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Black Noise, White Noise, And Ghostly Sound: The Ontology Of Noise In The Context Of Deleuze's Conception Of Event, Yuhui Jiang, Yan Zheng
Black Noise, White Noise, And Ghostly Sound: The Ontology Of Noise In The Context Of Deleuze's Conception Of Event, Yuhui Jiang, Yan Zheng
Theoretical Studies in Literature and Art
As a complicated concept, Deleuze's "event" has traversed different phases of his thinking. However, one should always return to Logique du sens to have a thorough and proper understanding of this idea. Through detailed interpretation of the Stoic theory about "incorporeal", causality and temporality, this article intends to justify the ontological priority of event. The most recent arguments from the speculative realism have also shed a new light on this guiding line implicit in LS. This emerging correlation took its initial shape especially through the contemporary noise music that not only serves as the figurative counterpoint to the philosophical argument, …
Symptomatic Reading, Event, And Iconography: A Brief Discussion Of Georges Didi-Huberman's Image-Knowledge, Wen Zhao
Theoretical Studies in Literature and Art
As one of the most active art historians in France, Georges Didi-Huberman takes "event" as his theoretical basis, by which he makes possible the renewal of the critical tradition of Aby Warburg. Didi-Huberman is innovative because, on the one hand, he confirms Warburg's special epistemology that is situated within Walter Benjamin's horizon of event-truth implied in dialectic images, and, on the other, he legitimizes Benjamin's symptomatic reading of events by introducing Warburg's image-knowledge into iconographical studies. Didi-Hubermanian critical iconography has changed the look of contemporary French art history, disrupted the linear historical narrative of art in academic tradition, and ultimately …
The Triple Connotations Of Eagleton's "Event" In The Event Of Literature, Zhike Yin
The Triple Connotations Of Eagleton's "Event" In The Event Of Literature, Zhike Yin
Theoretical Studies in Literature and Art
Is there any connection between Terry Eagleton's The Event of Literature and the philosophy of event? If any, why does he discuss "event" in the final chapter of this book? Why is it confined in only one chapter? To answer these questions, one needs to clarify the concepts he uses. His Structure/Event is based on Claude Levi-Strauss's mythology, Paul Ricoeur's hermeneutics, Anthony Giddens's "Structuration", and Wolfgang Iser's "Strategy". Nevertheless, Eagleton's "eventness" differs from Alain Badiou's "event", and is actually closer to Derek Attridge's literary ethics. As literature and art have to bring out actual effect, they are for Eagleton open …
Literature Through The Lens Of Davidson's Event Theory, Qiao Zhang
Literature Through The Lens Of Davidson's Event Theory, Qiao Zhang
Theoretical Studies in Literature and Art
In contemporary literary theory, we discuss literary eventlargely withthe theoretical source of continental philosophy. This articleaims to draw an analytical philosophical picture forliterary event through Davidson's event theory. It investigates Davidsonianliterary event from two aspects. On the one hand, according to Davidson's ontology of event, the nature of literature should beseen as the particulars, and the way of discussing literature should be changed from "existence" to "happening", hence the shift from ontology of literature to performance of literature. On the other hand, literary event represents intentional literary action, and a successful literaryaction presents how the writer usesidiolects to communicate successfully …
Event And Art: Lyotard's Politics Of Phrase And The Postmodern Sublime, Hui Zhou
Event And Art: Lyotard's Politics Of Phrase And The Postmodern Sublime, Hui Zhou
Theoretical Studies in Literature and Art
Starting from the relationship between modern French philosophy and event and time, this article attempts to expound the main idea of the politics of phrase oriented to différend, to compare the differences and similarities between Kant's reflective judgment and the judgment of Lyotard, to analyze the reasons why postmodern art finally leads to the sublime, and thus to point out the special significance of event to postmodern theories. In the end, this article reflects on the oscillation of postmodern theories between the activeness and passiveness of the subject, and the price that elites have to pay for detaching themselves from …