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Arts and Humanities

Theses and Dissertations

2016

Nostalgia

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Fear And Nostalgia In Immigration, Daniel A. Matthews Dec 2016

Fear And Nostalgia In Immigration, Daniel A. Matthews

Theses and Dissertations

Fear and Nostalgia in Immigration is a project that uses re-occuring memory and experiential memory to help us understand our common histories. The projects asks individuals to first share a re-occuring memory by writing it on a chalkboard. The next step is to then write an experiential memory about immigration, this can be a story you might have heard or it could be something from your own family history. These two tasks are done on a communal table where several individuals are engage in the same task at the same time. This aim of this exercise is to have something …


Desire And Fantasy Between Commercialism And Personal Room, Yukimi Otagiri Dec 2016

Desire And Fantasy Between Commercialism And Personal Room, Yukimi Otagiri

Theses and Dissertations

I apply two aspects of my life history to my art; my childhood experiences and my advanced studies in sociology. My work therefore combines a highly personal reading of my experiences of social interactions and my ongoing analysis of the nature of capitalism and socialism, commodification and media, especially in regard to the experiences of women in particular and consumers in general.


"Twenty Or Thirty Or Forty Years Ago": Time, Posthistory, And The Hyper-Present In Patrick Mccabe's The Butcher Boy, Benjamin Moroni Killgore Sep 2016

"Twenty Or Thirty Or Forty Years Ago": Time, Posthistory, And The Hyper-Present In Patrick Mccabe's The Butcher Boy, Benjamin Moroni Killgore

Theses and Dissertations

This thesis is a commentary on Patrick McCabe's novel, The Butcher Boy, which was published in 1992. The novel is told through the perspective of the main character, Francie Brady, who through the majority of the narration is depicted as a young boy. Francie's life is riddled with tragedy with his moving from the loss of one important person in his life to another until the pain of these losses triggers a violent paranoid outburst resulting in the murder of the fixation of an obsession of his, Mrs. Nugent. This thesis looks at the events of the novel through …


Bodies In Repose, Christopher Aque May 2016

Bodies In Repose, Christopher Aque

Theses and Dissertations

This paper examines my artistic practice and its intersection with histories of homosexual desire and exclusion, contemporary surveillance, political complicity, and the legacies of Minimalism. As the cultural landscape has shifted post-AIDS, so too have the strategies to police, regulate, and control bodies.


“There Is No God And We Are His Prophets”: The Visionary Potential Of Memory And Nostalgia In Cormac Mccarthy's No Country For Old Men And The Road, Marie Reine Pugh Mar 2016

“There Is No God And We Are His Prophets”: The Visionary Potential Of Memory And Nostalgia In Cormac Mccarthy's No Country For Old Men And The Road, Marie Reine Pugh

Theses and Dissertations

Memory and nostalgia work in complex, paradoxical ways in Cormac McCarthy's No Country for Old Men and The Road, both haunting the main protagonists, Sheriff Ed Tom Bell and the father, as well as bringing them to crucial realizations. These men give up the traditional hero role for the more meaningful and generative image of “carrying the fire,” which unites these two novels. Carrying the fire represents a memorial and nostalgic longing for home and family. Bell and the father attain this vision because of their obsession with the past, and because of their struggle with memory and nostalgia. Memory, …


Nostalgia And Iphone Camera Apps: An Ethnographic Visual Approach To Iphoneography, Maria L. De Panbehchi Jan 2016

Nostalgia And Iphone Camera Apps: An Ethnographic Visual Approach To Iphoneography, Maria L. De Panbehchi

Theses and Dissertations

The iPhone is the most popular smartphone and camera on social media. iPhoneography, the photography taken or edited with the iPhone, has set the trend of nostalgic photography on social media during the 2010s; thus, the iPhone, a high-tech camera, produces low-tech-looking images. This dissertation attempts to find out why iPhone photographers (iPhoneographers) take, edit, and share images that mimic photographs taken with analog photographic equipment. I argue that nostalgia allows iPhoneographers to use the iPhone as a creative tool and to belong to a community. Based on the arguments of Vilém Flusser—who suggested that photographers are more interested in …