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Though I Know The River Is Dry, Victoria Campbell Jan 2016

Though I Know The River Is Dry, Victoria Campbell

Electronic Theses and Dissertations

Though I Know the River is Dry is a place-oriented collection of short fiction. The included stories follow female protagonists as they struggle with identity, relationships, and place in the world. The women in these stories frequently grapple with the fear of being loved in the wrong way, often unearthing a deeper examination of what it means to be tethered to a person or a place, along with the ramifications of these ties. All tangentially related to the island of Martha's Vineyard, place serves as a grounding element in this collection, as well as an entity with which the women …


Go Ahead, Daytona, John Hughes Jan 2016

Go Ahead, Daytona, John Hughes

Electronic Theses and Dissertations

Go Ahead, Daytona is a collection of essays meant to explore the experiences and lessons learned through law enforcement. It juxtaposes hope with cynicism and encourages the reader to explore his or her own biases through the lens of a narrator believing police work is something to be lived down, rather than up. The essays depict struggles with hypocrisy, sex, homelessness, violence, moral ambiguity, and self-awareness.


Destabilizing Identity: The Works Of Dorothy Cross, Aileen Dowling Jan 2016

Destabilizing Identity: The Works Of Dorothy Cross, Aileen Dowling

Honors Undergraduate Theses

This thesis aims to analyze Dorothy Cross’s sculptural, installation, and video works in relation to Ireland’s Post-Conflict struggle with its cultural and global identity. Throughout the course of history, Ireland’s identity has always been in question, sparking new interest over the last thirty years in producing an Irish identity discerned by “hybridity, multiplicity, and mobility.”[1] Declan McGonagle states that the traditional Irish constructs of gender and sexuality were primarily challenged by Dorothy Cross during this period of rapid sociopolitical change.[2] Cross consistently deconstructs pre-Christian Mother Ireland and patriarchal Catholic Ireland in her early sculptural works, and ultimately transitions …