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Arts and Humanities

Dissertations, Theses, and Capstone Projects

2014

Diaspora

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Redefining Diaspora Consciousness: Musical Practices Of Moroccan Jews In Brooklyn, Samuel Reuben Thomas Oct 2014

Redefining Diaspora Consciousness: Musical Practices Of Moroccan Jews In Brooklyn, Samuel Reuben Thomas

Dissertations, Theses, and Capstone Projects

This dissertation examines the role of musical practices in the synagogue life of Maroka'im (Moroccan Jews) in Brooklyn, New York. Living in an urban setting known for its diverse and robust Jewish life, community members utilize several different types of musical expression to emblematize three distinct diasporic ethnic identities: Jewish (of ancient Israel), Sephardi (Spanish), and Maroka'i (Moroccan). Based upon ethnographic fieldwork carried out between 2008 and 2013, this study demonstrates how Maroka'im in Brooklyn use musical expressions to evoke more than one sense of diaspora consciousness--Jewish, Sephardi, and Maroka'i--to foster what I term a layered diaspora consciousness.

To illustrate …


Entre Dos Islas: Dialogos Musico-Literarios Entre Manhattan Y Quisqueya. El Rol De La Musica Popular En La Literatura Dominicana Contemporanea, Sharina Maillo-Pozo Oct 2014

Entre Dos Islas: Dialogos Musico-Literarios Entre Manhattan Y Quisqueya. El Rol De La Musica Popular En La Literatura Dominicana Contemporanea, Sharina Maillo-Pozo

Dissertations, Theses, and Capstone Projects

Many critics agree that merengue, the cultural symbol of Dominican identity, has been linked to national identity since its beginnings when it emerged during the battles for independence from Haití­ in 1844. Hence, it is not surprising that the intertexual dialogue between Dominican literature and Dominican popular music could be traced back to the 19th century, a moment where cultural elements and practices were fundamental to the consolidation of a national identity. In the best cases, merengue was used to underline the social customs of the times in a few decimononical obras costumbristas from the 19th century. However, it was …


The Radical Possibilities Of Being Human: Exploring The Risk, Violence, And Rewards Of Knowing And Being Known (A Survival Guide For Liminal Feminists), Parvoneh Shirgir Oct 2014

The Radical Possibilities Of Being Human: Exploring The Risk, Violence, And Rewards Of Knowing And Being Known (A Survival Guide For Liminal Feminists), Parvoneh Shirgir

Dissertations, Theses, and Capstone Projects

Within this liminal feminist survival guide I present a collection of personal experiences and analysis of these moments in order to elucidate how and when violence occurs. I foreground my thought process and the ideas and figures that keep me hopeful, help remind me that our world is not concrete but instead changing, shifting, and malleable. What follows is a necessarily partial (and somewhat useless, somewhat useful) survival guide for liminal feminists, those who exist on the edges of boundaries and encounter all of the possibilities and fears that come with such a position. I present not so much a …


Integration Or Interrogation? Franco-Maghrebi Rap And Hip-Hop Culture In Marseille, Jenna Catherine Daley Jun 2014

Integration Or Interrogation? Franco-Maghrebi Rap And Hip-Hop Culture In Marseille, Jenna Catherine Daley

Dissertations, Theses, and Capstone Projects

This paper focuses on rap and hip-hop music that is produced from Franco-Maghrebi communities living in Marseille. The discussion revolves around the question of how rap music helps these communities to assimilate into French culture. The conclusion is two-fold. Marseille, as a city whose urban planning promotes physical assimilation of immigrants with French-born citizens, performs as an integrative force for these communities. Additionally, rap simultaneously assists Franco-Maghrebis in integrating into and subverting from French society. Franco-Maghrebi rappers integrate by becoming a part of mainstream French culture. Yet, they also subvert by extraordinarily placing race and discrimination at the forefront of …