Digital Commons Network^™

The Edition, 7th Of December, 2012, Vol. 2, No. 6, 2012, Dit News Society

Student Publications

No abstract provided.

The Edition, 21st Of November, 2012, Vol. 2, No. 5, 2012, Dit News Society

Student Publications

No abstract provided.

Claret: The Preferred Libation Of Georgian Ireland's Elite, Tara Kellaghan

Dublin Gastronomy Symposium

No abstract provided.

Taking Stock: A Potted History Of The Material Life Of The Kitchen, Msry Colette Sheehan

Dublin Gastronomy Symposium

No abstract provided.

Eat, Drink And Be Merry: Some Literary Representations Of Food And Drink, Eamon Maher

Dublin Gastronomy Symposium

No abstract provided.

Space And The Geographical Imagination On The Dublin Docklands’, Moira Sweeney

Conference Papers

In my practice–based doctoral study Dublin Dockers, Visualising a Changing Community, I am foregrounding the application of ethnographic documentary methods and investigation in examining the world of a docker and stevedore community on Dublin's docks. Through excavating and recuperating narratives which are absent from mainstream media hegemony, the study is unraveling the transformations experienced by a stevedoring constituency as a consequence of globalisation, urban regeneration and the current recession. This paper engages with arguments for the revitalisation of our imaginations on space in the context of an audio visual and textual study of the urban and maritime Dublin dockland space.

Seeking Redemption Through Art: The Example Of Colum Mccann, Eamon Maher

Articles

Colum McCann is rightly acknowledged as being one of Ireland’s most talented living novelists. The success of his most recent novel, Let the Great World Spin (2009), which won the National Book Award in America in 2009 and the International IMPAC Dublin Literary Award in 2011, really cemented his reputation as a writer of substance. He is also one of the new generation of Irish novelists who possess few discernibly ‘Irish’ traits, their preoccupations being of a more global nature.

Practice Makes Practice . . . Visible? Revealing Structures Of The Artistic Field By Articulating The Evasive Properties Inherent In Its Systems Of Production Through Art Practice, Naomi Elizabeth Sex

Other

This practice-led research project attempts to seek out and reveal the structures that frame the production of art practice, through and with art practice itself. With this premise in mind, the first phase of the study aims to use practice-led research by adopting quasi-ethnographic strategies firstly to explore the field of artistic production, and secondly in an attempt to activate, capture and contain tangible evidence that the artistic field is powered by persuasive informal discourse and practices that contribute to stringent and hierarchical rules of engagement. Entering the second phase of the project the contribution of this study is based …

What Are The Visible And Invisible Archaeologies Of Conflict In The Irish Landscape Of Donegal And How May These Be Contextualised And Represented Through Arts Practice, Mhairi Sutherland

Doctoral

The research question - "What are the visible and invisible archaeologies of conflict in the Irish landscape of Donegal and how may these be contextualised and represented through arts practice?" has been addressed through textual and historical research and through arts practice, using lens-based media in the exploration of an historic series of military circumstances, in the contemporary Irish landscape of County Donegal. The research undertaken and the resulting outcomes are presented as a textual narrative and as visual arts practice. The thesis material is composed of five chapters, each of which discusses selected arguments in the fields of, respectively; …

Acting For Change – Four Drama Workshop Models In Anti-Racism, Anti-Sectarianism, Human Rights And Gender Equality And Storytelling To Promote Reconciliation, Mary Moynihan

Books/Book Chapters

This booklet is written by Mary Moynihan and produced by Smashing Times Theatre Company Limited as part of Acting for Change, a year-long arts programme using high quality drama and theatre processes to promote reconciliation within Donegal and on a cross-community, cross-border basis. As part of the project, in addition to presenting a professional theatre performance and seminar, the company developed four new awareness raising participative drama workshop models, designed by Mary Moynihan to promote anti-racism, anti-sectarianism, equality and storytelling for reconciliation.

The four drama workshop models are printed in full in this booklet along with resource information for drama …