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The Significance Of Selected Piano Compositions By Pancho Vladigerov, Boriana Kojouharova Buckles Jan 2004

The Significance Of Selected Piano Compositions By Pancho Vladigerov, Boriana Kojouharova Buckles

LSU Doctoral Dissertations

This study examines selected compositions for piano by Pancho Vladigerov - the Three Pieces for Piano, Opus 15, Bulgarian Rhapsody, Opus 16, Shumen Miniatures, Opus 29, and Improvisation and Toccata, from Episodes, Opus 36. These pieces strongly represent the various periods and stylistic trends of the composer. They are also among Vladigerov's most popular and frequently performed piano compositions. The first chapter provides a brief biography of Pancho Vladigerov and an overview of his most important compositions. Chapter Two contains an overview of the solo piano works of Vladigerov. Chapter Three examines the selected piano compositions from a formal and …


William Faulkner And The Oral Text, Gregory Alan Borse Jan 2004

William Faulkner And The Oral Text, Gregory Alan Borse

LSU Doctoral Dissertations

The disjunction between the oral and the literate in the works of William Faulkner reveals the different ways these distinct modes of organization combine to structure a text. The oral in Faulkner's fiction makes its presence known not only as offset speech but also as a mode of action and narrative whose logic is conjunctive rather than disjunctive. According to the literate mode, a form organizes novelistic matter. According to the oral mode, forces that function as signs rather than organizers of their form rule the action and narrative. When the disjunction between the oral and the literate is so …


A Basic Interpretative Analysis Of Instrumental Music Education Majors' Approaches To Score Study In Varying Musical Contexts, Jeremy S. Lane Jan 2004

A Basic Interpretative Analysis Of Instrumental Music Education Majors' Approaches To Score Study In Varying Musical Contexts, Jeremy S. Lane

LSU Doctoral Dissertations

The purposes of this qualitative study were to 1) provide a holistic description of procedures used by undergraduate instrumental music education majors (N = 21) in music score study tasks; 2) examine relationships among these procedures and their use in varying musical contexts; 3) examine relationships among score study tendencies, education level, and overall musical ability; and 4) provide general comparisons of undergraduate music education majors’ score study procedures and those implied by expert conductors’ major disciplinary ways of thinking. Each subject participated in two one-on-one interview sessions with the investigator. During each session, subjects “thought out loud” as they …


Routes Of Freedom: Slave Resistance And The Politics Of Literary Geography, Judith Louise Kemerait Jan 2004

Routes Of Freedom: Slave Resistance And The Politics Of Literary Geography, Judith Louise Kemerait

LSU Doctoral Dissertations

This dissertation integrates rhetorical, historical, and spatial analysis in an effort to expand our understanding of the cultural work performed by antebellum narratives that take slavery in the United States as their subject matter. Specifically, it focuses on the complicated relationship between place and human praxis as revealed in five texts: The Confessions of Nat Turner, Harriet Beecher Stowe’s Dred, Martin R. Delany’s Blake, Frederick Douglass’s “The Heroic Slave,” and Herman Melville’s Benito Cereno. In my attention to literary geographies, I trace spatial patterns in which considerations of organized resistance and slave rebellion are repeatedly placed in “wild-spaces” such as …


Against Biopoetics: On The Use And Misuse Of The Concept Of Evolution In Contemporary Literary Theory, Bradley Bankston Jan 2004

Against Biopoetics: On The Use And Misuse Of The Concept Of Evolution In Contemporary Literary Theory, Bradley Bankston

LSU Doctoral Dissertations

This dissertation is a critical assessment of "biopoetics:" a new literary theory that attempts to import ideas from evolutionary science to the study of literature. Borrowing from the field of evolutionary psychology, the biopoeticists argue that some literary forms and themes are particularly valuable because they result from our innate and evolved cognitive structure; they also attempt to create a normative aesthetic from the idea that evolution is progressive. In its first half, this study examines the claims of evolutionary psychology and their application by the biopoeticists; in the second half, it examines the idea that evolution is progressive, and …


An Original Composition, Symphony No. 1, Pollock And An Analysis Of The Evolution Of Frank Zappa's "Be-Bop Tango", William Morris Price Jan 2004

An Original Composition, Symphony No. 1, Pollock And An Analysis Of The Evolution Of Frank Zappa's "Be-Bop Tango", William Morris Price

