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Conflict And Race In Literature & Law. The Case Of Americanah, Emanuela Ignatoiu Sora
Conflict And Race In Literature & Law. The Case Of Americanah, Emanuela Ignatoiu Sora
Comparative Woman
In Americanah, the 2013 novel by Chimamanda Ngozi Adichie, there is a scene when one of the characters, Laura, speaks of her Ugandan classmate who did not get along with an African-American colleague. Laura is surprised as, for her, all persons of color are similar, with no understanding for their differences in background, personal stories and experiences. The novel depicts and critiques this very categorization of race, which flattens differences, conflating groups and individuals who might share very little, if anything. For a long time, law (with its stipulations, precedents and rulings) has operated in a similar manner, disengaging …
Against Conflict, Against Occupation: Protest Songs In India And Kashmir, Mridula Sharma
Against Conflict, Against Occupation: Protest Songs In India And Kashmir, Mridula Sharma
Comparative Woman
The establishment of All India Progressive Writers’ Association in colonial India encouraged artists to articulate and examine social realities. Literary-cultural productions, particularly popular songs in Hindi films, in independent India continued to remain preoccupied with social conflicts such as religious bigotry and communalism. Sahir Ludhianvi’s “Yeh Duniya Agar Mil Bhi Jaye” (trans. “What can one gain, even if one gains this world?,” 1958 ) and “Yeh Kiska Lahu Hai, Kaun Mara” (trans. “Whose Blood Has Spilled? Who Died?,” 1961) are early examples of a lasting tide of pessimism owing to communal violence during the 1947 India-Pakistan …
Ladybugs, Gabrielle Bologna
Women, Animals, Food: Planetary Perspectives On The Non-(Hu)Man, Samu/Elle Striewski
Women, Animals, Food: Planetary Perspectives On The Non-(Hu)Man, Samu/Elle Striewski
Comparative Woman
The paper comparatively reads Mahasweta Devi’s Pterodactyl, Pirtha, and Puran Sahay (1995) and Margaret Atwood’s The Year of the Flood (2009) to trace the ways in which both novels show the complex intertwinement of the climate crisis with gender, class, race, subalternity, anthropocentrism, and veganism. Bringing together Gayatri C. Spivak’s notion of “planetarity” with ecofeminist philosophy and literary criticism, the article proposes a planetary ecogender reading of the two texts and their representation of the non-man, non-human, and non-subject. Building up further on Jacques Derrida’s critique of carno-phallogocentrism, the pedagogy of a relational ethics of “nurturing” is hence presented …
Feminist Phenomenology And First-Person Narrative: Understanding Gender And Social Conflict In Anna Burns’ Milkman, Sushree Routray, Rashmi Gaur Professor
Feminist Phenomenology And First-Person Narrative: Understanding Gender And Social Conflict In Anna Burns’ Milkman, Sushree Routray, Rashmi Gaur Professor
Comparative Woman
In her magnum opus Milkman (2018), Anna Burns employs a subversive and artfully crafted first-person narrative, deftly exposing the arduous and tumultuous struggles encountered by individuals who dare to defy the confines of traditional gender roles. Through a relentless and unflinching narrative, the novel fearlessly confronts the harrowing manifestations of psychological torment, the insidious spectre of relentless stalking, and the manipulative machinations of gaslighting, all the while fervently interrogating the notion of a fixed and immutable gender identity. In a relentless odyssey toward self-realization, the protagonist's journey unfurls against a backdrop of traumatic events and the unyielding pressures imposed by …
"Too Immoral To Be Narrated By A Woman": Censoring Erotic Fiction Of Arab Women Writers In Girls Of Riyadh And Distant View Of A Minaret And Other Stories, Muhammed Salem
Comparative Woman
In the Arab world, bargaining with censorship has been an ongoing struggle for writers, particularly female authors. How could we explain that only male writers were allowed to discuss sexuality in the Arabic canon, insofar as female characters are portrayed as passive sexual objects? Are Arab women writers victims of double censorship? One is imposed on their fellow male writers, and another is tacit censorship which judges women’s morality based on their writing. Girls of Riyadh (2007) by Saudi novelist, Rajaa Abdullah Alsanea, and Distant View of the Minaret and Other Stories (1987) by Egyptian novelist, Alifa Rifaat, are two …
Interculturality, Creolization, And Globalization In "Ángeles Nómadas" By Minelys Sánchez, Cecily Bernard
Interculturality, Creolization, And Globalization In "Ángeles Nómadas" By Minelys Sánchez, Cecily Bernard
Comparative Woman
No abstract provided.
