Digital Commons Network^™

From Perfect Victims To Collateral Damage: How Nigerian Women Are Implicated In And Impacted By Contemporary French Anti-Trafficking Policies And Discourse, Oladunni Patricia Oduyemi

Dissertations, Theses, and Capstone Projects

Although the Nordic Model has been embraced by the international anti-trafficking movement, recent studies, and closer examinations of France’s approach to the issue of sex trafficking reveal a strong anti-migrant and anti-sex work bias. In this thesis, I use studies of the impacts of France’s 2016 anti-trafficking bill on migrant sex workers, feminist critiques of neo-abolitionism and the Nordic Model, and examples of France’s hypocritical anti-migrant position, to explore how Nigerian women are harmed by the contemporary French fight against sex trafficking. The pervasive influence of anti-sex work radical feminism on anti-trafficking protocols which define the sex industry as analogous …

The Lost And Forgotten Plants: French Botanical Networks In Provincial And Colonial France (1760–1825), Sophie R. Tunney

Dissertations, Theses, and Capstone Projects

During the eighteenth century, the Jardin du Roi in Paris was the leading monarchical institution for the collection and categorization of plants. A global network emerged that circulated thousands of plants and seeds. Historians of botany have focused on the Jardin du Roi in Paris and the centralization of the network in the hands of different actors, including André Thouin. The dissertation shifts away from a Paris-centered model to one that includes gardens across the metropole and the colonial world. It focuses on the histories of the botanical gardens in l’Ile de France (Mauritius), Cayenne (French Guiana), Brest, Bordeaux, Paris, …

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …

"Nothing ‘Personal’ To Lose": Alice Notley’S “I” And The Poetics Of Encounter In Disobedience, Christina T. Baulch

Theses and Dissertations

Though the lyric-I has often been perceived as an isolated ego, Alice Notley's "I" in her long poem Disobedience (2001) necessitates plurality through what I call a "poetics of encounter." In response to the 1978 Language poetry manifesto "Aesthetic Tendency and the Politics of Poetry," and to the larger well-rehearsed debate about vocal homogeneity and persona centrism in poetry, this paper argues that Notley's poetics of encounter brings the "I" of Disobedience into continual and complex conversation with material history, politics, and mass culture, thus situating it within, and not sequestered from, the world and its mediation.

Occitan Musicians, Immigration, And Postcolonial Regionalism In Southern France, Sarah E. Trouslard

Dissertations, Theses, and Capstone Projects

Based on ethnographic fieldwork conducted in southern France, this dissertation analyzes contemporary Occitan musical expression in relation to postcolonial immigration. “Occitan” refers to a group of linguistic practices found in the south of France, including Provençal and Languedocien. Throughout this study, I discuss commonalities between postcolonial and regionalist history and theory, shedding light on notions of cultural citizenship that have defined French sociopolitics in recent decades. The historian Herman Lebovics (2004) coined the term “postcolonial regionalism” in reference to the impact of decolonization on regional protest movements in France during the 1970s. During that time, singer/songwriters of the nòva cançon …

Arts Et Métiers Photo-Graphiques: The Quest For Identity In French Photography Between The Two World Wars, Yusuke Isotani

Dissertations, Theses, and Capstone Projects

This dissertation examines the evolution of photography in France between the two World Wars by analyzing the seminal graphic art magazine Arts et métiers graphiques (1927-1939). This bi-monthly periodical was founded by Charles Peignot (1897-1983), the artistic director of the largest manufacturer of typefaces in interwar France, Deberny et Peignot. Arts et métiers graphiques has been recognized in previous literature as one of the principal vehicles for the modernization of photography in France, primarily because it functioned as an essential conduit for the radical practices developed outside the country. The interwar period is regarded as the watershed in the history …

The Labyrinth And The Cave: Archaic Forms In Art And Architecture Of Europe, 1952–1972, Paula Burleigh

Dissertations, Theses, and Capstone Projects

This dissertation examines the prevalence of spatial archetypes as potent symbols that manifested in art, architecture, exhibition design, and urban planning in the aftermath of World War II and into the Cold War. Owing to the dual influence of structuralism and phenomenology in French intellectual culture, many examples discussed here were produced in France or made by artists who spent significant time there. These figures include Jacqueline de Jong, Paul Virilio, Claude Parent, André Bloc, and the Groupe de Recherche d’Art Visuel (GRAV), all of whom made projects evoking speculative realities that oscillated between utopian and dystopian.

