Digital Commons Network^™

Constructing Memories Of The Civic-Military Dictatorship In La Plata, Argentina, 1976 To The Present, Anna Neubauer

Masters Theses, 2020-current

This thesis examines how different organizations constructed memories of the civic-military dictatorship in Argentina. Although Spanish language literature on this topic is very rich, not much English language scholarship is present in the historiography. Using a local history approach and by analyzing primary sources such as newspapers, memoirs, flyers, and police archives, this thesis demonstrates how two groups: the Unión de Estudiantes Secundarios (High School Students Union, UES) and the Montoneros in the city of La Plata drew on the history of their fallen comrades during the civic-military dictatorship to fight for a better future in Argentina.

“Without Obscuring Deeper Truths:” Interpreting Slavery And Jefferson At Monticello, Andrew Miles

Masters Theses, 2020-current

This thesis examines the paradigmatic shift in interpretation that occurred at Thomas Jefferson’s Monticello during the 1980s and 1990s. For decades, the Thomas Jefferson Memorial Foundation presented the site as a marvel of architecture, décor, as well as exemplifying Jefferson’s tranquil domestic life and intellectual talents. Beginning in the 1980s, the Foundation began to address slavery at the site. Chapter one introduction of slavery interpretation during this period. Early attempts to interpret slavery became intertwined with the Foundation’s positive portrayal of Jefferson before becoming more varied and provocative in the 1990s. Chapter two examines the parallel evolution in Jefferson scholarship, …

Over Certain Undecidedness These Heartstring Intimations, Martha Hemingway

Senior Honors Projects, 2010-2019

over certain undecidedness these heartstring intimations is the culmination of a two-year-long abstracted cycle of textured conversation, internal eye contact, and endless playlist-making. Hemingway’s work is based in process-oriented reflections on habitual behavior, manifestation of sentiment, and sense of self. Her paintings draw inspiration from the ways in which we approach and avoid our internal and external routines – how degrees of our subconscious considerations affect how we extend ourselves to others. Individual auditory preferences of different colliding souls have carved a space for her in a language of empathetic abstraction – attempting to elaborate the curious beauty and pain …

Growing Process, Mengjiao Wang

Masters Theses, 2010-2019

My MFA thesis exhibition, “growing process” is inspired by many occurrences in my life, and is especially influenced by my childhood memories. The artworks represent my loneliness and how I face and solve problems, which helped me mature as an adult. This monograph explores the shift and thought process in different life stages.

I join a long tradition of ceramic production in China by using clay as a meaningful material. Clay may contain soil, carcasses and leaves, which decompose in the earth. There is a saying in China that “fallen leaves return to the roots,” which suggests a return to …

Memory As Torchlight: Frederick Douglass And Public Memories Of The Haitian Revolution, James Lincoln

Masters Theses, 2010-2019

The following explores how Frederick Douglass and others used public memories of the Haitian Revolution during the nineteenth century.

Evocation Of Memory And Place, Colleen Pendry

Masters Theses, 2010-2019

My work investigates the inseparability of memory and emotion. Guided by what remain of my mother’s tattered memoirs, I have investigated a place from her past that suggests an intense search which filters through her writings and in tandem with my own visual remembrance. Through the manipulation of materials, technique and space, my work reveals a simple yet complex connectedness to memory and place.

"By Reason Of Birth", Cheyenne Kody Crawford

Masters Theses, 2010-2019

This written monograph is intended to parallel my MFA thesis show, “by reason of birth”. These written accounts from my childhood are specific occurrences in my life that influenced the creation of this work. Through the combination of written and made work, I recall an ambiguous past that allows the viewer to infer his or her own personal histories alongside mine.