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Arts and Humanities

Western Michigan University

1976

Articles 1 - 7 of 7

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The Second Part Of The Tractatus De Materia Concilii Generalis Of Pierre D'Ailly, Patrick Lally Dec 1976

The Second Part Of The Tractatus De Materia Concilii Generalis Of Pierre D'Ailly, Patrick Lally

Masters Theses

No abstract provided.

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Moral Perfection: An Interpretation Of The Nicomachean Ethics, Stephen Foster Dec 1976

Moral Perfection: An Interpretation Of The Nicomachean Ethics, Stephen Foster

Masters Theses

No abstract provided.

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Silas Deane: Revolutionary Or Profiteer?, Fred Gerard Flegal Dec 1976

Silas Deane: Revolutionary Or Profiteer?, Fred Gerard Flegal

Masters Theses

No abstract provided.

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Morality Among Cathar Perfects And Believers In France And Italy, 1100-1300, James Edward Myers Dec 1976

Morality Among Cathar Perfects And Believers In France And Italy, 1100-1300, James Edward Myers

Masters Theses

No abstract provided.

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The Nature Of The Individual In The Thought Of Nicholas Of Cusa, Mary L. Haab Aug 1976

The Nature Of The Individual In The Thought Of Nicholas Of Cusa, Mary L. Haab

Masters Theses

No abstract provided.

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Eleventh Conference On Medieval Studies, Medieval Institute, Western Michigan University May 1976

Eleventh Conference On Medieval Studies, Medieval Institute, Western Michigan University

International Congress on Medieval Studies Archive

The printed program of the 11th Conference on Medieval Studies (May 2-5, 1976).

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Staging The York Creation, And Fall Of Lucifer, Clifford Davidson Jan 1976

Staging The York Creation, And Fall Of Lucifer, Clifford Davidson

English Faculty Publications

The Creation, and Fall of Lucifer by the York Realist was intended to provide a spectacular opening for the Corpus Christi cycle, of which the city of York felt very proud in the fifteenth and sixteenth centuries. Since the York Realist appears to have been particularly sensitive to the conditions of production, this opening play provides a useful focus for attention to the staging used in the York cycle. The internal evidence of the Realist's Creation, and Fall of Lucifer demonstrates that he was not writing a mere literary exercise, but kept in mind the specifics of stage production.

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