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Arts and Humanities

Honors Projects

Theses/Dissertations

Memory

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Multilingualism And Memory: Investigating Possible Differences In The Abilities Of Monolingual And Multilingual College Students, Clara E. Barned Dec 2022

Multilingualism And Memory: Investigating Possible Differences In The Abilities Of Monolingual And Multilingual College Students, Clara E. Barned

Honors Projects

This study investigated whether there is a difference in the memories of monolingual and multilingual undergraduate students using simple memorization tasks. There were 46 participants, 30 of which were monolingual (only knew one language) and 16 of which were multilingual (knew two or more languages). There was found to be no significant difference between the performance of the two groups, with the data generating a p-value of 0.557. This study further suggests related avenues of research and ways in which the study could be improved in the future.


Title Ix: An Analysis Of Its Effects On Collegiate Athletics, Hanna Laube Apr 2022

Title Ix: An Analysis Of Its Effects On Collegiate Athletics, Hanna Laube

Honors Projects

Title IX has had a monumental impact on the development of women’s opportunities in sports. I conducted three interviews with women athletes who competed in college from 1967-71, 1995-99, and 2009-2014. I also analyzed some primary research on how female athletes remember Title IX and some secondary research on remembering Title IX. In the interviews I found that all the athletes were very appreciative of Title IX, but did not know much about it and therefore could not think very critically about it. In contrast, scholars were very critical of Title IX and pointed out the shortcomings in the law. …


Narrative, Identity, And Holocaust Memorialization In The United States, Alexander Noah Kogan Jan 2020

Narrative, Identity, And Holocaust Memorialization In The United States, Alexander Noah Kogan

Honors Projects

Narratives at Holocaust memorials and museums in the United States connect the Holocaust to present-day identities and weave the Holocaust into American history. Holocaust narratives––whether at the universal, national, or local level––draw moral lessons from the past. These narratives and their moral lessons redefine what constitutes the Holocaust and are determined by the needs and sentiments of the present. The sites of remembrance in this thesis at once show the significance of the Holocaust in American identities at both national and local levels, as well as encourage an active remembrance of the past that restructures these identities. The type of …


Where Woman Is Her Center: Interrogating Morality And Spatiality In The Works Of Joan Didion, Hannah Nicole Martin Jun 2018

Where Woman Is Her Center: Interrogating Morality And Spatiality In The Works Of Joan Didion, Hannah Nicole Martin

Honors Projects

This project outlines new and expansive critical categories for discussing Joan Didion’s work through an interrogation of Didion’s The Year of Magical Thinking and earlier personal essays using an interplay of close reading and affect theory. This paper seeks to help move the critical conversation in new directions by shifting the focus towards an analysis of Didion’s unique spatialization of memory, articulated through her use of particular details. Divided in two parts, the first section of this paper discusses The Year of Magical Thinking while the second engages in a dialogue with the critical voices surrounding Didion, as well as …


Counter-Narrating The Nation: Homi K. Bhabha's Theory Of Hybridity In Five Broken Cameras, Rachel Evers Jan 2014

Counter-Narrating The Nation: Homi K. Bhabha's Theory Of Hybridity In Five Broken Cameras, Rachel Evers

Honors Projects

This paper examines the theories of Homi K. Bhabha, a major figure in contemporary post-colonial study. His work on hybridity, mimicry, and counter-narrative helps to illuminate the documentary film Five Broken Cameras, which shows five years in the life of Palestinian farmer, Emad Burnat, under Israeli occupation in the West Bank. The film is shown to be a performative counter-narrative representing Palestinian national becoming.