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Behind The Circulations Of Images, Léa Saint-Raymond
Behind The Circulations Of Images, Léa Saint-Raymond
Artl@s Bulletin
The history of images is nothing but a history of their mediums and a history of physical bodies. And hence, it is a history of circulation. As an introduction of this volume, this paper seeks to go "behind the circulations of images" by combining the fields of cultural, political and geopolitical studies, and by bringing together different methodologies from monographic and formal analysis to digital approaches (quantitative, cartographic, visual). These diversified case studies make it possible to answer three major questions: 1) How do images circulate? 2) Why do images circulate? 3) What does circulation do to an image and, …
Magie, Terre Et Cri. Les Resémantisations Politiques De L’Œuvre D’Antoni Tàpies Sous Le Franquisme., Claudia Grego
Magie, Terre Et Cri. Les Resémantisations Politiques De L’Œuvre D’Antoni Tàpies Sous Le Franquisme., Claudia Grego
Artl@s Bulletin
Tout au long de sa carrière, Antoni Tàpies (1923-2012) fut partisan d’un modèle interprétatif qui permit l’appropriation individuelle de ses œuvres. Le peintre fut le défenseur et le bénéficiaire d’un mode de signification du tableau qui n’était ni univoque, ni prédéterminé. Dans cet article, on analysera comment cette ductilité interprétative a permis la resémantisation politique des œuvres de Tàpies pendant l’époque du franquisme (1939-1975). Guidés par une de ses premières créations, Croix de journal (1946 – 1947), nous tracerons les déplacements de ses toiles pour classifier les déclinaisons sémantiques de l’œuvre en trois grandes étapes : d’abord, l’émergence de Tàpies …
The Transatlantic Triangle Of Artistic Circulation, Béatrice Joyeux-Prunel, Catherine Dossin
The Transatlantic Triangle Of Artistic Circulation, Béatrice Joyeux-Prunel, Catherine Dossin
Artl@s Bulletin
The international circulation of art has today become a rapidly expanding field of study, yet transcontinental circulations have thus far received less attention. In much the same way, a great deal of research has been conducted into bilateral artistic and cultural exchanges, yet scholarship around triangular systems is still somewhat lacking. This latter term refers to instances in which artistic circulation – whether in the form of artworks, artists, aesthetics or styles – involves at least three cultural reference points, and wherein effects of transformation, adaptation and readaptation are all the more complex. Despite the focus on bilateral exchanges, even …
Le Concert Et La Tournée. Perspectives Sur La Direction De Concerts Albert Gutmann, Laetitia Corbière
Le Concert Et La Tournée. Perspectives Sur La Direction De Concerts Albert Gutmann, Laetitia Corbière
Artl@s Bulletin
In the nineteenth-century, transformations in the musical economy led to the development of international tours, and the appearance of the first managers for artists. By analyzing the business strategies of Albert Gutmann in Vienna, Munich and Paris, this paper will show that such impresarios, in order to move from their local institutions to the international arena, had to adapt to the tastes and habits of each audience. Professional middlemen had a decisive influence on these aesthetic choices and, in the context of European tours, they contributed to the reassertion and strengthening of national identities on the musical stage.
Introduction: Highways Of The South, Daniel R. Quiles
Introduction: Highways Of The South, Daniel R. Quiles
Artl@s Bulletin
This introduction serves as a brief overview of this guest-edited issue of Artl@s Bulletin, which is dedicated to international networks in modern and contemporary Latin American art. Following a brief synopsis of the history of the field’s methodologies related to circulation, the articles that appear in this issue are summarized and compared. The author argues that a network- or circulation-based focus invariably incorporates heterogenous, even oppositional criteria.
Artl@S: A Spatial And Trans-National Art History Origins And Positions Of A Research Program, Béatrice Joyeux-Prunel
Artl@S: A Spatial And Trans-National Art History Origins And Positions Of A Research Program, Béatrice Joyeux-Prunel
Artl@s Bulletin
ARTL@S is a project on the spatial and trans-national history of the arts and humanities, based on the collaboration of quantitative methods and cartographic visualization. These two strategies fit into a perspective nourished by critical and sociological theory that, in short, aims to highlight not only the link between a work of art and its space, but also its underlying political, social, aesthetic or economic issues. From this standpoint, we have chosen to take advantage of what a digi-tal approach can offer: the constitution of da-tabases, quantitative analysis, graphic and geographic representations of data, as well as the Internet. In …