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El Olvido Está Lleno De Memoria: El Proceso De Recuperación De La Memoria Histórica De La Dictadura De Pinochet, Sarah Arvey
El Olvido Está Lleno De Memoria: El Proceso De Recuperación De La Memoria Histórica De La Dictadura De Pinochet, Sarah Arvey
Independent Study Project (ISP) Collection
The theoretical and methodological advances in memory studies have contributed to a recuperation of cultural history. Although it is important to recognize that the revival of historical memory contributes to the conscientious of the continuum of the past into the present, it is essential also to restore the forgotten voices and persons of particular historical situations. In Chile, the pains of recent history, including the 17 years of dictatorial violence and violations of human rights under Augusto Pinochet, 1973 – 1990, and the transition to democracy that is still going today, are essential to the understanding of current Chilean culture …
A Place In The World: Mh2o’S Construction Of A Peripheral Identity, Ryan Schutt
A Place In The World: Mh2o’S Construction Of A Peripheral Identity, Ryan Schutt
Independent Study Project (ISP) Collection
Hip Hop and, more specifically, Rap music, has been a culture rooted in the notion of the social periphery, the section of society excluded from mainstream, capitalist, bourgeois society. It has historically been a way for this voiceless, disenfranchised, and alienated population to criticize, question, and protest its societal position. The Movimento do Hip-Hop Organizado uses this medium as a way of politicizing and mobilizing the excluded members of Brazilian society. Using Hip-Hop, the organization constructs a socially informed, politically aware, and critically conscious community that is united through their common identification with Hip-Hop culture and MH2O. The case is …
Spectator To Actor To Multiplier: Edisca’S Humanizing Methodology, Hannah Mcdowell
Spectator To Actor To Multiplier: Edisca’S Humanizing Methodology, Hannah Mcdowell
Independent Study Project (ISP) Collection
Augusto Boal, a Brazilian theater theorist and practitioner, transferred the means of production of theater to the oppressed. The oppressed, formally passive spectators filled by the elites’ images of the world, became liberated participants in the creation of dramatic action. Through “people’s theater,” Boal encouraged participants to critically analyze their relationships with the world and in the world through onstage action. EDISCA (Escola de Dança e Integração Social para Criança e Adolescente [School of Dance and Social Integration for Children and Adolescents]), located in Fortaleza, Brazil, introduces artistic languages to children and adolescents from socio-economically disadvantaged backgrounds. The youth then …