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Articles 1 - 30 of 55
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Metaphorical Cities - Behind The Cover Art, Elana Melissa Hill
Metaphorical Cities - Behind The Cover Art, Elana Melissa Hill
The STEAM Journal
This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.
Metaphorical Cities, Elana Melissa Hill
Metaphorical Cities, Elana Melissa Hill
The STEAM Journal
This is a reflection on how cities function like organisms. An artist's interpretation of the spaces surrounding them.
But Them Can’T Be God: Chinese Textiles In Nigerian Dress And The Art Of Ayo Akinwande, Erin M. Rice
But Them Can’T Be God: Chinese Textiles In Nigerian Dress And The Art Of Ayo Akinwande, Erin M. Rice
Artl@s Bulletin
This article explores the influence of Chinese actors in the Nigerian textile industry through the lens of a work by the artist Ayo Akinwande. By examining a sartorial practice called aso-ebi, the author argues that the growth of this practice over the course of the 20th century paved the way for an influx of cheap, printed cloth from China. Akinwande’s work titled, “Win-Win,” uses the metaphor of indigenous dress and patterned fabric to illustrate that Chinese involvement in Nigerian affairs extends beyond textiles to the construction industry.
Torn Apart: A Closer Look At Our Cover Image, Sandra Rios
Torn Apart: A Closer Look At Our Cover Image, Sandra Rios
Culture, Society, and Praxis
No abstract provided.
Sink Hollow Volume 8
Sink Hollow
To make a magazine, we seek contrast and even the tension of contradiction.
We hunt for the words that defy experience, and experiences that defy words alone but must be captured by clever poetic contraptions and literary devices that violate the architecture of language and definitions in order to teach us what we can't know by conventional means. We crave the ingenious art of using words to drag meaning outside the semantic containment of words. There's contradiction! This is the skill of infusing words with the power to evoke emotion and connection. The work of the poet, the artist, the …
In Consideration Of Three Works Of Art, James C. Schaap
In Consideration Of Three Works Of Art, James C. Schaap
Pro Rege
No abstract provided.
Review: Natalie Selden Barnes's Honor The Precariat, Annah Krieg
Review: Natalie Selden Barnes's Honor The Precariat, Annah Krieg
Academic Labor: Research and Artistry
This review details the fall 2017 exhibition of Natalie Selden Barnes's installation, Honor the Precariat, which took place in the Directions Gallery in the Department of Art and Art History at Colorado State University. By combining data with plexiglass figures in an immersive artwork, Selden Barnes compels the viewer to engage with the complex reality of the majority of university educators, those who are adjunct instructors.
Honor The Precariat, Natalie Barnes
Honor The Precariat, Natalie Barnes
Academic Labor: Research and Artistry
Honor the Precariat is an art installation conceived and executed to acknowledge and honor the significant contributions of non-tenure track faculty, particularly those colleagues teaching at Colorado State University. The exhibition and accompanying article recognize faculty who work in anonymity and often without security, teaching, advising, and mentoring hundreds of students and representing millions of dollars in tuition revenue.
The essence of the artwork captures the 20+ year struggle of the artist to come to terms with the value of a career in which she has been viewed as a second-class faculty member – and this dichotomy facing all members …
Full Issue - Jgi V. 14, N. 2
Journal of Global Initiatives: Policy, Pedagogy, Perspective
Full issue of Journal of Global Initiatives volume 14, number 2.
Hx Of, Bonni Boles
Hx Of, Bonni Boles
Akesis
My purpose in creating this comic strip was to tell a story that depicts some of the struggles I have had with the health care system and how a patient's history can go overlooked. I suffered from chronic insomnia for over 10 years before a licensed professional counselor, someone tasked with actually listening to me, helped me to get on medication to help with sleep. My mental health, and general health, problems became much less severe and more manageable after finally sleeping regularly.
Sleep hygiene has been found to not have much success with chronic insomnia. I didn't need someone …
Clay And Stone, Jess W. Rempel
Clay And Stone, Jess W. Rempel
Akesis
Clay handprints on a canyon wall in southern Utah, found after the people who made them had gone. The Navajo sandstone of the canyon wall dates to the Jurassic period, with a record of eons revealed by the water that carved the canyon away. People love to leave their mark on places that make marks on them: some of the earliest recorded graffiti in Pompeii simply read "Gaius was here." I enjoyed stumbling upon the hand prints which allowed me into the hikers' experience, and their joy could add to the lasting impression that place made upon me. Our experiences …
Facilitating The Creative Process Through Collaboration, Jennifer K. Fortuna
Facilitating The Creative Process Through Collaboration, Jennifer K. Fortuna
The Open Journal of Occupational Therapy
Miles Parker Scharfenberg, an artist based in Richland, Michigan, provided the cover art for the Fall 2019 edition of The Open Journal of Occupational Therapy (OJOT). “Late Night Fireworks” is a 30” x 40” painting made from acrylic on canvas. Born 15 weeks premature, Miles’ multiple health impairments have made it difficult to engage in meaningful occupations, such as painting. With support from his mother, Carol; occupational therapy students; and members of the community; Miles creates colorful abstract expressionist paintings. Collaboration is part of his creative process. In this fifth anniversary issue of OJOT, Occupation and the Artist is following …
Art Is I, Science Is We, Imani Beverly, Bryan Briones, Ronald E. Mickens
Art Is I, Science Is We, Imani Beverly, Bryan Briones, Ronald E. Mickens
Georgia Journal of Science
The expression of the title has been used for some time to produce a concise summary of the major distinction between “art” and “science.” Our goal is to give a fuller and deeper understanding of this statement by discussing its meaning and interpretation within the context of a precise definition of science. We conclude that “Art is I, science is we,” captures accurately the fundamental difference between these two disciplines.
