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The Right To Transparency And The Right To Opacity: The Works Of Safaa Mazirh And Alia Ali, Katherine Vines

Theses

This research focuses on a study of the photographic works of two contemporary female photographers from the MENA region: Alia Ali and Safaa Mazirh. Rather than trying to define art in the region and its diasporas, this research stresses the distinctiveness of two artists' specific experiences in relation to gender, religion, tradition, and modernity. A common thread is the constant navigation between the artists’ lived experiences of their postcolonial reality and collective memories of the colonial past. When comparing these artists, I argue that viewing their works in conjunction highlights the principle of “the right to opacity” as discussed by …

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Southern African American Communities: The Portrait Photography Of Florestine Perrault Collins And Richard Samuel Roberts, Stephanie M. Woody-Groshelle

Theses

This thesis is about the portrait photographers, Florestine Perrault Collins (1895-1988) and Richard Samuel Roberts (1880-1936), and how their photographs portrayed “non-othering” representations of their sitters. Collin and Roberts’ works are compared to Southern white photographers from the Jim Crow era to argue for how “non-othering” portraits of their community members were produced. This impacts the way identity can be perceived. Religious and educational themed portraits are used to align a visually associated identity with social values the New Orleans Creole and Columbia, South Carolina communities had. This thesis considers Collins’ and Roberts’ portraits in relation to the state of …

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