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[Untitled], Amanda Lyn Gustavson Dec 2004

[Untitled], Amanda Lyn Gustavson

Honors Theses

No abstract provided.


Resituating Faulkner: Faulkner, Proletarian Literature, And Post-Depression Culture, Peter J. Kee Nov 2004

Resituating Faulkner: Faulkner, Proletarian Literature, And Post-Depression Culture, Peter J. Kee

Honors Theses

No abstract provided.


Reinscribing The Corporal Semiotic In Julian Of Norwich’S Revelations Of Divine Love, Joe Rochelle May 2004

Reinscribing The Corporal Semiotic In Julian Of Norwich’S Revelations Of Divine Love, Joe Rochelle

Honors Theses

No abstract provided.


Quest Journeys In T.S. Eliot’S Poetry, Aisling Susannah Boyle May 2004

Quest Journeys In T.S. Eliot’S Poetry, Aisling Susannah Boyle

Honors Theses

No abstract provided.


Anti-Americanism In France, 1914-1945: Hollywood As Cause And Cultural Symbol, Louise G. Hilton May 2004

Anti-Americanism In France, 1914-1945: Hollywood As Cause And Cultural Symbol, Louise G. Hilton

Honors Theses

No abstract provided.


An Analytical Study Of Concerto For Piano And Orchestra, Op.13, By Costa Rican Composer Carolos Enrique Vargas, Manuel Matarrita Jan 2004

An Analytical Study Of Concerto For Piano And Orchestra, Op.13, By Costa Rican Composer Carolos Enrique Vargas, Manuel Matarrita

LSU Major Papers

Carlos Enrique Vargas Méndez (1919-1998) was one of the most influential and versatile Costa Rican musicians of the last century. His work involved many areas since he was an accomplished pianist and organist, conductor, composer, arranger, editor, pedagogue and musicologist. However, Vargas’ work as a composer is perhaps the least researched and most neglected of the music disciplines he embraced. This research will focus on one of Vargas’ most important compositions, his Piano Concerto Op. 13, composed and premiered in 1944. The monograph is divided into four chapters. The first chapter includes a synopsis of the history of composition in …


An Introduction For The Singer To The Solo Vocal Works Of Nigel Butterley With Particular Emphasis On His Works Between 1976 And 2003, Alison Rosemary Mccubbin Jan 2004

An Introduction For The Singer To The Solo Vocal Works Of Nigel Butterley With Particular Emphasis On His Works Between 1976 And 2003, Alison Rosemary Mccubbin

LSU Major Papers

For years, Australian composer Nigel Butterley (b.1935 ) has composed a variety of types of composition for voice which are little-known outside of Australia, but which nonetheless merit consideration and performance. This dissertation is an effort to introduce more performers to his work, and to facilitate future performances of it. Central to any performance of his works is an understanding of his desire to integrate the poetic and textual structures of the original pieces into his own musical setting of those pieces, and in so doing to highlight the themes of the originals. Performers can gain insight into the significance …


The Influence Of Bulgarian Folk Music On Petar Christoskov's Suites And Rhapsodies For Solo Violin, Blagomira Paskaleva Lipari Jan 2004

The Influence Of Bulgarian Folk Music On Petar Christoskov's Suites And Rhapsodies For Solo Violin, Blagomira Paskaleva Lipari

LSU Major Papers

Petar Christoskov, born in 1917 in Sofia, is among the most prolific of Bulgarian violinists, pedagogues and composers of the twentieth century. Christoskov’s Suites and Rhapsodies for solo violin represent both an internal evolution of Bulgarian music and an incorporation of the Bulgarian musical tradition into the larger world music scene. Bulgaria’s folk musical tradition was routinely infused and enriched over the course of the late 19th and 20th centuries. Christoskov’s efforts were presaged and made possible by a host of earlier composers and performers. But the evolution of the Bulgarian style was also shaped by larger historical trends and …


What Next?: The German Strategy Crisis During The Summer Of 1940, Leonard Spencer Cooley Jan 2004

What Next?: The German Strategy Crisis During The Summer Of 1940, Leonard Spencer Cooley

