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Arts and Humanities

SIT Graduate Institute/SIT Study Abroad

Series

2009

Articles 1 - 3 of 3

Full-Text Articles in Entire DC Network

Playing Past The Troubles: Theatrical Expression In A Post-Conflict Society, Jayce Hafner Oct 2009

Playing Past The Troubles: Theatrical Expression In A Post-Conflict Society, Jayce Hafner

Independent Study Project (ISP) Collection

This report is the result of a month-long study on theatrical expression in Northern Irish Communities. Data was obtained by way of qualitative methods using semi-informal interviews, observation, participant observation, and academic research. It is concluded that theatrical expression can contribute to building peace in Northern Ireland. Recommendations for potential future studies include comedic performance in a post-conflict society, and social development and the Belfast Community Circus.


The Significance Of Music Education In The Primary Curriculum, Mina Won Apr 2009

The Significance Of Music Education In The Primary Curriculum, Mina Won

Independent Study Project (ISP) Collection

I arrived in Ireland with very little knowledge of what the ‘Transformation of Political and Social Conflict’ semester would entail. As music major, I had to be prepared to study and learn about particular subjects that were completely foreign to my normal area of concentration. During my experiences throughout Ireland, however, I was surprisingly able to soak up even more of my two passions in life: music and children. After one afternoon with children from the Foundation Project, I realized how my two areas of interest are universal and that studying about music and children is never-ending. I recognized that …


“Fusion” Musics And Tunisian Identity In The Age Of The Global Stereo, Rachel Colwell Apr 2009

“Fusion” Musics And Tunisian Identity In The Age Of The Global Stereo, Rachel Colwell

Independent Study Project (ISP) Collection

Introduction (excerpt)

In this paper I will explore how contemporary Tunisian musicians have engaged with and adopted various “foreign” or “external” musics by melded them in myriad intricate and often controversial ways with the tunes, rhythms, and symbolic meanings of their own historically local musics. Equally, or perhaps more importantly, I will address how audiences throughout Tunisia have received these musical “fusion” projects and movements and will touch upon the responses of Tunisian diasporic communities and cosmopolitan cultural formations within and beyond the borders of the country.

I will present two case studies, the work of Anouar Brahem and the …