Madness As Response To Inherent Cultural Conflicts In Anglophone Fiction From 1700 To 2020, Anna Klambauer
Madness As Response To Inherent Cultural Conflicts In Anglophone Fiction From 1700 To 2020, Anna Klambauer
Comparative Woman
Madness in literature has a long and colourful history. While its representation varies significantly in different literary periods, madness is nonetheless a consistent theme responding to inherent conflicts of civilisation. Thus, in the eighteenth-century novel, madness is subdued and forced to express itself in the language of rationality, while in the nineteenth century the theme becomes increasingly subversive. In the form of the madwoman trope (Gilbert and Gubar 1979), madness is simultaneously a reaction to restrictive patriarchal norms, and a frame in which the gender conflicts of the time can be safely and effectively played out. In the twentieth century, …
5 Poems, Rebecca Ruth Gould
5 Poems, Rebecca Ruth Gould
Comparative Woman
These poems examine the challenges facing the woman creator, and focus in particular on the problem of the muse, and how this relates to the feminist reconceptualization of traditional notions of gender and sexuality. As part of this broader poetic inquiry, I also challenge traditional notions of monogamy and heterosexual desire.
Gotra I Choose, Aparajita Dutta
Gotra I Choose, Aparajita Dutta
Comparative Woman
This poem is about kinship terms explored by a Bengali girl who came from West Bengal , India to Louisiana and found a family there after facing discrimination as an independent non-Brahmin woman.
“By That Daughter’S Most Devoted Affection”: Anxious And Avoidant Attachments In Opie’S Adeline Mowbray, Meghan E. Hodges
“By That Daughter’S Most Devoted Affection”: Anxious And Avoidant Attachments In Opie’S Adeline Mowbray, Meghan E. Hodges
Comparative Woman
Attachment theory, or the theory that one’s personality and social development is informed greatly by the infant-parent bond, largely arises in the 1950s with the work of John Bowlby. Although the phenomenon was only then beginning to be scientifically evaluated, it has long been observed that the relationship one has with one’s parents is a determinant factor in one’s development. This work investigates the impact of the failure to heal the insecure attachment Amelie Opie’s Adeline Mowbray (1808). Adeline, having grown up in her distant mother’s intellectual shadow, develops a neurotic attachment to her mother which causes romantic maladjustment in …
Reverberations Of Boarding School Trauma In Upstate New York, Grace A. Miller
Reverberations Of Boarding School Trauma In Upstate New York, Grace A. Miller
Comparative Woman
The legacy of boarding schools in Upstate New York is one that non-Natives seem to have forgotten. This historical amnesia compounds other acts of genocide, including cultural genocide, of the Haudenosaunee people throughout US history. Established in 1855 at the Cattaraugus Reservation (Seneca), the Thomas Indian School would serve as an institution of forced assimilation and displacement, much like the other Native American boarding schools. While the larger US population has grown to forget these schools' existence, the shadowed legacy of institutions, like the Thomas Indian School, Haskell, and Carlisle Indian Industrial School, the rippling effects of these schools’ practices …
Wolfpen Hollow, Amy Wright Vollmar
Magpies, Bridge And Goddess: Unearthing The Hidden Symbols And Rediscovering The Lost Goddess In Chinese Qiqiao Festival, Juan Wu
Comparative Woman
The Qiqiao Festival, also known as the Qixi Festival, or Chinese valentine’s day, is a festival celebrating the annual meeting of the Cowherd and Weaver Maid in mythology. The most influential version focuses on the romance or love theme; however, it ignores its underlying historical context, gender tension and mythical belief. This paper takes the texts, rituals and materials related to the Qiqiao festival to investigate its origin and evolution. First, it takes the anthological case of the Qiqiao festival in Xihe county to explore its core image of the holy bridge and Goddess Qiao. Second, it traces the bridge …
The Kin-Ship, Zheng Moham Wang
The Kin-Ship, Zheng Moham Wang
Comparative Woman
This is a group of two English poems the author composed separately in 2019 and 2021 about the imaginary scenes of his grandpa and mother from a Iu-Mien family of Southeast Asia and Southwestern China. The group was submitted to the upcoming Kinship volume of the Comparative Woman journal of Louisiana State University.