LSU Doctoral Dissertations

Part one of this dissertation is an original composition, Symphony No. 1, Pollock. It uses as a conceptual impetus the abstract expressionism of Jackson Pollock’s paintings from the 1950’s. It employs the following instrumentation: (2-2-2-2, 4-3-3-1, 3 percussion, piano, harp, and strings). The work is composed in one movement, which is divided into four major sections (A-B-A/C-B) that are distinct from each other with respect to style and tempo. The first major section of the composition serves as a slow introduction. The second major section serves as a contrast and is based conceptually on Pollock’s abstract works and formally on …


Storytelling From The Margins: The Healing Narratives Of J. California Cooper, Cynthia Downing Bryant Jan 2004

Storytelling From The Margins: The Healing Narratives Of J. California Cooper, Cynthia Downing Bryant

LSU Doctoral Dissertations

This study examines the therapeutic qualities of selected short stories and novels by contemporary African American woman writer, J. California Cooper. Specifically, I examine the manner in which Cooper's texts can be appreciated as "healing narratives." Healing narratives, as defined in this study, are those texts in which the author consciously creates fictitious representations of reality, while employing the concept of hope as a central and guiding factor. Those aspects of the narrative that have the ability to heal or "lay hands on" a reader vary because the effectiveness of the story depends upon how well the reader can identify …


An Original Composition Symphony No. 1 "Night Symphony" And An Analysis Of Selected Traditional And Non-Traditional Elements Of Harmony In Credo By Krzvsztof Penderecki, Aaron Edward Johnson Jan 2004

An Original Composition Symphony No. 1 "Night Symphony" And An Analysis Of Selected Traditional And Non-Traditional Elements Of Harmony In Credo By Krzvsztof Penderecki, Aaron Edward Johnson

LSU Doctoral Dissertations

The first part of this dissertation is an original composition Symphony No. 1 "Night Symphony." It is a three-movement work scored for large orchestra. Each of the three movements is subtitled with a descriptive aspect of a different part of the night: 1. Twilight, 2. Nocturne, and 3. Waning Darkness. The work is not a musical narrative of the night cycle and does not include night sounds. The subtitles are only meant to suggest the general mood I associate with particular stages of the night. The tempi of the movements fall into a fast-slow-fast arrangement. The outer movements are scored …


The Organ Works Of Fela Sowande: A Nigerian Organist-Composer, Godwin Simeon Sadoh Jan 2004

The Organ Works Of Fela Sowande: A Nigerian Organist-Composer, Godwin Simeon Sadoh

LSU Doctoral Dissertations

Fela Sowande (1905-1987) has a huge compositional output including orchestral and vocal works. However, his organ music outnumbered the totality of his compositions. His organ pieces represent a truly intercultural music in which distinct tripartite cultural idioms are evident—Nigerian, African American and European. Works of this nature serve as creative source materials for aspiring composers, performers, scholars, music educators, and students in Africa and the world. This composer, folklorist, and music educator was born into a well-known music family in Nigeria. He was active in radio broadcasting, Yoruba folklore and mythology, indigenous music research, Nigerian art music, performance, orchestral conducting, …


Compelled To Compose: An Introduction To The Life And Music Of Paul Basler , With A Conductor's Analysis Of Missa Kenya, Gary Packwood Jan 2004

Compelled To Compose: An Introduction To The Life And Music Of Paul Basler , With A Conductor's Analysis Of Missa Kenya, Gary Packwood

LSU Doctoral Dissertations

The choral literature of Paul Basler and his style are relatively unexplored. While his style is not readily identifiable, particular characteristics can be understood in their appropriate genres and cultural contexts. The compositional style of Missa Kenya features great variety, incorporating twentieth century American ‘classical’ techniques, and those based solely on indigenous tradition. This document focuses on the life, influences, and music of Paul Basler, with particular attention to his composition, Missa Kenya. A conductor’s analysis and interpretational suggestions are also provided. Several interviews were conducted by email and in person with Paul Basler, and Ronald Burrichter, the conductor for …


Seasons In Hell: Charles S. Johnson And The 1930 Liberian Labor Crisis, Phillip James Johnson Jan 2004

Seasons In Hell: Charles S. Johnson And The 1930 Liberian Labor Crisis, Phillip James Johnson

LSU Doctoral Dissertations

In 1930, African American sociologist Charles S. Johnson of Fisk University traveled to the Republic of Liberia as the American member of a League of Nations commission to investigate allegations of slavery and forced labor in that West African nation. In the previous five years, the face of Liberia had changed after the large-scale development of rubber plantations on land leased by the Firestone Tire and Rubber Company, with headquarters in Akron, Ohio. Political turmoil greeted Johnson in Liberia, an underdeveloped nation teetering on the brink of economic collapse. This dissertation focuses on Johnson’s role as the key member of …


An Original Work: "Brothers And Sisters" And Songs From Letters By Libby Larsen : An Analysis, Andrea J. Mitternight Jan 2004

