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Arts and Humanities

University of Massachusetts Amherst

Theses/Dissertations

2017

Memory

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Fantasy Frontier: Old West Theme Parks And Memory In California, Amanda Tewes Nov 2017

Fantasy Frontier: Old West Theme Parks And Memory In California, Amanda Tewes

Doctoral Dissertations

This study examines sites of Old West tourism—specifically the three California theme parks of Knott’s Berry Farm, Calico Ghost Town, and Frontier Village—as avenues through which the myth of “the West” gets propagated, even among the people of the American West, and even if these sites do not reflect the actual history of the region. California’s Old West theme parks act as windows into mid-twentieth-century cultural conflicts of politics and identity within the state. But these sites are artifacts of a particular historical moment and their fantasy of the Old West memorializes mid-century renderings of the past rather than nineteenth-century …


Conformity And Digression: Change Of Narrative In A Chinese Peasant's Personal Writing, Danping Wang Jul 2017

Conformity And Digression: Change Of Narrative In A Chinese Peasant's Personal Writing, Danping Wang

Masters Theses

Rural China has gone through dramatic transformation from the Mao era to the post-Mao era. China scholars have been studying the institutional changes closely in the past few decades. However, Chinese peasants’ living experience and their memory and understanding of the past have not yet received enough attention and discussion. By examining personal writings of a peasant named Luo Xuechang in Jiande, Zhejiang province, this paper discusses the complex interactions between the state and the individual. This paper attempts to unfold the juxtaposition of state narratives and personal narratives embedded in Luo’s unpublished memoir, almanacs from 1972 to 1980, notebooks …


The Unaccustomed Vanishing Point, Procheta Olson Jul 2017

The Unaccustomed Vanishing Point, Procheta Olson

Masters Theses

The Unaccustomed Vanishing Point is an exhibition of miniature paintings and installations that explore the irregular and fluid terrains of multicultural exchanges in India. Although drawing heavily from Mughal and Persian painting traditions, the paintings are rife with allegories of the postcolonial history, politics, and visual and material culture of contemporary India in the age of globalization. The installations, on the other hand, navigate the intersection of sensory experience and memory while simultaneously examining the dynamics of transnational experiences. Together they map the overlapping boundaries of the personal and social to probe into the complex interplay of cultural hybridity, class, …