A Jewish Garden, Yanping Gao
We Cannot Walk In The Same Snow Again, Oceana Wenxin Jin
We Cannot Walk In The Same Snow Again, Oceana Wenxin Jin
Comparative Woman
No abstract provided.
Poems On Gender, Sexuality, And Kinship, Elisa Subin
Poems On Gender, Sexuality, And Kinship, Elisa Subin
Comparative Woman
The attached poems are a series thematically linked through gender, sexuality, and kinship.
Twitter As Limited Digital Rhetorical Forum – The Reproductive Rights Discourse Online, Jacob L. Longini
Twitter As Limited Digital Rhetorical Forum – The Reproductive Rights Discourse Online, Jacob L. Longini
Comparative Woman
Rhetorical discourse has long been characterized by patriarchal systems, and this reality has persisted in online spaces. How might today’s scholar dissect and better understand the nature of online communities, specifically those that engage in women’s rights discourses? I argue that using Thomas Farrell’s notion of “rhetorical forum”, James P. Zappen’s outline for digital rhetorical theory, and Sonja K. Foss and Cindy L. Griffin’s feminist understanding of rhetorical practice, one can account for the current state of such discourses on Twitter. The patriarchal flaws that Foss and Griffin identify in traditional rhetoric can shed light on the negative aspects of …
Kinship Poems, K. Avvirin Gray
Kinship Poems, K. Avvirin Gray
Comparative Woman
In the appended collection of three poems, canopied under the title, ”Kinship Poems” I explore the possibilities for and practice of kinship between Native and African American women. In my first poem, ”Auntie,” a prose poem, I center non-sanguineous kinship affiliation in the decolonial project. In my final poem, I give equal consideration to biological kinship, by staging a speaker’s direct address to her unborn child.
Ghazal Toward Knowing, Nilufar Karimi
October, Oceana Wenxin Jin
Writing In A Snowy Cemetery, Oceana Wenxin Jin
Writing In A Snowy Cemetery, Oceana Wenxin Jin
Comparative Woman
No abstract provided.
My Mother On Dream Interpretation And The Lack Of Finality In Death, Liz Johnston
My Mother On Dream Interpretation And The Lack Of Finality In Death, Liz Johnston
Comparative Woman
This is an interview with my mother, a dream interpreter. Here, we explore her practice of reading dreams and discuss her experiences in communicating with spirits.
My Mother On Dream Interpretation And The Lack Of Finality In Death, Jaime Elizabeth Johnston
My Mother On Dream Interpretation And The Lack Of Finality In Death, Jaime Elizabeth Johnston
Comparative Woman
This is an interview with my mother, a dream interpreter. In this interview we explore her process of interpreting dreams and her contact with the spirit world.
Ekatvam, Atreyee Chakraborty
Ekatvam, Atreyee Chakraborty
Comparative Woman
"What is spirituality? Is this all about God? And what is God? A mystical concept? All I know that if we surrender to the will of God, if we pray and repent for our sins, we will be saved out of our trouble and we will get peace of mind. To me, my dance is my God. Through my dance I have touched the essence of spirituality."
Elders Talkin’, Lizzie Nova
“Blood Moon”, Carmela Lanza
If Everything Was Perfect, Courtney A. Brown