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Jules Verne Constructs America: From Utopia To Dystopia, Dana L. Radu
Jules Verne Constructs America: From Utopia To Dystopia, Dana L. Radu
Dissertations, Theses, and Capstone Projects
In my dissertation, I examine visions of the United States in Jules Verne’s (1828-1905) Voyages extraordinaires (1863-1905). Of the sixty-four novels that make up that series, twenty-three, over one-third, feature American characters or take place on American soil. I demonstrate that in his early novels (1863-1886), he presents the United States in an optimistic and utopian light, while in his later novels (1887-1905), his depictions of the United States take on a pessimistic and dystopian aspect. In also showing that Verne had been influenced by utopian socialists Henri de Saint-Simon (1760-1825), Charles Fourier (1772-1837) and Étienne Cabet (1788-1856), I provide …
How To Be A French Jew: Proust, Lazare, Glissant, Paul J. Fadoul
How To Be A French Jew: Proust, Lazare, Glissant, Paul J. Fadoul
Dissertations, Theses, and Capstone Projects
In my dissertation I use Auerbach's insights developed in his Mimesis to demonstrate that in A la recherche, Proust captures the political and racial concerns of his times, proposing as a solution a heterogeneous French society where cultural, ethnic, and religious groups live together in mutual respect and understanding. In his novel, Proust echoes ideas developed by Bernard Lazare in Le Nationalisme Juif (1897) as well as in the literary output of the first French Jewish Renaissance (early1900’s to the mid1930’s). These authors responded to the portentous mix of Nationalist and anti-Semitic politics by urging the creation of a separate …
Le Pianiste: Parisian Music Journalism And The Politics Of The Piano, 1833–35, Shaena B. Weitz
Le Pianiste: Parisian Music Journalism And The Politics Of The Piano, 1833–35, Shaena B. Weitz
Dissertations, Theses, and Capstone Projects
This dissertation examines the French music journal entitled Le Pianiste, published in Paris from 1833 to 1835. Through an analysis of the journal’s contents, it reconsiders the nature of music journalism and musical life in Paris at the time it was in print, focusing in particular on canon formation and the power of the press. Le Pianiste’s remarkably detailed descriptions and analysis of the French music world challenge long-held perceptions of the era about taste and reception history, yet it remains an unstudied document. While past work on the music press has focused on criticism and reception, this …