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Visions Of A Captured Mind: Using Expressive Film Techniques To Convey The Experience Of Liberty Deprivation As A Neurodiverse Individual, Sam H. Grant, Ken Fero
Visions Of A Captured Mind: Using Expressive Film Techniques To Convey The Experience Of Liberty Deprivation As A Neurodiverse Individual, Sam H. Grant, Ken Fero
Ought: The Journal of Autistic Culture
In this article, I make the case for the use of expressive film techniques to convey the emotional, or affective, experience of neurodiverse people who have been subjected to liberty restricting practices and policy. I do this by discussing my own experience with film practice as a man living with autism, presenting a broader philosophical case for how artistic modes of communication can close affective and social divisions between neurodiverse and neurotypical people, explaining why it is the cinematic techniques I advocate for are uniquely suited to neurodiverse people, and then I showcase some of my own work as a …
Sharp Stick Grasps At Autistic Women’S Liminal Vulnerability, Meaghan Krazinski
Sharp Stick Grasps At Autistic Women’S Liminal Vulnerability, Meaghan Krazinski
Ought: The Journal of Autistic Culture
This film analysis of Sharp Stick by Lena Dunham critically explores how the film uptakes representations of the ideas around the vulnerabilities of Autistic women in popular culture, and yet does not explicitly name them as such. This liminality is critical and plays into the intersectional analysis that the author engages around the way vulnerability and Autistic identity is interpreted and read. The author draws upon McDermott's (2022) "neurotypical gaze" in an analysis that shows how traditional tropes around Autistic women’s vulnerability are social constructions that are brought into relief by stereotypes around race, gender, and ability. The author uses …
Parasite: A Film Review On Capitalism, John K. Kim
Parasite: A Film Review On Capitalism, John K. Kim
Cinesthesia
Bong Joon Ho’s critically acclaimed Parasitebrings a refreshing perspective on capitalist ideology that dominates the Western world today. Its clever and thrilling commentary on the various aspects of capitalist ideology is as vast as it is sophisticated. The aim of this paper is to use Zizek’s ideas on ideology and Foucalt’s work on discourse to unpack some of the main arguments the movie makes about capitalism. I begin by discussing the film’s central commentary on capitalist tenets and move onto the film’s use of “unspoken” or “unassimilable” statements. I close with a brief discussion on the symbolic significance of …
La Batalla Del Cine Chileno: Chilean Cinema’S History Of Resisting Hollywood, Alexander V. Berdy
La Batalla Del Cine Chileno: Chilean Cinema’S History Of Resisting Hollywood, Alexander V. Berdy
Cinesthesia
The United States has been a global superpower for over a century now and that first place title also extends to Hollywood. Since WWI the Hollywood system has controlled the global film market by exporting their films all over the world. These American films took profits from many national cinemas but they have also influenced filmmakers worldwide to do some spectacular things; especially in countries like Chile. The story of Chile’s film industry shares a lot of similarities with European filmmaking. There seems to be a common theme of countries failing to beat American import films, then resisting the commercial …
An American Oilscape: The Affective Emotionalism Of Petroleum In There Will Be Blood, Maren Loveland
An American Oilscape: The Affective Emotionalism Of Petroleum In There Will Be Blood, Maren Loveland
Cinesthesia
Underlying the physical and ideological lives of Americans is the pulsating force of oil, a power dictating not only modes of transportation and energy, but the emotions and ideas of societies dependent on the exploitation of this natural resource. Paul Thomas Anderson’s There Will Be Blood displays the evolution of the Californian landscape under the pressure of the oil industry, demonstrating to the audience the emotionalism imbued within oil, separating it from pure physicality and introducing it as the ideological pulse underlying California. Drawing on the vernacular of Maria Löschnigg’s work, “Sublime Oilscapes,” I posit that the closeness of oil …
The Power Of The Documentary: Examining The Effectiveness Of Ava Duvernay’S 13th, Sara E. Juarez
The Power Of The Documentary: Examining The Effectiveness Of Ava Duvernay’S 13th, Sara E. Juarez
Cinesthesia
No abstract provided.
