Digital Commons Network^™

Journeys And Metaphors; Some Preliminary Observations About The Natural World Of Seashore And Forested Mountains In Epic Kakawin, Peter Worsley

Wacana, Journal of the Humanities of Indonesia

In earlier publications I have argued that ancient Javanese poets imagined the world to be one marked by distinctions between a social world consisting of palace (kaḍatwan) and countryside (thāni-ḍusun) and a wilderness of seashores and forested mountains (pasir-wukir). The social world was characterized by the presence of an effective royal authority; the wilderness by its absence. A distinction was also drawn between this world inhabited by human beings and a world in which gods, ancestral spirits, and other divine beings dwelt (kedewatan). Journeys through these landscapes are an enduring interest in the narrative literature in the literary tradition of …

Nature And The Spirit: Tri Hita Karana, Sacred Artistic Practices, And Musical Ecology In Bali, Hao Huang, Joti Rockwell

EnviroLab Asia

Bali is notable for the degree to which music, dance, and visual art permeate everyday life--a result of historically rooted and continuously evolving religious philosophies and rituals. With this context in mind, we wondered what role the arts play, and can play, in addressing environmental concerns.

The Rhetoric Of Paintings; The Balinese Malat And The Prospect Of A History Of Balinese Ideas, Imaginings, And Emotions, Peter Worsley

Wacana, Journal of the Humanities of Indonesia

Balinese paintings from the nineteenth and early twentieth centuries shed light on how painters and their works speak to their viewers both about how Balinese in this period knew, imagined, thought, and felt about the world in which they lived, and about the visual representation and communication of these ideas, imaginings, and feelings through the medium of narrative paintings. In this paper I discuss five Balinese paintings of the Malat. The first two illustrate the episode in which Raden Misa Prabangsa stabs Raden Ino Nusapati’s horse. The third and fourth paintings illustrate Prabu Melayu’s rescue of his sister Princess Rangkesari …

Nature And The Spirit: Ritual, Environment, And The Subak In Bali, Hao Huang

EnviroLab Asia

No abstract provided.

Creating Heritage In Ubud, Bali, Adrian Vickers

Wacana, Journal of the Humanities of Indonesia

In Bali, heritage is more-or-less synonymous with tradition. The popular view of what constitutes Bali’s heritage tends to focus on the village and wider district of Ubud. Through examining at the strategies employed by the lords of Ubud during the middle part of the twentieth century, we can better understand how the image of heritage sites is created. In the case of Ubud, the construction of centre of tradition was carried out through alliances with local artists and with expatriates, notably Rudolf Bonnet. The latter were able to mobilize publicity and networks to attract resources and elevate the district’s reputation.

War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan

Yale Journal of Music & Religion

Abstract

This article explores processional action as a form of cosmological intervention in Hindu-Balinese cremation processions, focusing on the multiple and intersecting functions of a particular type of Balinese instrumental music ensemble: the gamelan beleganjur. It explores the alternately “enlivening and protective aspects” (DeVale 1990, 62) that underlie the use of beleganjur music in the ngaben, or cremation ritual, showing how beleganjur’s sonic power and rhythmic drive serve to combat malevolent spirit beings, strengthen and inspire processional participants in their efforts to meet challenging ritual obligations, and grant courage to the souls of deceased individuals embarking on their …

Di Sawah-Sawah Di Tabanan, Bali, Sneha Shrestha

The Mercury

No abstract provided.

Warung Di Singaraja, Bali, Sneha Shrestha

The Mercury

No abstract provided.