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Arts and Humanities

University of New Orleans

Gender

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Memento Mori And Other Stories, Abigail Arnold May 2017

Memento Mori And Other Stories, Abigail Arnold

University of New Orleans Theses and Dissertations

Memento Mori and Other Stories follows historical characters straining against societal norms and pushing back against gender roles as they struggle for personal independence.


Happy Trails, Elizabeth A. Derby May 2016

Happy Trails, Elizabeth A. Derby

University of New Orleans Theses and Dissertations

My work uses hair as both a subject depicted in drawings, paintings, and prints; as well as a medium for sculpture, installation, and video created with synthetic hair pieces and wigs. I am interested in deconstructing gendered codes of appearance, and visions of the ideal woman and man as objects. I remove all identifiable traits from my characters, apart from their hair which appears to be consuming or erasing them. In doing so, I force the people viewing my work to rely on cultural stereotypes associated with hair to identify my characters. My work is heavily influenced by Drag culture …


"It's No Life Being A Steer": Violence, Masculinity, And Gender Performance In The Sun Also Rises And In Our Time, Brock J. Thibodaux Dec 2015

"It's No Life Being A Steer": Violence, Masculinity, And Gender Performance In The Sun Also Rises And In Our Time, Brock J. Thibodaux

University of New Orleans Theses and Dissertations

Nearly all discussions of Hemingway and his work touch on the theme of masculinity, a recurrent theme in all of his works. Examinations of Hemingway and his relationship to masculinity have almost unanimously treated the author as a misogynist and a champion of violent masculinity. However, since the posthumous publication of The Garden of Eden in 1986, there has been much discussion of Hemingway’s uncharacteristic use of androgynous characters in the novel. Critics have taken this as a clue that Hemingway possessed a complex attitude regarding gender fluidity, but have failed to examine the constructions of gender and identity in …


E To Em, Elizabeth M. Hogan May 2015

E To Em, Elizabeth M. Hogan

University of New Orleans Theses and Dissertations

A poetry thesis exploring subjects of gender identity, sexuality, socialization, writing, and craft, and including a preface that credits Emily Dickinson and Adrienne Rich as primary influences. One-third of the manuscript features epistolary prose poems in conversation with Dickinson, while the remaining portion contains poetry written in either free verse, traditional poetic form, or field composition.


“'They Was Things Past The Tellin’: A Reconsideration Of Sexuality And Memory In The Ex-Slave Narratives Of The Federal Writers’ Project", Lynn Cowles Wartberg Dec 2012

“'They Was Things Past The Tellin’: A Reconsideration Of Sexuality And Memory In The Ex-Slave Narratives Of The Federal Writers’ Project", Lynn Cowles Wartberg

University of New Orleans Theses and Dissertations

In 1936, Federal Writers’ Project (FWP) employees began interviewing formerly enslaved men and women, allowing them to speak publicly of their experiences under slavery. Defying racism and the repressions of Jim Crow, ex-slaves discussed intimate details of their lives. Many researchers considered these interviews unreliable, but if viewed through the lens of gender and analyzed using recent scholarship on slavery and sexuality, FWP interviews offer new insights into the lives of enslaved men and women. Using a small number of ex-slave interviews, most of them drawn from Louisiana, this thesis demonstrates the value of these oral histories for understanding the …


“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas Aug 2012

“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas

University of New Orleans Theses and Dissertations

In “‘Bury Your Head Between My Knees and Seek Pardon’: Gender, Sexuality, and National Conflict in John Okada’s 1957 novel, No-No Boy,” I analyze the ways in which the complexities of gendered sexuality expressed by protagonist Ichiro Yamada intersect with post-World War II and Internment-era national identifications for American nisei. I demonstrate that this apparent story of one man’s pursuit to resolve his conflict over national identity is, in reality, a tour de force of literary subversion that not only destabilizes the subterfuge that surrounded internment but also—in its deliberate failure to resolve questions of national conflict on the …


Geoffrey Chaucer's The Canterbury Tales: Rhetoric And Gender In Marriage, Andrea Marcotte Aug 2007

Geoffrey Chaucer's The Canterbury Tales: Rhetoric And Gender In Marriage, Andrea Marcotte

University of New Orleans Theses and Dissertations

In the Middle Ages, marriage represented a shift in the balance of power for both men and women. Struggling to define what constitutes the ideal marriage in medieval society, the marriage group of Geoffrey Chaucer's The Canterbury Tales attempts to reconcile the ongoing battle for sovereignty between husband and wife. Existing hierarchies restricted women; therefore, marriage fittingly presented more obstacles for women. Chaucer creates the dynamic personalities of the Wife of Bath, the Clerk and the Merchant to debate marriage intelligently while citing their experiences within marriage in their prologues. The rhetorical device of ethos plays a significant role for …