Exploring Gender Through Art In Myanmar, Allison E. Joseph
Exploring Gender Through Art In Myanmar, Allison E. Joseph
EnviroLab Asia
No abstract provided.
Yeezus Is Jesuz: Examining The Socio-Hermeneutical Transmediated Images Of Jesus Employed By Kanye West, Daniel White Hodge
Yeezus Is Jesuz: Examining The Socio-Hermeneutical Transmediated Images Of Jesus Employed By Kanye West, Daniel White Hodge
Journal of Hip Hop Studies
Kanye is enigmatic in many ways. His continuous reference to deity while still embracing a person like 452 makes him worth the study and effort to explore his contribution and effect in the Hip Hop cultural continuum. This article investigates, Kanye West from a theological and spiritual standpoint to provide insights from his theological aesthetics. While the ever-growing field of Hip Hop studies begins to explore religion in Hip Hop, the present work seeks to address this and develop new theologies/theories that fit both a Hip Hop and Black theology context. While the formal discipline of theology in the United …
Ordinary Monsters: Ethical Criticism And The Lives Of Artists, Christopher Bartel
Ordinary Monsters: Ethical Criticism And The Lives Of Artists, Christopher Bartel
Contemporary Aesthetics (Journal Archive)
Should we take into account an artist’s personal moral failings when appreciating or evaluating the work? In this essay, I seek to expand Berys Gaut’s account of ethicism by showing how moral judgment of an artist’s private moral actions can figure in one’s overall evaluation of their work. To expand Gaut’s view, I argue that the artist’s personal morality is relevant to our evaluation of their work because we may only come to understand the point of view of the work, and therefore the work’s prescribed attitude, by examining the values, attitudes, and behaviors of the artist. This view is …
A Displacement Of The Self: How Manuel Alvarez Bravo Uses Hair To Represent The Reassertion Of An Indigenous Feminine Identity In Postrevolutionary Mexico, Brooke Lashley
Augsburg Honors Review
Many artworks created during the Mexican Revolution (1910-1940) and in the years immediately following it contained nationalist themes that served to reinforce the importance of maintaining a traditional Mexican identity amongst the Mexican people. As a result, many Mexican artists questioned such traditional representations. This can be seen in images of Mexican women that depict them within the perimeters of an idealized traditional Mexican aesthetic. However, as a burgeoning feminist agenda arose, women were urged to present themselves as free from the oft-oppressing patriarchal traditions of Mexico's past. Now choosing between the ideologies of their pasts and promises of a …
An Alternative To “Rules” In Practice Approaches To Distinguishing Art Kinds, Larry Shiner
An Alternative To “Rules” In Practice Approaches To Distinguishing Art Kinds, Larry Shiner
Contemporary Aesthetics (Journal Archive)
Numerous contemporary philosophers have invoked the idea that art is best understood as a social practice in order to distinguish among art kinds or to distinguish Art from closely related practices such as Design. Many general accounts of social practices and of art practices in particular claim that sets of shared assumptions or norms are a key constituent of practices. But some standard accounts of social practices interpret these shared norms with the concept of “rules” or “agreements.” I argue that the idea of rules or agreements is theoretically inadequate and should be replaced by what the philosopher of science, …
Promoting Healing With Therapeutic Use Of Clay, Jennifer Fortuna
Promoting Healing With Therapeutic Use Of Clay, Jennifer Fortuna
The Open Journal of Occupational Therapy
Alice McCall Smith, occupational therapist and artist based in North Carolina, provided the cover art for the Summer 2019 issue of The Open Journal of Occupational Therapy (OJOT). The piece, titled “Mother and Child,” is an 8-1/4” tall sculpture made from clay. Alice grew up on a hill sheep farm in the Scottish Highlands. She has used many of the skills learned on the farm in everyday life and in occupational therapy practice. After being diagnosed and treated for depression, Alice turned to sculpting to cope with challenging emotions. The therapeutic use of clay was a meaningful part of her …
To The Question Of Studying The Phenomenon Of Musical Dynasty, Gulshanoy Tursunova
To The Question Of Studying The Phenomenon Of Musical Dynasty, Gulshanoy Tursunova
Eurasian music science journal
Numerous issues related to the study of the phenomenon of the musical dynasty in science are still insufficiently investigated. A comprehensive study of this issue today should attract the attention of not only art historians, but also a wide range of specialists - psychologists, musicians, physiologists, specialists in the field of genetics, sociologists. The results can be achieved in the context of detailed and comprehensive research in various fields of science. The article deals with the phenomenon of musical dynasty, its important role as an engine of progress of the world musical culture, the place and role of dynasties in …
Fore And Aft: Abstraction In Tolkien’S “Ishness” Designs, John R. Holmes
Fore And Aft: Abstraction In Tolkien’S “Ishness” Designs, John R. Holmes
Journal of Tolkien Research
Though Tolkien's artwork tended toward the figural, there was a period during his undergraduate years in which he created abstracts under the name of "Ishnesses." This essay examines the nature of abstraction, how it relates to medieval concepts of art, and how it relates to Tolkien's "visionary" painting of subjects not in the primary world but in the Middle-earth of his vast imagination.
