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Technologies Of Recovery And Discovery: The Poetics Of “Artefacts”, Kathryn Simpson
Technologies Of Recovery And Discovery: The Poetics Of “Artefacts”, Kathryn Simpson
Artl@s Bulletin
This article discusses the ways that objects, specifically personal belongings, held in British collections have their stories muted to become imperial signifiers. Using two pieces of jewellery acquired in 1859 by David Livingstone, British missionary and traveller (1813-1873), a lip ring from a Mang’anja woman in present day Malawi and a bracelet from the Kafue valley in present day Zambia, this article evidences how digital tools can be used to layer, in a palimpsestic way, the information available about colonially collected objects, to locate them physically, in the space they inhabit, and narratively, in the space they create.
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Beyond Victimhood: Female Agency In Nigerian Civil War Novels, Enajite E. Ojaruega
Beyond Victimhood: Female Agency In Nigerian Civil War Novels, Enajite E. Ojaruega
CLCWeb: Comparative Literature and Culture
Enajite E. Ojaruega discusses in her “Beyond Victimhood: Female Agency in Nigerian Civil War Novels” the agential roles women played during the Nigeria-Biafra war as reflected in selected fictional narratives. Female characters are generally impacted negatively by their individual and collective war-time experiences. However, there is another important aspect of women's war-time experiences that has largely been underplayed in most historical or literary accounts on war. Female agency recognizes this gender’s participatory roles during the conflict as they reconstruct their subjectivity in more beneficial ways in the unfolding circumstances of war. Women are depicted as being able to explore their …
Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang
Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang
CLCWeb: Comparative Literature and Culture
The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …
Towards A Cultural Rhetorics Methodology: Making Research Matter With Multi-Generational Women From The Little Traverse Bay Band, Andrea M. Riley Mukavetz
Towards A Cultural Rhetorics Methodology: Making Research Matter With Multi-Generational Women From The Little Traverse Bay Band, Andrea M. Riley Mukavetz
Journal of Rhetoric, Professional Communication, and Globalization
Almost five years ago, I started working on two oral history projects with a group of multi-generational, urban Odawa women from Lansing, Michigan. I met these women while working with one of the community elders on developing her life history into a book for publication. About four weeks into the project, the elder, Geri, suggested that we do another oral history with more Odawa women from the area. Together, we developed and organized three talking circles where the women shared stories about their lived experiences and their roles and responsibilities at work, in the community, and while pursuing a formal …
Women Artists' Salon Of Chicago (1937-1953): Cultivating Careers And Art Collectors, Joanna P. Gardner-Huggett
Women Artists' Salon Of Chicago (1937-1953): Cultivating Careers And Art Collectors, Joanna P. Gardner-Huggett
Artl@s Bulletin
This article reconstructs the history of the Women Artists’ Salon of Chicago, which was founded as an exhibition society in Chicago in 1937, and argues that the Board of Directors turned to the 19th century precedents of the Palette Club and the Woman’s Building at the World’s Columbian Exhibition as models for their organization. The essay also traces how members of the Women Artists’ Salon deliberately exhibited traditional artworks associated with the feminine and domestic and coordinated social events in order to cultivate greater sales and a new generation of female art collectors.