An Original Work: "Brothers And Sisters" And Songs From Letters By Libby Larsen : An Analysis, Andrea J. Mitternight

LSU Doctoral Dissertations

This dissertation consists of two parts. The first part is an original composition by the author entitled "Brothers and Sisters." The orchestra piece is an expressive program symphony in three movements. The first movement features sections of driving rhythms and fluctuating meters. Two new sections, more reflective and stable in nature, offset the more volatile sections. Herein lie moments of steady and unchanging rhythms and a sense of constancy. The movement ends with a return of the furious instability heard in the previous sections. Unlike the first movement, the second begins with a more somber mood. The introduction exposes the …


An Original Composition, Concerto For Piano And Orchestra, And An Analysis Of Camargo Guarnieri's Concerto No. 5 Para Piano E Orquestra, Liduino Jose Pitombeira De Oliveira Jan 2004

An Original Composition, Concerto For Piano And Orchestra, And An Analysis Of Camargo Guarnieri's Concerto No. 5 Para Piano E Orquestra, Liduino Jose Pitombeira De Oliveira

LSU Doctoral Dissertations

This dissertation is in two parts. The first part is an original composition, "Concerto for Piano and Orchestra." The second part is an analysis of Brazilian composer Camargo Guarnieri's "Concerto No. 5 para Piano e Orquestra." I chose to analyze this work by Guarnieri because I am also a native from Brazil and I believe he is one of the most outstanding composers of the twentieth century. His wonderful mastery of both modern and traditional techniques of composition, the blending of these techniques with genuine folk and popular sonorities of his native culture, and a disciplined life entirely dedicated to …


Pan African Narratives: Sites Of Resistance In The Black Diaspora, Anita Louise Harris Jan 2004

Pan African Narratives: Sites Of Resistance In The Black Diaspora, Anita Louise Harris

LSU Doctoral Dissertations

Africa as a point of reference for Africans dispersed from her shores and their descendants in the Diaspora has perpetuated discourse of longing and ambivalence. For centuries these various sentiments have emerged in Black literary expressions. The quest of this study is to advance Black narrative tradition by proposing a theoretical framework informed by these constructs and predicaments to establish a genre of literature referred to here as Pan African narratives. This work looks at Black response to the dilemma of dispersal and dislocation in the Diaspora from the nineteenth to the twentieth century. More specifically, it examines the emergence …


Cinéma Sénégalais: Évolution Thématique Du Discours Filmique Dans Les Oeuvres De Sembene Ousmane, Djibril Diop Mambety, Moussa Sène Absa, Jo Gaye Ramaka Et Alain Gomis, Moussa Sow Jan 2004

Cinéma Sénégalais: Évolution Thématique Du Discours Filmique Dans Les Oeuvres De Sembene Ousmane, Djibril Diop Mambety, Moussa Sène Absa, Jo Gaye Ramaka Et Alain Gomis, Moussa Sow

LSU Doctoral Dissertations

This work aims at filling a gap in African cinema studies. The plurality in film production has been neglected or overseen by Africanist critiques as well as most of the filmmakers from the continent. Such continental shield of a monolithic Africa has been carried by European anthropologists and fostered in part by the Negritude movement in the late 1930s, still conveyed by mimetic writing. We begin by assessing such a uniform vision and explaining the ways in which it resisted time after more than 40 years of cinema in Africa. Then we introduce the notion of national cinema by exploring …


An Analysis Of György Ligeti's Nonsense Madrigals, Dennis Malfatti Jan 2004

An Analysis Of György Ligeti's Nonsense Madrigals, Dennis Malfatti

LSU Doctoral Dissertations

While other contemporary composers have written works called madrigals, Ligeti's Nonsense Madrigals are truly unique as exemplified by the myriad of influences that went into their creation, the technical challenges of their performance, and in the aesthetic result, one which is incomparable to most musical compositions past or present including works by Ligeti himself. Ligeti’s compositional style in these works include the parodying of compositional techniques from the 14th century as well as the rhythmic provocativeness of jazz. The use of parody in these works is compatible with Ligeti’s choice of texts which includes literary parodies by Lewis Carroll. In …


The Style Of Meditation: A Conductor's Analysis Of Selected Motets By Rihards Dubra, Kevin Doyle Smith Jan 2004

The Style Of Meditation: A Conductor's Analysis Of Selected Motets By Rihards Dubra, Kevin Doyle Smith

