particularly complex, well-defined and resonant subgenre. A reading of the genre’s founding text, P.V. Glob’s The Bog People, reveals a repertoire of tropes and topoï that will inform subsequent fictional treatments of bog body finds. Arguing that the poetic specificity of the bog body lies in its extraordinary capacity to abolish temporal distance and mediate between past and present, this essay seeks to define the figure as a special kind of chronotopic motif, or …

Remembering, Forgetting And Historical Injustice, Robert Cribb, Kenneth Christie

Robert Cribb

No abstract provided.

Unveiling French-African Memory, Boniface Mongo-Mboussa

Studies in 20th & 21st Century Literature

Whereas the question of memory has become central to French identity, notably in regards to the Vichy period, French-African memory has been systematically obscured…

Hidden Memories, Jennifer Elizabeth Swanson

LSU Master's Theses

Using the Cottage Plantation ruins as a vehicle for investigation, this thesis demonstrates how fragments of information can be layered on each other to draw relationships between the past and present, self and space, memory and experience, architecture and nature. And, in turn, how an understanding of these relationships presents a greater perception of the self.

Collective Memory Of Vichy : Moulin, Pétain, And The Vél' D'Hiv', Kathryn W. Bondy

Honors Theses

Following World War II, European countries that had been devastated by the war slowly began the task of rebuilding. This reconstruction did not only involve the restoration of buildings and governments, but also of national psyches, as most European nations had recently experienced a traumatic period in their history. France was no exception. Since the liberation of Paris in August of 1944, France had been attempting to regain a sense of normality that it had not had under the World War II government of Vichy. As a result of signing an armistice with Germany on June 22, 1940, France was …

Unearthing The Past: The Archaeology Of Bog Bodies In Glob, Atwood, Hébert And Drabble, Anthony Purdy

Anthony Purdy

Within the narrative poetics of the archaeological find, accounts of the discovery of beautifully preserved Iron Age bodies in the peat-bogs of Northwestern Europe constitute a particularly complex, well-defined and resonant subgenre. A reading of the genre’s founding text, P.V. Glob’s The Bog People, reveals a repertoire of tropes and topoï that will inform subsequent fictional treatments of bog body finds. Arguing that the poetic specificity of the bog body lies in its extraordinary capacity to abolish temporal distance and mediate between past and present, this essay seeks to define the figure as a special kind of chronotopic motif, or …