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Disruptive Voices In The American Musical Discourse: Comic Song Performance In The American Parlor, 1865-1917, Kevin Steven O'Brien
Disruptive Voices In The American Musical Discourse: Comic Song Performance In The American Parlor, 1865-1917, Kevin Steven O'Brien
Masters Theses
In the latter half of the nineteenth century, the American song sheet industry vastly increased in size. This mass mediated form reached a broad number of consumers, who performed this music in their homes, identified with it, and shaped the new discourse on their identity as they did so. Simultaneously, Americans were re-shaping their cultural conceptions of music, in a process Lawrence Levine chronicled as the emergence of “highbrow” and “lowbrow” distinctions. Performing music in the culturally sacralized space of the parlor was meant to be an edifying experience and a display of genteel, “highbrow” identities. Performing comic songs (comic …
Snaps Of Eden, Michael J. Hudson
Snaps Of Eden, Michael J. Hudson
Masters Theses
The following poems are and attempt at reclamation and reconciliation. The first section wades through the delicate subject of personal history and is an attempt to show truth as a means of both self and communal healing. The second is plaintive, a brief effort to interlope into and understand worlds outside (but not foreign) to my own. The third is a poetic essay detailing the journey of a young woman facing the horrors of an undeclared, and seemingly eternal war. The fourth and final sections serve as a means of exploration of the self and place; tackling issues of sex, …