Breaking The Celluloid Ceiling, Kellie Ann Cassel
Breaking The Celluloid Ceiling, Kellie Ann Cassel
Cinesthesia
The ignorance of the current state of gender equality in the film industry is not just on the rise, but the knowledge of such has been non existent for decades. Women were largely involved in the film industry during the turn of the century, until sound film became popular and Hollywood turned into a big business. As of 2016, only seven percent of the top filmmakers are women. The lack of female filmmakers in Hollywood is not only effecting the women who are trying to make a living doing what they love, but also the young and old female audiences …
The Value Of Parental Co-Viewing On Children And Families, Alison Work
The Value Of Parental Co-Viewing On Children And Families, Alison Work
Cinesthesia
When we think back to movie watching in the sixties, we typically picture a family sitting around the television and experiencing the film together. Nowadays, it is common for parents to put on a movie for their child to watch while they focus on other tasks. In our modern, fast paced environment, with movies available to stream at all times, the act of watching a movie as a family has become increasingly rare, and there has been a lack of parental monitoring of media. Consequently, films are not being utilized to their full potential. Films can have a tremendous impact …
Understanding Loss Of Self In "My Beautiful Broken Brain", Erika P. Collin
Understanding Loss Of Self In "My Beautiful Broken Brain", Erika P. Collin
Cinesthesia
No abstract provided.
The Underrepresentation Of African Americans And The Role Of Casting Directors, Chantal Suhling
The Underrepresentation Of African Americans And The Role Of Casting Directors, Chantal Suhling
Undergraduate Research
Films are cultural products, which reflect the existing ideologies in a culture. In the American culture the two dominant ideologies are white normativity and patriarchy. With the Oscars right around the corner, the world is anticipating this year's nominees and winners. Hopes are high that this year the Academy Award for best actor will go to someone who is diverse. If films are reconstructions of culture, then can we really expect to see change at the Oscars? Through thorough qualitative research and interviews with industry professionals, a detailed picture of the role of casting directors in the casting process for …
New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk
New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk
Cinesthesia
This essay analyzes the manifestations of America’s post-1960 film industry, more specifically the rise of “New Hollywood.” In response to governmental intervention of the studio system, the popularization of commercial television, and the influences of the French New Wave, Hollywood’s emerging “film generation” embraced the commercialization of the star auteur and the blockbuster picture. George Lucas and Steven Spielberg, sons of the “Hollywood Renaissance,” capitalized on the potential of “high concept,” “ultra-high-budget” feature films and their associated synergetic marketing systems, a phenomenon referred to as the “blockbuster syndrome.” Jaws, a pioneering New Hollywood megapicture directed by Spielberg, exhibits the “Lucas-Spielberg” …
The Lens That Sees Itself: Fruitful Interactions Of Film And Philosophy, Travis Wheeler
The Lens That Sees Itself: Fruitful Interactions Of Film And Philosophy, Travis Wheeler
Cinesthesia
Much of film theory holds that film is primarily an act of communication, whose message the audience understands. While this allows us great insights into the ideological and subconscious functions of a great many films, it falls short of this success with more enigmatic films. In instances such as these, where films are not easily understood, a different paradigm is necessary. Using philosophical texts as comparative tools in film analysis provides the answer to this "blindspot" in film criticism.
Nollywood: Rooted In Yoruba, A. Evan Kresta
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Egyptian Film And Feminism: Egypt’S View Of Women Through Cinema, Wesley D. Buskirk
Cinesthesia
This essay analyzes the history of Egyptian film in relationship to the common perception of women in Egypt. From the early stages of Egyptian cinema, women assumed leadership positions, helping build the undeveloped industry to its height in the mid-1900's. An increasingly state-led and male-dominated film industry, however, adopted women as a symbol of nationalism, while neglecting them as equals through traditionalist film content. Furthermore, in the last quarter of the 20th century, governmental influences resulted in a shortage of production resources. Although commercial motion pictures suffered, social-issue, realist movies have reignited feminist initiatives and provided hope for a recovering …
Exploring Time And Space In Frame By Frame Animation, Daniel L. Ketchum
Exploring Time And Space In Frame By Frame Animation, Daniel L. Ketchum
Cinesthesia
No abstract provided.
Honors Senior Project, Matthew T. Dayton