Digital Commons Network^™

Twentieth-Century Catalogs: The Poetics Of Listing, Enumeration, And Copiousness In Joyce, Schuyler, Mccourt, Pynchon, And Perec, Timothy Krause

Dissertations, Theses, and Capstone Projects

This dissertation examines the occurrence of catalogs and lists in the literary works of several twentieth-century authors, including James Joyce, poet James Schuyler, novelist and cultural historian James McCourt, the postmodern fabulist Thomas Pynchon, and the French experimental prose author Georges Perec. The dissertation seeks to trace how each author makes use of catalogs in his work, how catalogs form a central part of his style and subject matter, and how his use of catalogs can be read against the biographical, historical, and social contexts surrounding his life and work. A theoretical introduction situates my work among theorists of epistemology, …

Aspects Of Adaptation In The Egyptian Singing Film, Margaret Jean Farrell

Dissertations, Theses, and Capstone Projects

This dissertation explores aspects of adaptation in the Egyptian singing film in the period from 1932 to 1962. The primary types of adaptation examined are those that are evident in the stories the films told, the ways in which the songs functioned within the stories, and the music for which these films formed the setting. Research was conducted through the viewing of over sixty Egyptian films as well as time spent in Cairo to study Arabic language and music, and to collect primary sources in the form of films, press books, books, and periodicals.

The goal of this study is …

History Of The Performance Practice Of Mozart’S Fantasie And Sonata K. 475/457, Mikako Ogata

Dissertations, Theses, and Capstone Projects

The pieces chosen for the discussion, the Fantasie and Sonata in C minor, K. 475/457, are especially well documented in terms of their sources: in addition to the composing autographs and the first edition, there is the so-called dedication copy, a manuscript written by a copyist that was given to Maria von Trattner, to whom the Sonata was dedicated. The discussion will include a close examination of these three primary sources, several editions published during the late eighteenth and the nineteenth centuries (including that edited by Johann Anton André, who owned the autographs at the time), and representative recorded performances …

The Museum Of Modern Art's "What Is Modern?" Series, 1938-1969, Jennifer Tobias

Dissertations, Theses, and Capstone Projects

Between 1938 and 1969, the Museum of Modern Art (MoMA) poses the question of What Is Modern? (WIM) in a series of books, traveling exhibitions, and a symposium. This dissertation argues for the WIM project as a sustained if minimally effective effort to influence popular American perceptions of modern art, architecture, and design, at the same time embodying tensions inherent to the museum and its notions of that modernism.

MoMA is an unquestionable influence on modern art history. WIM is a significant component of this influence, yet scholarship on the series is minimal. Hiding in plain sight, the series offers …

Grunt Work For The Avant-Garde, Andrea A. La Rose

Dissertations, Theses, and Capstone Projects

grunt work for the avant-garde is an original, four-movement composition for solo trombone, clarinet, violin, cello, and accordion.

Politics, Improvisation, And Musicking In Frederic Rzewski's "Which Side Are You On?" From North American Ballads, Andrea A. La Rose

Dissertations, Theses, and Capstone Projects

Discussions of the role of politics in Frederic Rzewski's music generally stop at surface elements: the title of the work, the use of a particular song, and guesses as to what left-leaning audience the piece is directed at. Similarly, discussion of the role of improvisation in Rzewski's work begins and ends simply at the mention of its existence. Using transcription and analysis of improvisations from recordings of "Which Side Are You On?" from North American Ballads combined with ideas about modeling from Christian Asplund, musicking from Christopher Small, dialogue from David Bohm, and Rzewski's own writings about music, I demonstrate …

The Metaphysics Of Improvisation, Tobyn C. Demarco

Dissertations, Theses, and Capstone Projects

In "The Metaphysics of Improvisation," I criticize wrongheaded metaphysical views of, and theories about, improvisation, and put forward a cogent metaphysical theory of improvisation, which includes action theory, an analysis of the relevant genetic and aesthetic properties, and ontology (work-hood).

The dissertation has two Parts. Part I is a survey of the history of many improvisational practices, and of the concept of improvisation. Here I delineate, sketch, and sort out the often vague boundaries between improvising and non-improvising within many art forms and genres, including music, dance, theatre, motion pictures, painting, and literature. In addition, I discuss the concept of …

(Re)Forming Italians: Children's Literature In Italy, 1929-1939, Marisa Giorgi

Dissertations, Theses, and Capstone Projects

My dissertation argues for the centrality of children's literature under Fascism as a tool to bring about the ultimate goal of forming the "new" Italian. This project examines the relationship between children's literature, the creation of culture and the transmission of ideology in Fascist Italy. I chose the period 1929-1939 because this decade encompasses the years the regime actively sought consolidation of power and consensus, as well as the years of the fascistization of Italian schools. These novels are conduits of fascist ideology veiled as adventure stories, historical novels, bildungsroman or romantic fiction for children and young adults and deserve …

Global Wreckage And Consumer Illusions: Responses To The Human Effects Of Economic Globalization In Sub-Saharan African Francophone Novels And Films, 1973-2006, Sara C. Hanaburgh

Dissertations, Theses, and Capstone Projects

My study examines a group of nine novels and films set in Ivory Coast, Mali, Senegal, Cameroon and Gabon written and produced between 1973 and 2006 in which "the West" and its international finance network are depicted as the fundamental contemporary world power that wields a destructive dominance over African countries. These forms of control are in many ways similar, yet distinct, from the projects of European imperialism. I analyze consumerism as a major feature of globalization, and discuss the linkage of globalization and the consumer society by looking at various theoretical models, in particular that which Jean Baudrillard conceptualized …

Recollecting Turbulence: Catastrophe And Sacrifice In The "History Of My Life" By Henry Darger, Carl Watson

Dissertations, Theses, and Capstone Projects

This study of "The History of My Life" the 5,086 page autobiographical text by the outsider artist/author Henry Darger, uses non-linear modes of analysis, such as chaos and complexity theory, to explore the meaning of Darger's epic narrative. Beginning with the idea that turbulence, seemingly chaotic, actually comes about as a compensatory restructuring of inadequate or unstable system dynamics, this study goes on to show that, as both influence and effect, turbulence is found at every level of Darger's life and art, both in theme and structure. "My Life" is a prime example: an extended narrative describing a cataclysmic tornado, …

Reading Through Prayer: Lectio Divina And "Liturgical Reading" In Some Medieval Texts, Marie Schilling Grogan

Dissertations, Theses, and Capstone Projects

Prayer texts found in a variety of medieval genres merit more careful scrutiny from literary critical perspectives. Such attention to the verbal artifacts, prayers, that memorialize an activity of central importance in medieval culture, praying, deepens our understanding not only of the prayers and the works in which they are found, but also of the milieu that produced them. This study seeks to model such a critical turn by reading three particular works "through" the prayers that constitute, punctuate and frame them -- privileging the prayers as the starting points for the investigation of their literary and devotional settings. This …

Yayoi Kusama: Biography And Cultural Confrontation, 1945–1969, Midori Yamamura

Dissertations, Theses, and Capstone Projects

Yayoi Kusama (b.1929) was among the first Japanese artists to rise to international prominence after World War II. She emerged when wartime modern nation-state formations and national identity in the former Axis Alliance countries quickly lost ground to U.S.-led Allied control, enforcing a U.S.-centered model of democracy and capitalism. As a result, the art world became increasingly internationalized. This interdisciplinary study is the first attempt to comparatively examine postwar artistic developments in Japan, the United States, and Europe, through a focus on Kusama. I consider Kusama not so much in terms that seek to aggrandize the uniqueness of the individual, …