Given their focus …

The New Veil: A Fundamentally Modern Phenomenon, Hassan Mortada

Dissertations, Theses, and Capstone Projects

The present thesis is a study of the New Veil movement in the Middle East and in France. The aim of this thesis is to examine the definition of this movement and its origins focusing on its modern re-emergence. The importance of this issue comes with the rise of nationalism and right wing policies that affected women in general and Veiled Muslim women in particular.

Is it possible that certain restrictive attempts at controlling the day-to-day particulars of religious life have backfired, creating the opposite of their desire effect? What is it about in the dynamics of the state and, …

Una Sensibilità Scientifica: Giacomo Balla’S Painting Of Light, 1900-1914, Luise Mahler

Theses and Dissertations

This thesis examines how science shaped Giacomo Balla’s pioneering style of abstraction. A reconsideration of his oeuvre from 1900 to the advent of Italian Futurism demonstrates that his artistic vision of light—indebted to popular scientific imagery and what might be called "prosthetic" visual technologies—anticipated the emergent Futurist aesthetics.

Region, Nation And Gastronomy: Regionalism In Gastronomic Texts Of The Early 20th Century (1900-1939), Lauren Reches

Dissertations, Theses, and Capstone Projects

France is far from being a uniform culture and yet the food of French provinces is often subsumed into one universally known “French cuisine.” While 19^th-century haute cuisine ignored regional differences, gastronomes of the early 20^th-century, such as Curnonsky, Marcel Rouff, Austin de Croze, and Pampille, defined a new French culinary identity based on appropriating and incorporating the diversity of the regional cuisines. Regional cuisine at the time was, however, quite diverse. Some of the regions of France were newly added to the country, such as Savoie and Nice, while others had been in contention for …

A Eurafrican Future: France, Algeria, And The Treaty Of Rome (1951-1975), Megan Brown

Dissertations, Theses, and Capstone Projects

Before the Treaty of Rome (1957) established the European Economic Community (EEC), French officials made it clear that France’s signature on the Treaty was contingent on its partners’ acceptance of Eurafrican policy. Because Algeria held a unique legal status among France’s overseas holdings, the way in which French officials advocated its insertion within EEC regulation merits particular attention. This status stood distinct from that of the associated territories and, when applied to the Treaty, would theoretically extend to Algeria and its residents the guarantees of free labor circulation, development aid, and tariff preferences open to metropolitan citizens through EEC membership. …

Jules Verne Constructs America: From Utopia To Dystopia, Dana L. Radu

Dissertations, Theses, and Capstone Projects

In my dissertation, I examine visions of the United States in Jules Verne’s (1828-1905) Voyages extraordinaires (1863-1905). Of the sixty-four novels that make up that series, twenty-three, over one-third, feature American characters or take place on American soil. I demonstrate that in his early novels (1863-1886), he presents the United States in an optimistic and utopian light, while in his later novels (1887-1905), his depictions of the United States take on a pessimistic and dystopian aspect. In also showing that Verne had been influenced by utopian socialists Henri de Saint-Simon (1760-1825), Charles Fourier (1772-1837) and Étienne Cabet (1788-1856), I provide …

How To Be A French Jew: Proust, Lazare, Glissant, Paul J. Fadoul

Dissertations, Theses, and Capstone Projects

In my dissertation I use Auerbach's insights developed in his Mimesis to demonstrate that in A la recherche, Proust captures the political and racial concerns of his times, proposing as a solution a heterogeneous French society where cultural, ethnic, and religious groups live together in mutual respect and understanding. In his novel, Proust echoes ideas developed by Bernard Lazare in Le Nationalisme Juif (1897) as well as in the literary output of the first French Jewish Renaissance (early1900’s to the mid1930’s). These authors responded to the portentous mix of Nationalist and anti-Semitic politics by urging the creation of a separate …

Le Pianiste: Parisian Music Journalism And The Politics Of The Piano, 1833–35, Shaena B. Weitz

Dissertations, Theses, and Capstone Projects

This dissertation examines the French music journal entitled Le Pianiste, published in Paris from 1833 to 1835. Through an analysis of the journal’s contents, it reconsiders the nature of music journalism and musical life in Paris at the time it was in print, focusing in particular on canon formation and the power of the press. Le Pianiste’s remarkably detailed descriptions and analysis of the French music world challenge long-held perceptions of the era about taste and reception history, yet it remains an unstudied document. While past work on the music press has focused on criticism and reception, this …

In The Race To Reach New Wine Drinkers Old World Taste Is Losing Out, Lillian Knoepp

Capstones

But this old world is losing its grip on the wine industry. French wine production and consumption are falling while the New World of wine is gaining ground in both areas. Experts say that new wine making techniques and higher consumption in New World markets like the United States have changed the French wine industry.