LSU Major Papers

The German blitzkrieg across France during May 1940 was the culmination of three years of daring political and military moves that had brought most of Europe under German control. It was the German dictator Adolf Hitler who had outguessed his advisors. Yet, Hitler's bold moves in Western Europe ended with his army's dash across France, and the failure to strike Great Britain that summer when the British were at one of the weakest points in their entire history. After Germany defeated France, Hitler began a fruitless period of waiting for Great Britain to sue for peace. Unlike Hitler, some in …


Pan African Narratives: Sites Of Resistance In The Black Diaspora, Anita Louise Harris Jan 2004

Pan African Narratives: Sites Of Resistance In The Black Diaspora, Anita Louise Harris

LSU Doctoral Dissertations

Africa as a point of reference for Africans dispersed from her shores and their descendants in the Diaspora has perpetuated discourse of longing and ambivalence. For centuries these various sentiments have emerged in Black literary expressions. The quest of this study is to advance Black narrative tradition by proposing a theoretical framework informed by these constructs and predicaments to establish a genre of literature referred to here as Pan African narratives. This work looks at Black response to the dilemma of dispersal and dislocation in the Diaspora from the nineteenth to the twentieth century. More specifically, it examines the emergence …


Paul Durand-Ruel And The Market For Early Modernism, Marci Regan Jan 2004

Paul Durand-Ruel And The Market For Early Modernism, Marci Regan

LSU Master's Theses

This thesis examines the art sales and marketing of Impressionism in the late nineteenth century, focusing on the dealer Paul Durand-Ruel. Throughout the nineteenth century in Paris, the Académie des Beaux-Arts wrote the history of art by supporting certain artists who followed its ideas of what art should look like. The artists that the Academy chose to support had lucrative careers; they were offered commissions from both the church and state to paint grand historical pictures. Throughout the nineteenth century and until World War II, Paris was the artistic center of the world, and the birthplace of many avant-garde groups. …


North Korean Invasion And Chinese Intervention In Korea: Failures Of Intelligence, Robert A.Ii Culp Jan 2004

North Korean Invasion And Chinese Intervention In Korea: Failures Of Intelligence, Robert A.Ii Culp

LSU Master's Theses

The America intelligence community in 1950, unprepared to perform its missions, failed to provide adequate indications and warning to U.S. national leaders and to the Commander, Far East Command (FEC), about the North Korean invasion of South Korea and Red Chinese intervention in the Korean War. Post-World War II policies that reduced the size of the military, cut systems and training, and reorganized intelligence services are responsible for that failure. Training deficiencies meant that intelligence soldiers deployed to Korea without required skills. The military trained analysts to assess enemy capabilities rather than intentions, contributing to poor predictive analysis. Shortages of …


A Historical Approach To Training The Vocal Registers: Can Ancient Practice Foster Contemporary Results?, Taylor Lee Ferranti Jan 2004

A Historical Approach To Training The Vocal Registers: Can Ancient Practice Foster Contemporary Results?, Taylor Lee Ferranti

LSU Doctoral Dissertations

A review of the extant vocal literature containing the writings of Tosi, Mancini, and Garcí­a, shows that the topic of vocal registration appeared to be at the core of their training procedures. The essence of their vocal instruction centered around how the registers coordinated, separated, and developed to form the functional basis of a sound technique. However, of all the topics that encompass historical pedagogy, none will confound the diligent voice teacher more than the topic of vocal registers. For this reason, contemporary pedagogy has developed certain methodologies that appear to be at odds with the historical approach to training …


Symphony No.1 - A Symphony Of The Christ, James White Hellums, Iii Jan 2004

Symphony No.1 - A Symphony Of The Christ, James White Hellums, Iii

LSU Master's Theses

Symphony No. 1- A Symphony of the Christ is, in a general sense, a programmatic orchestral work recounting the life of Christ. This is not to say that every musical device or motive represents something explicitly, rather that the music of each movement suggests the overall mood and feeling of its subject matter. The first movement, subtitled “Christ our God to earth descendeth,” corresponds to Christ’s birth. The second movement, subtitled “Dwelt among men, our example is He,” concerns His life and ministry. The third movement, representing His suffering and crucifixion, is subtitled “See, from His head, His hands, His …


B.S., Michael P. Redmond Jan 2004

B.S., Michael P. Redmond

LSU Master's Theses

This is a novel about a hack of a novelist who guides a fraud of a novelist around an allegorical version of the United States of America. It tests the limits of its readers’ patience with irony and metafiction. Themes that are explored, mocked, and then explored again include belief, identity, reality, geography, the intersections of the aforementioned, and the comical futility of such exploration. Abandon all hope, ye who enter here.