An Exhibition Of One’S Own: The Salón Femenino De Bellas Artes (Buenos Aires, 1930s-1940s), Georgina G. Gluzman
An Exhibition Of One’S Own: The Salón Femenino De Bellas Artes (Buenos Aires, 1930s-1940s), Georgina G. Gluzman
Artl@s Bulletin
From the late 1920s on, Buenos Aires witnessed the emergence of exhibition spaces of a separatist character for women artists. In spite of their importance, these regular shows have not received any attention from art history literature. Their vast development, the extensive coverage by the press, and their links to feminist institutions have gone completely unnoticed. Focusing on the Salón Femenino organized by the Club Argentino de Mujeres, the purpose of this article is to reconstruct the organization of these events, to examine their reception by art critics, and to analyze the careers of some of the participating women …
International Playgroup: Friendship Support For International Women Mothers/Parents In Greater Lafayette, Pamela K. Sari
International Playgroup: Friendship Support For International Women Mothers/Parents In Greater Lafayette, Pamela K. Sari
Purdue Journal of Service-Learning and International Engagement
Pamela K. Sari is a PhD candidate in the American studies program at Purdue University with a graduate concentration/certificate in women’s, gender, and sexuality studies. Inspired by the Archival Theory and Practice class taught by Professors Susan Curtis and Kristina Bross at Purdue University, her career aspirations are to teach in higher education settings using service-learning as pedagogical and activism tools. This article reflects on her service-learning experience with International Playgroup, a community organization in Greater Lafayette that helps international mothers of preschoolers in their parenting journey by giving advice, providing monthly play activities, and providing swap activities of baby …
Native American Women: A Silent Presence In History, Jackie Krogmeier
Native American Women: A Silent Presence In History, Jackie Krogmeier
The Purdue Historian
No abstract provided.
The Beat "Pad", Heike Mlakar
The Beat "Pad", Heike Mlakar
CLCWeb: Comparative Literature and Culture
In her article "The Beat 'Pad'" Heike Mlakar analyzes the importance of Joan Vollmer's and Hettie Jones's Manhattan apartments as centers for the upcoming avant-garde movement of the time in order to understand the meaning of "home" in postwar bohemianism in general and specifically for female Beats. In sensationalized late 1950s films and in print media, the Beats were associated with low-rent Beat "pads" in poor urban areas, in which wild all-night parties were held—sites of drug use, destitution, and sexual promiscuity. Both Vollmer and Jones contributed greatly to the formation of the Beat Generation by providing the perfect setting …
Two Decades Of Progress For Minorities In Aviation, David C. Ison, Rene Herron, Linda Weiland
Two Decades Of Progress For Minorities In Aviation, David C. Ison, Rene Herron, Linda Weiland
Journal of Aviation Technology and Engineering
Diversity within the science, technology, engineering, and mathematics (STEM) fields has historically lagged behind that which is found in other vocational paths. Aviation has also suffered poor diversity with virtually no participation among professional pilots. With both the literature specifying the benefits of diversity in the aviation workplace and potential shortages of pilots looming, it is in the interest of aerospace stakeholders to have access to the most comprehensively diverse employee pool possible. The purpose of this research was to evaluate the trends in participation by minorities who completed professional pilot education programs in the United States. Data concerning the …
Women Writing For Other Women In Colombia’S Current Armed Conflict, María Mercedes Andrade
Women Writing For Other Women In Colombia’S Current Armed Conflict, María Mercedes Andrade
CLCWeb: Comparative Literature and Culture
In her article "Women Writing for Other Women in Colombia's Armed Conflict" María Mercedes Andrade compares Patricia Lara's Las mujeres en la guerra (2000) and Patricia Tovar's Las viudas del conflicto armado en Colombia: Memorias y relatos (2006). Andrade's objective is to compare how these texts of testimonios deal with the question of representing women's experience and of turning oral testimonies into writing. Lara, writing for a popular audience, edits her material in order to make it more literary and mixes fictional accounts with the testimonios she collects. In contrast, Tovar writes for an academic public and reflects about the …
World War I Volunteer Nursing, Megan L. Schmedake
World War I Volunteer Nursing, Megan L. Schmedake
The Purdue Historian
In spite of the hardships of World War I, women volunteered as nurses out of patriotism and because of their desire to fulfill their traditional roles as caregivers. Due to the thousands of women who volunteered as nurses throughout the war, the idea that war was primarily a male experience was challenged. Many women made a conscious effort to support the war, and they pushed for equality by seeking to share the same wartime experiences as men. Women experienced the gruesome conditions of war alongside men and learned the best surgical practices of the time by assisting doctors. Because of …