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Constructed Languages And Their Role In Drama, Emelie Vandenberg
Constructed Languages And Their Role In Drama, Emelie Vandenberg
Honors Theses and Capstones
This paper covers the history and use of constructed language and dialect on stage and screen as well as the issues that arise concerning social awareness and intellectual property.
Learning To Play - Playing To Learn, Lauren Barton
Learning To Play - Playing To Learn, Lauren Barton
Honors Theses and Capstones
No abstract provided.
The Stage Through Slanted Eyes: An Examination Of The Current State Of Asian Americans In Theatre, Sara M. Laflamme
The Stage Through Slanted Eyes: An Examination Of The Current State Of Asian Americans In Theatre, Sara M. Laflamme
Honors Theses and Capstones
Deep-set racial prejudices and stereotypes in American society greatly impact how Asian Americans are perceived onstage and in everyday life. The Stage Through Slanted Eyes: An Examination of the Current State of Asian Americans in Theatre delves into the history of these prejudices and looks at how a performer's race can impact his or her theatrical career.
The Art Of Adaptation, Katharine E. Jordan
The Art Of Adaptation, Katharine E. Jordan
Honors Theses and Capstones
My honors thesis The Art of Adaptation discusses the process of adapting old stories and theatrical pieces for modern audiences through the exploration of various adaptations (theatrical, operatic, dance and film) of Euripides' Medea. It also touches on my own short, modern, adaptation; FURY: A Rock Musical Inspired by Medea. All of this research was important in making the performance aspect of my capstone the best it could be.
Memory Of Water Scenic Design-- Reinventing Memories On Stage, Xuehui (Kate) Li
Memory Of Water Scenic Design-- Reinventing Memories On Stage, Xuehui (Kate) Li
Honors Theses and Capstones
My paper describes my process of designing the set for the UNH Theatre and Dance Department production The Memory of Water. Linking dream and reality together, the set design of the show is my attempt and process of putting the non-realistic elements into a more tangible form-- reinventing the memories on the stage.