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Silent Outsiders: Searching For Queer Identity In Composition Readers, Travis Duncan Jan 2006

Silent Outsiders: Searching For Queer Identity In Composition Readers, Travis Duncan

Electronic Theses and Dissertations

This study searches twenty composition readers' table of contents for the degree of inclusivity of queer people and issues. Four means of erasure are labeled as possible erasing of queer identity: presuming heteronormativity, overt homophobia, perpetuating tokenism, and pathologizing queer identity. The presence of other differences are compared to the number of times that queer identity is referenced in the table of contents. The final portion of the analysis examines the two most inclusive composition readers to understand more clearly how the readers present queer individuals and issues. In a sense, I want to explore the question of how often …


Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis Jan 2006

Bob Brookmeyer: Composer, Performer, Pedagogue, Mace Francis

Theses : Honours

Before my California stay (1968-1978) I considered myself a player first and a writer second, although I did a lot of writing, from Ray Charles to Thad [Jones] and Mel [Lewis].1 Since 1979 I have come to view myself as a composer who also plays trombone; add conducting and teaching and that gives me 4 hats to wear. I do not have a swollen head, so they all fit nicely. (Brookmeyer, 1997, n.p.)

Although acknowledged as one of the pivotal figures in twentieth-century jazz, the career and the music of Bob Brookmeyer has received scant attention in secondary literature. This …


Symphonic Revelations, Carlo Vincetti Frizzo Jan 2006

Symphonic Revelations, Carlo Vincetti Frizzo

LSU Master's Theses

Symphonic Revelations is scored for 3-3-3-3, 4-3-3-1, 1 timpani, 3 percussionists, harp, piano, and strings and is approximately 20 minutes in length. It is a single movement symphonic work that consists of three major sections and is built from the pitch class set [0, 1, 3]. The first section’s overall form resembles both a large crescendo and an accelerando. The music begins softly and slowly and over time gradually builds becoming louder and faster. Eventually in bars 225 to 229, the section comes to an end with a tutti passage that marks one of the loudest and fastest moments in …


The Integrated Sound, Space And Movement Environment : The Uses Of Analogue And Digital Technologies To Correlate Topographical And Gestural Movement With Sound, Jonathan A. Mustard Jan 2006

The Integrated Sound, Space And Movement Environment : The Uses Of Analogue And Digital Technologies To Correlate Topographical And Gestural Movement With Sound, Jonathan A. Mustard

Theses: Doctorates and Masters

This thesis investigates correlations between auditory parameters and parameters associated with movement in a sensitised space. The research examines those aspects of sound that form correspondences with movement, force or position of a body or bodies in a space sensitised by devices for acquiring gestural or topographical data. A wide range of digital technologies are scrutinised to establish what the most effective technologies are in order to achieve detailed and accurate information about movement in a given space, and the methods and procedures for analysis, transposition and synthesis into sound. The thesis describes pertinent work in the field from the …