Digital Commons Network^™

Making Photographs Speak, Cameron T. Sauers, Benjamin M. Roy, James T. Goodman

The Gettysburg Compiler: On the Front Lines of History

It has often been said that “a picture is worth a thousand words.” Making that picture spit out those mythical thousand words, as we can all attest, is no easy task. Over the course of the first half of the fall semester, the three of us were tasked with developing brief interpretive captions for two Civil War photographs each, with the end goal to display our work at the Civil War Institute’s 2019 Summer Conference. What initially appeared as a simple project quickly revealed itself to be a difficult, yet rewarding, challenge that taught us all important lessons concerning …

The Process Of Loss, Isidro Pentzke Jr.

MFA in Visual Arts Theses

This paper proposes that digital media has changed the way art is viewed and experienced. This investigation into technology unpacks the effect that technology has on our society. Through the process of photography and digital media, the exploration of social interactions with technology is observed. The observation that is highlighted in this artwork is multilayered, which includes the digital rituals and the acceptance of new digital social norms. In addition, an argument is made that due to this change in social acceptance to the new digital world, there seems to be a disconnect between those who are engrossed in the …

The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore

Master's Theses

This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …

11_18_2018 The Nexus Of Northwest Arkansas - Thesis By Chuck Davis.Pdf, Chuck Davis

Chuck Davis

Mirror Images: Penelope Umbrico’S Mirrors (From Home Décor Catalogs And Websites), Jeanie Ambrosio

USF Tampa Graduate Theses and Dissertations

As the artwork’s title suggests, Penelope Umbrico’s "Mirrors (from Home Décor Catalogs and Websites)" (2001-2011), are photographs of mirrors that Umbrico has appropriated from print and web based home décor advertisements like those from Pottery Barn or West Elm. The mirrors in these advertisements reflect the photo shoot constructed for the ad, often showing plants or light filled windows empty of people. To print the "Mirrors," Umbrico first applies a layer of white-out to everything in the advertisement except for the mirror and then scans the home décor catalog. In the case of the web-based portion of the series, she …

The Perfect Vessel Of Grief: Women And Mourning Photography, Savannah Labbe

The Gettysburg Compiler: On the Front Lines of History

After her father died, the girl in the photo above went through a highly ritualized and formalized process of Victorian mourning. This process radically changed with the invention of photography in 1839. Now one could record the grieving process, which is what the photograph above accomplished. The photograph is a typical mourning portrait, depicting the mourner (the little girl in this case), with the photo of her deceased loved one in her hands. Like so many other photographs, this one recorded the grieving process, allowing loved ones to keep a piece of that person even after their death. 19th-century photographs …

Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch

Genocide Studies and Prevention: An International Journal

Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …

The Unbribable Witness: Image, Word, And Testimony Of Crimes Against Humanity In Mark Twain’S King Leopold’S Soliloquy (1905), Nora Nunn

Genocide Studies and Prevention: An International Journal

In the creation of King Leopold’s Soliloquy, a textured, visually irrefutable, and darkly satirical account of crimes against humanity in the Belgian Congo Free State, Mark Twain aimed to evoke his Euro-American audience’s empathy by activating their imaginations and inaugurating political reform. Informed by the work of cultural and literary critics such as Roland Barthes, this paper considers how the visual imagery in Twain’s text engender questions about fact, testimony, and witnessing in the realm of human rights and collective violence—both in the Congo Free State and, indirectly, in the United States. I ultimately argue that the relation (or …

Writing With Light: Cameraless Photography And Its Narrative In The 1920s, Karen K. Barber

Dissertations, Theses, and Capstone Projects

Cameraless photography’s resurgence in the 1920s has long been discussed by art historians and critics as either a facet of modernist “new photography,” or as a specialized practice associated with prominent figures of the interwar avant-garde. In their discussions of the medium, scholars have aligned cameraless photography with specific movements, groups, schools, or individuals, as a means of situating its emergence and subsequent popularity in the 1920s. This dissertation broadens the understanding of cameraless photography (also referred to as photograms) and its narrative by shifting the focus to the publications responsible for the medium’s articulation and dissemination in the years …