William Faulkner And The Oral Text, Gregory Alan Borse Jan 2004

William Faulkner And The Oral Text, Gregory Alan Borse

LSU Doctoral Dissertations

The disjunction between the oral and the literate in the works of William Faulkner reveals the different ways these distinct modes of organization combine to structure a text. The oral in Faulkner's fiction makes its presence known not only as offset speech but also as a mode of action and narrative whose logic is conjunctive rather than disjunctive. According to the literate mode, a form organizes novelistic matter. According to the oral mode, forces that function as signs rather than organizers of their form rule the action and narrative. When the disjunction between the oral and the literate is so …


Growth, Lori Penn Jan 2004

Growth, Lori Penn

LSU Master's Theses

Every living being encounters growth. As humans, our experiences help to shape our mental and emotional development. Each of these experiences provides an opportunity for growth. In my work, apes, monkeys, and lemurs serve as visual metaphors for human growth. The body of work that I created for my thesis project reflects different emotions and experiences that facilitate growth and maturity.


Black Women Writing Black Mother Figures: Reading Black Motherhood In Their Eyes Were Watching God And Meridian, Alexis Durell Powe Jan 2004

Black Women Writing Black Mother Figures: Reading Black Motherhood In Their Eyes Were Watching God And Meridian, Alexis Durell Powe

LSU Master's Theses

This research explores connections between Zora Neale Hurston's Their Eyes Were Watching God and Alice Walker's Meridian, two important novels in the African American canon rarely studied in conjunction. I examine the novels' portrayals of Black mothers, comparing and contrasting Nanny Crawford and Mrs. Hill as central mother figures. I also examine Leafy Crawford, Meridian Hill, and other minor Black mother/women characters. Though Hurston's and Walker's presentations of Black mothers differ, both authors work toward dismantling traditional stereotypes of Black motherhood, particularly the Black superwoman stereotype, and, thereby, ultimately redefining Black womanhood. In defending this claim, I explore Hurston's …


Cinéma Sénégalais: Évolution Thématique Du Discours Filmique Dans Les Oeuvres De Sembene Ousmane, Djibril Diop Mambety, Moussa Sène Absa, Jo Gaye Ramaka Et Alain Gomis, Moussa Sow Jan 2004

Cinéma Sénégalais: Évolution Thématique Du Discours Filmique Dans Les Oeuvres De Sembene Ousmane, Djibril Diop Mambety, Moussa Sène Absa, Jo Gaye Ramaka Et Alain Gomis, Moussa Sow

LSU Doctoral Dissertations

This work aims at filling a gap in African cinema studies. The plurality in film production has been neglected or overseen by Africanist critiques as well as most of the filmmakers from the continent. Such continental shield of a monolithic Africa has been carried by European anthropologists and fostered in part by the Negritude movement in the late 1930s, still conveyed by mimetic writing. We begin by assessing such a uniform vision and explaining the ways in which it resisted time after more than 40 years of cinema in Africa. Then we introduce the notion of national cinema by exploring …


American Verismo?: Insights Into The Padrone, And Opera By George Whitefield Chadwick (13 November 1854 - 4 April 1931), Jon Steffen Truitt Jan 2004

American Verismo?: Insights Into The Padrone, And Opera By George Whitefield Chadwick (13 November 1854 - 4 April 1931), Jon Steffen Truitt

LSU Doctoral Dissertations

The contribution of George Whitefield Chadwick (13 November 1854 – 4 April 1931) to American music comes in many forms: composer, teacher, conductor, pianist and organist. A leading figure of the Second School of New England composers, Chadwick was also largely responsible for the effective reorganization of the New England Conservatory. He was arguably one of the most influential teachers in American music in the latter half of the nineteenth century and the beginning of the twentieth century. This study deals with Chadwick’s last opera intended for professional production, The Padrone. The opera, an American example of Italian verismo, is …


