Digital Commons Network^™

Deaf Accessibility In The Christian Church, Madison Finley

Honors Projects

Around the globe, only two percent of Deaf people have had the opportunity to be introduced to the Gospel. Religious accessibility is limited for individuals who are deaf or hard-of-hearing. This paper begins to investigate:

• How can Christian churches increase accessibility to religion, worship, and other programs for Deaf individuals?

My Honors Project activity is preparing research and materials for a physical guide booklet for Christian churches that do not currently offer any Deaf ministries or American Sign Language interpretation or that may be seeking to increase accessibility for Deaf individuals. The primary purpose of this project is to create …

Silent And Accessible Theatre, Nicole Line

Honors Projects

Silent and Deaf accessible theatre challenges the stereotypes many people have of theatre and introduces audiences to new perceptions of the artform. When it comes to theatre, one often thinks of long, multi-act plays with lots of spoken dialogue. While this is the most common style of theatrical performance, there is more to theatre than staged language. When deciding my project’s concept this past year, I brainstormed many different ways to include all areas of my studies here at BGSU including theatre, dance, and American Sign Language (ASL). I am very passionate about these aspects and wanted my project to …

Growing Up Deaf In Appalachia: An Oral History Of My Mother, Elizabeth Shelton Tipton

Electronic Theses and Dissertations

This study focuses on the life experiences of a rural, Deaf Appalachian woman, Jane Ann Shelton, a second generation Deaf child born to Deaf parents from the communities of Devil’s Fork (Flag Pond, Tennessee) and Shelton Laurel (Madison County, North Carolina). Over two hours of videotaped interviews were interpreted and transcribed, followed by various other communications to describe the life of a rural, Deaf Appalachian woman without a formal high school degree. As an advocate and a political lobbyist in Tennessee during the 1980s and 90s, she was unparalleled by her peers (deaf or hearing) in her efforts to “enhance …

The Link Between American Deaf Culture And Dance: Assessing Nonverbal Communication And Recognizing The Value Of Deaf Dancers., Chloe Edelstein

Undergraduate Honors Thesis Collection

As a dancer, it is of the utmost importance to know the history behind the origins of movement with intent. In a collegiate setting, we are immersed in the different styles and origins that have shaped the refinement and adaptations of dance into the genres that it exists today. But, I have recognized a lack of knowledge in one extraordinary facet; dance performed by those who are deaf. With this project, I have educated a group of dancers on the different aspects and struggles of being deaf within America and through the creation of a dance that mimics the rehearsal …

Sensual Cultures: Exploring Sensory Orientation, Lauren Sonnenstrahl Benedict

Undergraduate University Honors Capstones

We use our senses every day, consciously or unconsciously, based on our cultural needs and preferences. These sensory orientations shape and are shaped by what a given culture defines as acceptable. For this reason, different sensory orientations result in different strengths and areas of emphasis and de-emphasis. Becoming aware of different sensory orientations and their associated cultures allows us to realize what we are missing in our own sensory orientations that inform our cultural habits. Familiarity with various sensory orientations may cultivate greater cultural acceptance as well. To analyze and illustrate such differences, an educational app for iPads was created …

The Relationship Between Attitudes And Perspectives Of American Sign Language University Students Towards Deaf People, Beth Lilessie Cagle Brightman

USF Tampa Graduate Theses and Dissertations

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Signs Of Culture: Deafness In Nineteenth-Century America, Rebecca A. Rourke '90

Fenwick Scholar Program

While there is an abundance of research on twentieth-century manifestations of Deaf culture, the nineteenth-century roots have been largely overlooked. The creation of residential schools for the deaf gave the Deaf population a place to meet and share ideas, for the first time in American history. The close and sustained contact generated cultural development. This thesis addresses the development of a cultural identity among the Deaf population by attempting to compare the experiences and opinions of the Deaf and hearing communities as they existed in nineteenth-century America.