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Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Critical Inquiries Into Irish Studies
The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.
He Had Two Women To Die For, Ireland And The Missus”: Mothers As Abject And Sons As Scapegoats In Edna O’Brien’S House Of Splendid Isolation And In The Forest, Emily Nix
Seton Hall University Dissertations and Theses (ETDs)
This thesis examines the protagonists in Edna O’Brien’s In the Forest and House of Splendid Isolation and applies Julia Kristeva’s theory of abjection and Rene Girard’s theory of the scapegoat. In doing so, I attempt to give a richer understanding of O’Brien’s masculine and feminine characters and how their constructed identities are based on their cultural circumstances and positions in their societies. I use Kristeva’s theory of abjection to analyze the single women in these novels, Eily and Josie, who become metaphorical single mothers by the invasions of young men into their homes. Then, I apply Girard’s theory of the …
“Names Portable As Alter Stones”: Nomadic Movement And Recollection In Seamus Heaney’S Poetry, Norah Toomey Hatch
“Names Portable As Alter Stones”: Nomadic Movement And Recollection In Seamus Heaney’S Poetry, Norah Toomey Hatch
Seton Hall University Dissertations and Theses (ETDs)
Seamus Heaney’s acknowledgement of the names of the places in his poems serve as a map, but a map that demonstrates the deterritorializing nature of memory and therefore meaning itself. The places become points of departure, places of transit, motivators of unstable memories, and catalysts for changing perspectives. Heaney’s use of location anticipates a future that is not bogged down by static meaning as the speakers in the poems face their own memories clouded by history, politics, and myth. Grappling with connotation, though, does not offer any closure from the multiplicity of meaning that the naming or visiting of certain …