LSU Doctoral Dissertations

 Born in Riga, the capital of Latvia, on February 28, 1964, Rihards Dubra is one of the emerging composers of the great Baltic choral tradition. The scope of this research is to provide an introduction to the Latvian composer's music and a conductor's analysis of selected Latin motets. Works to be examined include: Salve Regina (1992) SSAATTBB Gloria patri (1992) SSAATTBB Oculus non vidit (1993) SSATTB Ave Maria (1994) SSAATTB Veni sancte Spiritus (1994) SATB Rorate caeli (1996) SSAATB (with ST soli) Veni Creator Spiritus (1998) SATB Magnificat (2000) SSATB The research is divided into three chapters. The first …


A Practical Guide To Twentieth-Century Violin Etudes With Performance And Theoretical Analysis, Aaron Michael Farrell Jan 2004

A Practical Guide To Twentieth-Century Violin Etudes With Performance And Theoretical Analysis, Aaron Michael Farrell

LSU Doctoral Dissertations

This document is a partial catalog of what is readily available to violinists for studies relating to twentieth-century repertoire. More studies in this area exist throughout the world, so those presented here are intended merely as a starting point. The document also contains factual information about the studies, as well as performance and theoretical analysis and biographical information about the composers. This information is designed to serve a variety of purposes. The factual and biographical information may be used by the violinist to choose appropriate etudes for himself/herself or a student. Later, the in-depth analysis will assist players throughout the …


A Performer's Guide To Virgil Thomson's Five Songs From William Blake, Andrew David Whitfield Jan 2004

A Performer's Guide To Virgil Thomson's Five Songs From William Blake, Andrew David Whitfield

LSU Doctoral Dissertations

Though perhaps his most well-known vocal works might be his operas, Four Saints in Three Acts and The Mother of Us All, American composer Virgil Thomson (1896-1989) did write nearly seventy songs for voice and piano, including several important song cycles. One of these cycles, the Five Songs from William Blake, represents an impressive composition for the baritone voice. Unfortunately, much of the previous scholarship about Thomson did not award these Blake songs adequate attention, nor was it able to draw upon many of the primary sources about Thomson’s life and work that are now available. The purpose of this …


A Study Of The Quintet For Piano And Strings By Richard Danielpour, Myung Jin Kuh Jan 2004

A Study Of The Quintet For Piano And Strings By Richard Danielpour, Myung Jin Kuh

LSU Doctoral Dissertations

Richard Danielpour is recognized as one of the most successful and acclaimed composers today. His music is often described as neo-romantic: full of grand gestures, highly accessible, brilliantly orchestrated, and rhythmically powerful and exciting. His music is based on the traditions of European classical music; however, it also combines the American vernacular of the 20th century, including jazz, rock, and pop music. His special interests in metaphysics and non-Western culture, especially Zen Buddhism, are also reflected in his compositions. This study examines Danielpour’s Quintet for Piano and Strings, written in 1988. The work consists of three movements with the descriptive …


The Contributions Of Floyd Leslie Sandle To Black Educational Theatre In Louisiana, Ava Marie Brewster-Turner Jan 2004

The Contributions Of Floyd Leslie Sandle To Black Educational Theatre In Louisiana, Ava Marie Brewster-Turner

LSU Doctoral Dissertations

Floyd Leslie Sandle appeared on the theatrical scene in 1938 on the campus of Grambling State University. From his humble beginnings in the segregated town of Magnolia, Mississippi, to Dillard University where his passion for theatre was nurtured by Dr. Sheppard Randolph Edmonds, Sandle made significant strides in the dvelopment of Black Educational Theatre in Louisiana. Through his unique approach of presenting plays to the residents of the rural community of Grambling, Louisiana, Sandle was able to establish a state certified Speech and Drama Department at Grambling State University. He trained students in educational theatre though his lectures, laboratory experiences, …


Effects Of Practice Strategies, Metronome Use, Meter, Hand, And Musical Function On Dual-Staved Piano Performance Accuracy And Practice Time Usage Of Undergraduate, Melody A. Hanberry Jan 2004

Effects Of Practice Strategies, Metronome Use, Meter, Hand, And Musical Function On Dual-Staved Piano Performance Accuracy And Practice Time Usage Of Undergraduate, Melody A. Hanberry

LSU Doctoral Dissertations

The purposes of this study were: 1) To assess the effects of practice strategies, metronome, meter, hand, and musical function on piano performance accuracy of undergraduate music majors enrolled in piano class (N=39), and 2) To assess the effects of practice strategies on practice time relative to two unfamiliar pieces of keyboard music. Throughout an eight-week training session, treatment subjects were provided strategies for practicing unfamiliar pieces of keyboard music and were allowed time in class to apply the strategies while practicing. Strategies included score analysis, isolating hand position shifts, practicing unfamiliar chords, practicing measures with accidentals, and using the …