Totality In Carbondale, Grant Haynes

The Hilltop Review

August 21 was one of the high points of 2017. That day a total solar eclipse tracked over much of the continental U.S. An early morning train ride brought me to Carbondale Illinois, the location of the eclipses longest duration. As totality neared clouds obscured this amazing celestial wonder, but they soon parted, and I was able to get a few spectacular photos of the eclipse, this one with the clouds that almost ruined it, is my favorite.

Four Decades Ron Geibert: Emeritus Professor - Works From 1978 - 2017, Ronald R. Geibert, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

A retrospective showing featuring color street photography, installations, Orwellian prints, and electronic kiosks and complemented with a re-showing of a 1986 exhibition, and the 1997 CD-ROM with rare video and audio components, illustrating the role of social and recreational events during the Great Depression and photographic artworks added to the Wright State University permanent collection from the dozen shows curated by Professor Emeritus Ron Geibert from 1986 to 2007

Fashionable Child Labor (Artwork), Lupita Herrera

AWE (A Woman’s Experience)

photography

Focusing On “The Human Document”: Lewis Hine And The Role Of Photography In Child Labor Reform In Early Twentieth-Century America, Miranda Jessop

The Thetean: A Student Journal for Scholarly Historical Writing

No abstract provided.

Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette

The Qualitative Report

Visual representations can contribute to shaping how the general public perceives and engages with issues of forced migration. In 2015, thousands of Rohingya became stranded in the Bay of Bengal when smugglers abandoned them on unseaworthy boats and regional governments refused their disembarkation. Their ordeal made headlines across the globe and photographs documenting the crisis were widely disseminated. This paper applies visual-social semiotics to four of these photographs from an Agence France-Presse public exhibition. Our analysis suggests that the features in the photographs transcend the conventional “threat versus victim” dualism that typically characterizes such representations, to capture both the suffering …

Between Gods And Animals : Deconstructing Heteronormative Masculines Pursuit To Sustain Power, Shawn Bush

Masters Theses

Between Gods and Animals is a multi-angle exploration of the Caucasian heteronormative male’s endless pursuit to sustain power and inability to live by their own set of codes. Using the Grecco Roman period as an origin point, this work examines the forces that have historically perpetuated the myth of masculinity. Relating past ideals of maleness to contemporary standards this thesis illuminates patriarchal structures that are systematizing masculinity while providing a space to normalize a gamut of masculines. The visual works included act as an introspective approach in accepting the complacency of my existence as a man who has operated within …

Pretend Power, Rosemary Engstrom

Masters Theses

This is an anti-thesis about being a tender and tuff queer femme bitch with mental illness trying to exist in this shitty world by creating worlds of their own. With bright colors, video performance, dress up, collage, and a lot of feelings, I turn power structures on their upside. They become a game of pretend where queers run the show. It’s ok to be sick. It’s ok to be vulnerable. It’s ok to be queer. You’re not alone.

Film Stills, Kevin Jordan

Honors Theses

Film cinematography has always fascinated me, particularly the way composition, color, and lighting augment the subject's mood and can evoke an emotion out of viewers. I want to emulate this in my portraits, with the goal of transporting the viewers into another world.

Visualizing Grief: An Exploration Of The Stages Of Grief Through Image And Design, Audra L. Rygh

Masters Theses

Grief is an emotion that people have felt since the beginning of time, but in modern culture, there is a lack of visual representation of the five stages of grief. Because grief is a highly personal and unique experience, it can be difficult to visualize what those stages may look like for the mass population. However, if one could develop an understanding of what each stage includes, as well as a study of the thoughts and feelings of those who have experienced grief, this research could aid in the creation of an accurate representation of the stages of grief. The …

“After-Ozymandias”: The Colonization Of Symbols And The American Monument, H. R. Membreno-Canales

Theses and Dissertations

After-Ozymandias examines the visual rhetoric of American patriotism through its many symbols, including flags and monuments. My thesis project consists of photographs of empty plinths, objects, products and archival materials. Countless relics remain today memorializing leaders and empires that inevitably declined, from antiquity to modern times. Looking back at distant history feels like a luxury, though: the question for our time in America is whether we have the strength of mind as a society to scrutinize our history, warts and all.

