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Nepantla: The Space In-Between, Samantha Shamard
Nepantla: The Space In-Between, Samantha Shamard
All Theses
The word Nepantla is from the Mesoamerican Nahuatl language and is used by theorist Gloria Anzaldúa to describe a space of mixed, and borderland identity. Nepantla: the space in-between creates a physical manifestation of my experience as a mixed Latina woman raised in American suburban culture. This series is made up of ceramic objects on wall-mounted altars made of wood panels adorned with wallpaper and paint. The surfaces utilize visual references and color schemes from 90s girls’ bedrooms and Mexican pop-culture. Ceramic bones and cacti mounted onto the altar forms are all made through molded ceramic processes, which for me …
Material Entropy, Lauren Bradshaw
Material Entropy, Lauren Bradshaw
All Theses
Although the sculptures of Material Entropy are not directly anthropomorphic, the corporeality of the materials is accentuated in rendering the entropic state of our ephemeral bodies. We often avoid thoughts concerning the anatomical systems that function beneath our skin as they reveal our mortality to be tangible. Clay is initially manipulated as a soft material, but once fired it gains permanence and loses the ongoing malleability of soft sculpture. Latex and fibers have been utilized in conjunction with ceramic in order to reveal the tension between dichotomies such as hard versus soft or internal versus external. The use of pantyhose …
Damned Ol' Dirt, Molly Morningglory
Damned Ol' Dirt, Molly Morningglory
All Theses
damned ol’ dirt centers mindfulness and embodiment practices to foster relationships with the self, each other, and the land. These relationships intend to collectively imagine and then build an emotionally and environmentally sustainable and joyful future. My practice foregrounds clay with digital video, photography, and fabric dyeing, recording the imprint of performance. I use my hereditary understanding of clay and fibers, a trained attunement to the natural world, and my background of performance in craft (via demonstration of tactile techniques) to transfer knowledge and skill to the viewer. Through the creation of tableaus and documents of rituals based in materiality, …
Artificial Kingdoms, Lindsey Elsey
Artificial Kingdoms, Lindsey Elsey
All Theses
Fairy or folk tales and fantasy appear to be innocuous means of entertainment in contemporary society. Often relegated as pap for children, this view belies the gruesome origins, cultural significance, and means of personal expression and identity that is afforded to the author and reader/audience through the construction of fantasies. Through the creation of environments and experiences that center on porcelain vessels and sculpture, I explore the expression of uncomfortable desires and situations in the guise of fantasy. In some instances folk and fairy tales act as a means of escapism; an expression of desire for the fleeting and the …
Fragments And Transcendence, David Hill
Fragments And Transcendence, David Hill
All Theses
The fragmented figure is a compelling image. To present the figure in fragments is to place the viewer in a position of recognizing their own mortality and fragility, eliciting an emotional response that goes beyond an aesthetic appreciation of the body as form. The Venus de Milo, arguably one of the most well recognized works of art in all of history illustrates this idea perfectly. There are plenty of complete sculptures of the goddess from the same period, but the armless Venus de Milo stands as the epitome of grace and beauty above the rest, and any attempts to restore …