Mothering Modes: Analyzing Mother Roles In Novels By Twentieth-Century United States Women Writers, Preselfannie Whitfield Mcdaniels Jan 2004

Mothering Modes: Analyzing Mother Roles In Novels By Twentieth-Century United States Women Writers, Preselfannie Whitfield Mcdaniels

LSU Doctoral Dissertations

For this dissertation, the following novels have been chosen as examples of the many issues that are involved in mothering in United States society: Chapter 1: Dorothy Allison’s Bastard Out of Carolina and Toni Morrison’s Beloved, Chapter 2: Toni Morrison’s Song of Solomon and Dorothy West’s The Wedding, Chapter 3: Amy Tan’s The Kitchen God’s Wife and Christina García’s Dreaming in Cuban, and Chapter 4: Betty Smith’s A Tree Grows in Brooklyn and Paule Marshall’s Brown Girl, Brownstones. For this study, the term “mothering” is specifically related to the rearing of children by the female parent. Rearing is defined as …


Haunted By The Uncanny - Development Of A Genre From The Late Eighteenth To The Late Nineteenth Century, Alexandra Maria Reuber Jan 2004

Haunted By The Uncanny - Development Of A Genre From The Late Eighteenth To The Late Nineteenth Century, Alexandra Maria Reuber

LSU Doctoral Dissertations

This dissertation traces the development of the supernatural from the late eighteenth to the late nineteenth-century. Since supernatural elements are unknown and unfamiliar, they easily arouse anxiety, fear, and even result in terror. As such they produce the effect of the uncanny and introduce the psychological component into the selected literary corpus taken from the English Gothic novel, the German Schauerroman, and the French littérature fantastique. The analysis of the selected material is based on a psychoanalytical approach using Sigmund Freud’s understanding of the uncanny, his dream analysis, and his view of the conscious and unconscious, but also considers Carl …


American Verismo?: Insights Into The Padrone, And Opera By George Whitefield Chadwick (13 November 1854 - 4 April 1931), Jon Steffen Truitt Jan 2004

American Verismo?: Insights Into The Padrone, And Opera By George Whitefield Chadwick (13 November 1854 - 4 April 1931), Jon Steffen Truitt

LSU Doctoral Dissertations

The contribution of George Whitefield Chadwick (13 November 1854 – 4 April 1931) to American music comes in many forms: composer, teacher, conductor, pianist and organist. A leading figure of the Second School of New England composers, Chadwick was also largely responsible for the effective reorganization of the New England Conservatory. He was arguably one of the most influential teachers in American music in the latter half of the nineteenth century and the beginning of the twentieth century. This study deals with Chadwick’s last opera intended for professional production, The Padrone. The opera, an American example of Italian verismo, is …


19th And 20th Century French Exoticism: Pierre Loti, Louis-Ferdinand Cé́Line, Michel Leiris, And Simone Schwarz-Bart, Robin Anita White Jan 2004

19th And 20th Century French Exoticism: Pierre Loti, Louis-Ferdinand Cé́Line, Michel Leiris, And Simone Schwarz-Bart, Robin Anita White

LSU Doctoral Dissertations

This study of four 19th and 20th century colonial texts, as well as a later postcolonial novel exposes the cadres exotiques, or exotic frameworks, of literary exoticism. The thesis names and interprets the moods of and reactions to exoticism, including colonial exoticism, antiexoticism, and autoexoticism. Poetic and theoretical interpretations of exoticism, such as Victor Segalen’s Notion du Divers and Edouard Glissant’s Opacité and Poétique de la Relation challenge the prevalent assumptions that the literary practice was only an unfortunate byproduct of colonialism. The first chapter presents literary history and theoretical considerations relating to exoticism: Orientalism, nostalgia, colonial literary history, and …


A Historical Approach To Training The Vocal Registers: Can Ancient Practice Foster Contemporary Results?, Taylor Lee Ferranti Jan 2004

A Historical Approach To Training The Vocal Registers: Can Ancient Practice Foster Contemporary Results?, Taylor Lee Ferranti

LSU Doctoral Dissertations

A review of the extant vocal literature containing the writings of Tosi, Mancini, and Garcí­a, shows that the topic of vocal registration appeared to be at the core of their training procedures. The essence of their vocal instruction centered around how the registers coordinated, separated, and developed to form the functional basis of a sound technique. However, of all the topics that encompass historical pedagogy, none will confound the diligent voice teacher more than the topic of vocal registers. For this reason, contemporary pedagogy has developed certain methodologies that appear to be at odds with the historical approach to training …