An Original Composition, Symphony No. 1, Pollock And An Analysis Of The Evolution Of Frank Zappa's "Be-Bop Tango", William Morris Price Jan 2004

An Original Composition, Symphony No. 1, Pollock And An Analysis Of The Evolution Of Frank Zappa's "Be-Bop Tango", William Morris Price

LSU Doctoral Dissertations

Part one of this dissertation is an original composition, Symphony No. 1, Pollock. It uses as a conceptual impetus the abstract expressionism of Jackson Pollock’s paintings from the 1950’s. It employs the following instrumentation: (2-2-2-2, 4-3-3-1, 3 percussion, piano, harp, and strings). The work is composed in one movement, which is divided into four major sections (A-B-A/C-B) that are distinct from each other with respect to style and tempo. The first major section of the composition serves as a slow introduction. The second major section serves as a contrast and is based conceptually on Pollock’s abstract works and formally on …


Storytelling From The Margins: The Healing Narratives Of J. California Cooper, Cynthia Downing Bryant Jan 2004

Storytelling From The Margins: The Healing Narratives Of J. California Cooper, Cynthia Downing Bryant

LSU Doctoral Dissertations

This study examines the therapeutic qualities of selected short stories and novels by contemporary African American woman writer, J. California Cooper. Specifically, I examine the manner in which Cooper's texts can be appreciated as "healing narratives." Healing narratives, as defined in this study, are those texts in which the author consciously creates fictitious representations of reality, while employing the concept of hope as a central and guiding factor. Those aspects of the narrative that have the ability to heal or "lay hands on" a reader vary because the effectiveness of the story depends upon how well the reader can identify …


19th And 20th Century French Exoticism: Pierre Loti, Louis-Ferdinand Cé́Line, Michel Leiris, And Simone Schwarz-Bart, Robin Anita White Jan 2004

19th And 20th Century French Exoticism: Pierre Loti, Louis-Ferdinand Cé́Line, Michel Leiris, And Simone Schwarz-Bart, Robin Anita White

LSU Doctoral Dissertations

This study of four 19th and 20th century colonial texts, as well as a later postcolonial novel exposes the cadres exotiques, or exotic frameworks, of literary exoticism. The thesis names and interprets the moods of and reactions to exoticism, including colonial exoticism, antiexoticism, and autoexoticism. Poetic and theoretical interpretations of exoticism, such as Victor Segalen’s Notion du Divers and Edouard Glissant’s Opacité and Poétique de la Relation challenge the prevalent assumptions that the literary practice was only an unfortunate byproduct of colonialism. The first chapter presents literary history and theoretical considerations relating to exoticism: Orientalism, nostalgia, colonial literary history, and …


Haunted By The Uncanny - Development Of A Genre From The Late Eighteenth To The Late Nineteenth Century, Alexandra Maria Reuber Jan 2004

Haunted By The Uncanny - Development Of A Genre From The Late Eighteenth To The Late Nineteenth Century, Alexandra Maria Reuber

LSU Doctoral Dissertations

This dissertation traces the development of the supernatural from the late eighteenth to the late nineteenth-century. Since supernatural elements are unknown and unfamiliar, they easily arouse anxiety, fear, and even result in terror. As such they produce the effect of the uncanny and introduce the psychological component into the selected literary corpus taken from the English Gothic novel, the German Schauerroman, and the French littérature fantastique. The analysis of the selected material is based on a psychoanalytical approach using Sigmund Freud’s understanding of the uncanny, his dream analysis, and his view of the conscious and unconscious, but also considers Carl …


That Memorable Campaign: American Experiences In The China Relief Expedition During The 1900 Boxer Rebellion, Eric T. Smith Jan 2004

That Memorable Campaign: American Experiences In The China Relief Expedition During The 1900 Boxer Rebellion, Eric T. Smith

