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Arts and Humanities

Theses and Dissertations

Theses/Dissertations

2021

Sculpture

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Stations Or There Goes Nothing, Jeremy D. Lawson Dec 2021

Stations Or There Goes Nothing, Jeremy D. Lawson

Theses and Dissertations

Jeremy Lawson uses bright, expressive, abstract painting in conversation with minimalist sculpture to encourage a meditation on the death of the self, the potential for it's transformation, and the struggle to maintain the tools beyond language necessary to experience the sublime.


Wildfires In The Uncanny Valley, Jenna Beasley May 2021

Wildfires In The Uncanny Valley, Jenna Beasley

Theses and Dissertations

My work considers our affectual relationship to a rapidly changing environment through ideas about the philosophy and representation of nature, materiality, and the uncanny. In this text, I trace my artistic explorations of notions of apocalypse and catastrophe as they lead me to a deepened ecological viewpoint.


Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry May 2021

Kinstitution: A Topia Between Archive And Proposal, Christopher Lineberry

Theses and Dissertations

Situating Topher Lineberry's work, this paper offers a primer on institutional critique, preliminary developments of "kinstitutional critique," and the cultivation of family-derived art history through the work of the artist's grandmother, Helen Lineberry. Feeding into a working understanding of family-and-kin-as-institution, the paper ultimately locates Topher Lineberry's work between relations to place, historical archives, and speculative proposals.


Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci May 2021

Moving Without The Ball: Labor And Collectivity Beneath The Body Of The She-Wolf, Cristina Covucci

Theses and Dissertations

In this paper, I consider my personal experiences as an artist, art handler, and athlete through the motif of the Roman She-wolf, addressing how value systems are constructed according to binaries by showing how the sculptural process can break down these binaries, giving agency to both the mother mold and “completed” form.


It's Messy, Polina Tereshina May 2021

It's Messy, Polina Tereshina

Theses and Dissertations

My work is a way of thinking through things. Each painting, or object is usually a boiled down vision of something I’m learning, observing or remembering, as I make it. Everything becomes a compression of several ideas with a unique mood and temperature.


Yellow, Sisi Chen May 2021

Yellow, Sisi Chen

Theses and Dissertations

The following paper is a constellational unpacking of yellow through notes on critical race and feminist theories, myth, science, science fiction, disparate histories, cyborgs, biography, virtuality, materiality, fungi, porcelain, language, internalization, melancholia, smells, sounds, tastes, feels, and more feels.


Yo, Mi Persona Y México, Jaime Trinidad Apr 2021

Yo, Mi Persona Y México, Jaime Trinidad

Theses and Dissertations

For as long as I can remember, I have struggled with understanding who I am. What makes me is something I try to make sense of through art. When I started working on this my graduation show, the idea behind it was to make a portrait of the Mexico I know, but when the pandemic hit, I found myself locked down at home, completely alone in a new country for the first time. This led me to question my existence and the belief systems I espoused and prompted me to try to understand myself better in the context of a …


Hamburger Helper Recipes, John Alex Goss Jan 2021

Hamburger Helper Recipes, John Alex Goss

Theses and Dissertations

Hamburger Helper Recipes is a collection of essays and public addresses that aim to recuperate castoff and misfit material surrounding industries and tools which produce science-fiction fantasies, specifically videogames and television shows. The following essays confront the normative violence of capitalism, whiteness, and hetero-patriarchy that socially and technologically haunt these imaginary worlds and build hegemonic idealogy into their audiences. This collection takes industrial materials and software from their intended commercial purposes of production and “success” into places of abjection and quiet breakdown. The author’s own proximity to masculine and often toxic "work cultures'' within industrial spaces of coding and manufacturing …