Fore and Aft: Abstraction, Vanishing Point and Symmetry in Tolkien’s “Ishness” Designs
Lost In Translation: Retelling The Tale Of Joan Of Arc, Hannah Jones
Lost In Translation: Retelling The Tale Of Joan Of Arc, Hannah Jones
Augsburg Honors Review
Ever since Joan of Arc was burned at the stake on May 30, 1431,, historians have studied her lengthy trial interrogations for a glimpse of who Joan the person was. They've offered society both pious and saucy descriptions, portrayed her as a "religious mystic, rebellious girl..."unnatural" transvestite," an Amazon, a schizophrenic, a patriot and, depending upon who you read, a common or uncommon woman of the Middle Ages. Lacking a definitive conclusion, historians, musicians, popular literary figures, modern filmmakers, and other larger social groups have gone on to portray her in their own ways: canonizing her as a saint, promoting …
Closing Pause, Peter London
Closing Pause, Peter London
Artizein: Arts and Teaching Journal
Peter London was invited to offer a response to the two part special issue of An Arts-Based Contemplative Pause as a last moment of pause. Peter, in turn, graciously offered his contemplative thoughts that we hope will inspire others to pause and engage their own contemplative reflections inspired by the artist scholar offerings in this special issue.
Arts Of Living On A Damaged Planet: Ghosts And Monsters Of The Anthropocene By Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, And Nils Bubandt, Randy Lee Cutler
Arts Of Living On A Damaged Planet: Ghosts And Monsters Of The Anthropocene By Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, And Nils Bubandt, Randy Lee Cutler
The Goose
Review of Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt's Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene.
Women Of The Grand Tour: Travel, Space, And Representation Of Women In Eighteenth-Century Grand Tour Portraiture, Anne Totten, Dr. Martha Peacock
Women Of The Grand Tour: Travel, Space, And Representation Of Women In Eighteenth-Century Grand Tour Portraiture, Anne Totten, Dr. Martha Peacock
Journal of Undergraduate Research
The Grand Tour was a quintessential part of eighteenth-century English culture. A trip that lasted from six months to three years, the purpose of this journey was for young men to supplement their education with exposure to the art and architecture of the Italian Renaissance as well as Ancient Greece and Rome. While the Tour was traditionally traveled by young men, many women also took the journey to the “continent.” The purpose of this project is to explore the experience of eighteenth-century English female travelers during the Grand Tour through artist Pompeo Batoni’s portraits of female grand tourists, and to …
Societal Borderlands: Community Art Making As A Means To Turning Borders Into Points Of Interaction, Kindia Du Plessis Cutler, Daniel Barney, Pd.D.
Societal Borderlands: Community Art Making As A Means To Turning Borders Into Points Of Interaction, Kindia Du Plessis Cutler, Daniel Barney, Pd.D.
Journal of Undergraduate Research
Social practice is a growing area in art that is seeking to expand what art is through what it does. Artists working in this way are more interested in the interactions and situations they might create than the things they produce. This project was a social practice artwork that was made up of a community art group that facilitated the collaboration and interaction of neighbors in Provo, UT. For three years, I have been leading this project in the form of a community art class that invites parents, their children, and others from around the city to create individual and …
Save The Trees. Save Humanity., Lindsey Davis
Environmental Art And Activism: Editors’ Notebook, Alec Follett, Melanie Dennis Unrau
Environmental Art And Activism: Editors’ Notebook, Alec Follett, Melanie Dennis Unrau
The Goose
Editorial introduction to the special issue on environmental art and activism, The Goose, volume 17, issue 2 (2019).
The World To Come: Art In The Age Of The Anthropocene By Kerry Oliver-Smith, Tracy Qiu
The World To Come: Art In The Age Of The Anthropocene By Kerry Oliver-Smith, Tracy Qiu
The Goose
Review of Kerry Oliver-Smith's The World to Come: Art in the Age of the Anthropocene
The Ocean Container By Patrik Sampler, Angie Abdou
The Ocean Container By Patrik Sampler, Angie Abdou
The Goose
Review of Patrik Sampler's The Ocean Container