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Cultural Flows Beneath Death Note: Catching The Wave Of Popular Japanese Culture In China, Peter Goderie, Brian M. Yecies
Cultural Flows Beneath Death Note: Catching The Wave Of Popular Japanese Culture In China, Peter Goderie, Brian M. Yecies
Faculty of Arts - Papers (Archive)
The government of the People’s Republic of China has often been criticized for its policies regarding freedom of expression. Cinema in China has been central to this criticism, particularly with respect to the distribution of foreign films. This article uses a case study of the Japanese film Death Note (Kaneko Shūsuke, 2006) to advance current understanding of Chinese cinema found in important studies such as Chu (2002), Zhang (2004) and Berry and Farquhar (2006). To better understand the controversy surrounding Death Note in the Chinese context, this article explores the historical precursors to the Chinese Communist Party’s ban on horror …
Hurray For Pusan And The Korean New Wave!, Brian M. Yecies, Aegyung Shim Yecies
Hurray For Pusan And The Korean New Wave!, Brian M. Yecies, Aegyung Shim Yecies
Faculty of Arts - Papers (Archive)
For nine days in November 2001 (9th-17th), the 6th Pusan International Film Festival (PIFF) rocked the seaside city of Pusan. A record 659 industry guests from 30 countries, 3100 official Korean guests, and more than a hundred thousand moviegoers filled the seats of 332 completely sold-out, or near sell-out screenings in 15 different theatres. Thousands and thousands of curious festival fans filled the small streets and alleyways in the Downtown-Nampodong festival area, enjoying the stars, lights, cameras, and all of the promotional PIFF booths and kiosks. A total of 126,613 paid tickets were sold to 201 films from 60 countries, …
Korean Post New Wave Film Director Series: Kim Ki-Duk, Brian M. Yecies, Aegyung Shim Yecies
Korean Post New Wave Film Director Series: Kim Ki-Duk, Brian M. Yecies, Aegyung Shim Yecies
Faculty of Arts - Papers (Archive)
Shortly after the release of his new film Bad Guy (Korea 2001), KIM Ki-Duk announced that he was not giving any more interviews. He took a vow of silence, because many of his critics had been criticizing him. I decided to ask him for an interview anyway. He accepted my invitation right away. I reviewed his website (www.kimkiduk.com), which includes my harsh criticism about his films, and I read his past interviews. There were 21 interviews and 37 reviews about his new film Bad Guy. I printed 184 articles written by his fans and harsh opponents and read them randomly.