LSU Master's Theses

At the time of the Boxer Rebellion in China in 1900, the American army was not experienced in dealing with challenges abroad. The Army spent the last quarter of the nineteenth century fighting the Indian Wars in the West and a generation of officers grew to maturity commanding small frontier posts where only a few had the opportunity to maneuver large formations during the Spanish-American War. The infantrymen who marched into Peking in August of 1900 were transitioning between the tactics of the past and the future. The Napoleonic formations used in the American Civil War, already made obsolete at …


An Original Composition, Concerto For Piano And Orchestra, And An Analysis Of Camargo Guarnieri's Concerto No. 5 Para Piano E Orquestra, Liduino Jose Pitombeira De Oliveira Jan 2004

An Original Composition, Concerto For Piano And Orchestra, And An Analysis Of Camargo Guarnieri's Concerto No. 5 Para Piano E Orquestra, Liduino Jose Pitombeira De Oliveira

LSU Doctoral Dissertations

This dissertation is in two parts. The first part is an original composition, "Concerto for Piano and Orchestra." The second part is an analysis of Brazilian composer Camargo Guarnieri's "Concerto No. 5 para Piano e Orquestra." I chose to analyze this work by Guarnieri because I am also a native from Brazil and I believe he is one of the most outstanding composers of the twentieth century. His wonderful mastery of both modern and traditional techniques of composition, the blending of these techniques with genuine folk and popular sonorities of his native culture, and a disciplined life entirely dedicated to …


Push And Pull, Tessa Ann Mouton Jan 2004

Push And Pull, Tessa Ann Mouton

LSU Master's Theses

“…motion means…passing through time and through space.” “Pushes and pulls seem to be the cause of motion.” - Richard Wolfson. “Push and Pull” is about exploring process. While trying to locate my form of expression and process, I rediscovered my mother’s form of expression and process – crochet. I decided in order to continue forward, I must explore the past.


The Style Of Meditation: A Conductor's Analysis Of Selected Motets By Rihards Dubra, Kevin Doyle Smith Jan 2004

The Style Of Meditation: A Conductor's Analysis Of Selected Motets By Rihards Dubra, Kevin Doyle Smith

LSU Doctoral Dissertations

 Born in Riga, the capital of Latvia, on February 28, 1964, Rihards Dubra is one of the emerging composers of the great Baltic choral tradition. The scope of this research is to provide an introduction to the Latvian composer's music and a conductor's analysis of selected Latin motets. Works to be examined include: Salve Regina (1992) SSAATTBB Gloria patri (1992) SSAATTBB Oculus non vidit (1993) SSATTB Ave Maria (1994) SSAATTB Veni sancte Spiritus (1994) SATB Rorate caeli (1996) SSAATB (with ST soli) Veni Creator Spiritus (1998) SATB Magnificat (2000) SSATB The research is divided into three chapters. The first …


A Practical Guide To Twentieth-Century Violin Etudes With Performance And Theoretical Analysis, Aaron Michael Farrell Jan 2004

A Practical Guide To Twentieth-Century Violin Etudes With Performance And Theoretical Analysis, Aaron Michael Farrell

LSU Doctoral Dissertations

This document is a partial catalog of what is readily available to violinists for studies relating to twentieth-century repertoire. More studies in this area exist throughout the world, so those presented here are intended merely as a starting point. The document also contains factual information about the studies, as well as performance and theoretical analysis and biographical information about the composers. This information is designed to serve a variety of purposes. The factual and biographical information may be used by the violinist to choose appropriate etudes for himself/herself or a student. Later, the in-depth analysis will assist players throughout the …


A Performer's Guide To Virgil Thomson's Five Songs From William Blake, Andrew David Whitfield Jan 2004

A Performer's Guide To Virgil Thomson's Five Songs From William Blake, Andrew David Whitfield

LSU Doctoral Dissertations

Though perhaps his most well-known vocal works might be his operas, Four Saints in Three Acts and The Mother of Us All, American composer Virgil Thomson (1896-1989) did write nearly seventy songs for voice and piano, including several important song cycles. One of these cycles, the Five Songs from William Blake, represents an impressive composition for the baritone voice. Unfortunately, much of the previous scholarship about Thomson did not award these Blake songs adequate attention, nor was it able to draw upon many of the primary sources about Thomson’s life and work that are now available. The purpose of this …