For the French, more than just their wine industry is at stake. For many, the loss of French wine is a loss of French identity.

“They can't choose between the two. Because French people - we are wine and cheese - we are everything,” said …

Civilizing Settlers: Catholic Missionaries And The Colonial State In French Algeria, 1830-1914, Kyle Francis

Dissertations, Theses, and Capstone Projects

This dissertation argues that between 1830 and 1914, with increasing intensity over time, French Catholic missionaries sowed divisions among the European population of French Algeria. The French government initially welcomed missionaries to cater to religiously devout Spanish, Italian, and Maltese settlers in Algeria and to foster their loyalty to the colonial state. Missionaries, however, incited the professional jealousy and personal animosity of the territory's generally less devout French population, who saw Catholicism and missionaries as little different from Islam and the "fanatical" Muslim population. Throughout this period, missionaries thus occupied a liminal space in the racialized hierarchy of colonial rule. …

The Perceived Religiousness Of The Repertoire Of The Muslim Minority In France, Brian Mawyer

Dissertations, Theses, and Capstone Projects

France is a secular society with a deeply rooted Catholic tradition. This environment affects the acceptability of demonstrations of Muslim religious identity. Muslim immigrants to France are often ghettoized into rent controlled housing in suburbs around the cities. Rejected from French society, these immigrants cling to what links them together, which is their religion. By the third generation, fluency in heritage languages declines greatly, yet the youth of the banlieues re-appropriate Arabic words into their French speech, leading to the emergence of a Muslim repertoire that is not always accepted by speakers of standard French. This thesis surveys French people …

Integration Or Interrogation? Franco-Maghrebi Rap And Hip-Hop Culture In Marseille, Jenna Catherine Daley

Dissertations, Theses, and Capstone Projects

This paper focuses on rap and hip-hop music that is produced from Franco-Maghrebi communities living in Marseille. The discussion revolves around the question of how rap music helps these communities to assimilate into French culture. The conclusion is two-fold. Marseille, as a city whose urban planning promotes physical assimilation of immigrants with French-born citizens, performs as an integrative force for these communities. Additionally, rap simultaneously assists Franco-Maghrebis in integrating into and subverting from French society. Franco-Maghrebi rappers integrate by becoming a part of mainstream French culture. Yet, they also subvert by extraordinarily placing race and discrimination at the forefront of …

Paris And Havana: A Century Of Mutual Influence, Laila Pedro

Dissertations, Theses, and Capstone Projects

This dissertation employs an interdisciplinary approach to trace the history of exchange and influence between Cuban, French, and Francophone Caribbean artists in the twentieth century. I argue, first, that there is a unique and largely unexplored tradition of dialogue, collaboration, and mutual admiration between Cuban, French and Francophone artists; second, that a recurring and essential theme in these artworks is the representation of the human body; and third, that this relationship ought not to be understood within the confines of a single genre, but must be read as a series of dialogues that are both ekphrastic (that is, they rely …

Musical Landscapes: Theophile Gautier And The Evolution Of Nineteenth Century French Poetry, Dana Milstein

Dissertations, Theses, and Capstone Projects

Theophile Gautier's first edition of Emaux et camees (1852) marks the juncture at which Romantic, Neoclassical, and nascent Symbolist poetic theories converged under the umbrella ideology of "Parnassianism." Emaux et camees synthesizes the aesthetics promoted by these diverse groups, primarily by 1) using "musical" and "painterly" language, 2) emphasizing correspondences among arts, and 3) paradoxically demanding an attention to form and the artist's labor while also emphasizing art's inutility during a century characterized by Progress. Gautier's Emaux et camees bridges painterly and musical poetics to create a new model for poetry.

While the vocabulary of painting captivated many nineteenth century …