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A Review Of Silence In Modern Irish Literature, Lloyd (Meadhbh) Houston
A Review Of Silence In Modern Irish Literature, Lloyd (Meadhbh) Houston
International Yeats Studies
No abstract provided.
A Review Of The Critical Thought Of W. B. Yeats, Matthew Gibson
A Review Of The Critical Thought Of W. B. Yeats, Matthew Gibson
International Yeats Studies
No abstract provided.
A Review Of Yeats, Philosophy, And The Occult, Gregory Castle
A Review Of Yeats, Philosophy, And The Occult, Gregory Castle
International Yeats Studies
No abstract provided.
Yeats’S White Vellum Notebook, 1930–1933, Wayne K. Chapman
Yeats’S White Vellum Notebook, 1930–1933, Wayne K. Chapman
International Yeats Studies
This essay examines the present state of affairs concerning “one of the great literary manuscripts of our time, the great vellum notebook” that Sotheby’s advertised and sold for the first time in 1985. That sale and a subsequent one in 1990 are related to the contents of the notebook as ascertained from finding aids used by the editors of the Cornell Yeats series, including Chapman, as well as from the examination of extant microfilms of the notebook, the location of the original having been lost. Particularly useful for new and on-going textual-genetic studies in Yeats collections at the National Library …
India In Yeats’S Early Imagination: Mohini Chatterjee And Kālidāsa, Ashim Dutta
India In Yeats’S Early Imagination: Mohini Chatterjee And Kālidāsa, Ashim Dutta
International Yeats Studies
W. B. Yeats’s interest in India persisted throughout his variegated life and career, starting in the late nineteenth century and lasting through the final decade of his life. This article concentrates on his early years when he first came to terms with Indian philosophy, religion, and literature via the Vedāntist-Theosophist Mohini Chatterjee and the work of the fifth-century Sanskrit playwright Kālidāsa. With a view to examining critically Yeats’s creative engagement with, and appropriation of, these disparate materials, this article closely reads a discarded 1880s poem on Chatterjee’s teaching and its later 1929 version, “Mohini Chatterjee,” as well as his early …
Yeats's Re-Enchanted Nature, Seán Hewitt
Yeats's Re-Enchanted Nature, Seán Hewitt
International Yeats Studies
W. B. Yeats identified anti-Enlightenment principles as being central to his generation’s artistic project. Characterizing the worldview he was writing against, he argued that “the mischief began at the end of the seventeenth century when man became passive before a mechanized nature” (OBMV, xxvii). By charting the processes by which he reimagined nature and the poet’s (and poem’s) position in relation to it, we can begin to understand Yeats’s developing ecological relationships as a matrix for his shifting understanding of mysticism (and vice versa). Focusing in particular on the prefatory texts to The Shadowy Waters, this article …
International Yeats Studies, Issue 2
International Yeats Studies, Issue 2
International Yeats Studies
No abstract provided.
International Yeats Studies, Issue 2
International Yeats Studies, Issue 2
International Yeats Studies
International Yeats Studies was conceived by the organizing board of the International Yeats Society as a means of bringing together national and other Yeats societies around the world. This journal is designed to complement the Yeats Annual, published under the general editorship of Warwick Gould. International Yeats Studies will be published twice a year and aims to include a variety of approaches to the study of Yeats. The editorial board draws together scholars from across the globe, and we hope that when it is possible, the journal will publish important essays translated into English from other languages. In addition …
International Yeats Studies, Issue 1
International Yeats Studies, Issue 1
International Yeats Studies
International Yeats Studies was conceived by the organizing board of the International Yeats Society as a means of bringing together national and other Yeats societies around the world. This journal is designed to complement the Yeats Annual, published under the general editorship of Warwick Gould. International Yeats Studies will be published twice a year and aims to include a variety of approaches to the study of Yeats. The editorial board draws together scholars from across the globe, and we hope that when it is possible, the journal will publish important essays translated into English from other languages. In addition …