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

Exhibiting Human Rights: Making The Means Of Dignity Visible, Amy J. Freier

Electronic Thesis and Dissertation Repository

This dissertation examines the visual communication of human dignity. With the opening of human rights museums, such as the Canadian Museum for Human Rights, human dignity’s visual communication has been exposed to new issues of corporeal and mediated expression. In response to photographic mediation and theory, which often poses individuals as central claimants or possessors of human dignity, human rights museums openly suggest that communities and relationships between individuals are central to human dignity’s visibility outside of the law. As such, I propose that curatorial mediation is important to the contemporary apprehension of human dignity because its notable forms – …

Feet, Hannah Shiner

TYGR: Student Art and Literary Magazine 2018-present

Sister's feet

Big Ben, Hannah N. Shiner

TYGR: Student Art and Literary Magazine 2018-present

Photo of Big Ben in London

Modified Landscapes, Esther Nooner

Graduate Theses and Dissertations

Modified Landscapes is a body of work that reflects serious thought regarding Nature and its future. My personal experience and beliefs are at the core of why I believe this subject to be of great importance and why it will sustain many artists’ investigations for the time to come. The influences that informed this process are explored through experiences I had traveling, reading and exploring the photograph as a material object. The manipulation of the photograph is meant to question the beautiful, untouched scene and break the Romantic gaze that is historically tied to representations of Nature and insist upon …

Switchback 1.2, Dan Alderfer, Max Munao

Program of Industrial Design Capstones

Adventure photography is about going out and getting that shot that you can show people and blow them away. Currently, there are no bags that address the needs of an adventure photographer in the rigorous setting that they encounter. The Wanderer focuses on accessibility, protection and weight distribution, and is designed so you can retrieve your camera, grab the quick shot, and stow the camera away, all without the hassle of digging through your bag.

A Girl's Guide To Nail Art, Emma Rohnstock

Senior Honors Projects

Nail art has led me to be more creative in my life and helped me find my passions of film, photography, and art. I started sharing my nail art through an online blog, but wanted to formalize my interest through a book and possibly a publication in the future. By making this book, I wanted children who read it to learn a new skill and find inspiration in each technique. Nail art has allowed me to express myself and discover my creativity, so I hope this book will allow a younger audience to do the same. I wanted to share …

Paradise Entertainment's Feature Of The Week: Splint, Brittney Callahan

MFA in Photography and Integrated Media Theses

Watching television has been part of my daily ritual since childhood. Every time it was turned on, I was able to enter into new worlds that were exotic compared to my house. Each story on the screen filled me with hope, inspired me with passion, and took me to a place where everything, no matter how terrible, seemed to have a purpose, an arc, and an end. These visual narratives birthed the idea of an equational life, one that seemed simple and mathematical. After I realized that life couldn’t be firmly calculated, I decided to invent my own alternative realities …

Stepfamily, Rebecca Chappelear

MFA in Photography and Integrated Media Theses

A discussion of the photographic imagery used in artist's work and a first-hand account of the experience which lead to it's creation. The work and writing encapsulate the trauma caused by family dysfunction brought on by a stepfather's struggle with depression and alcoholism.

Parnassus: Classical Journal (Volume 6, 2018), Steven Merola, Jeffrey Dickinson, Liam O'Toole, Richard Ciołek, Julia Spiegel, Stephen Conde, Emma Powell, Michael Kelley, Andrew J. Wells, Aidan Largey, Michael Raheb, Charlie Schufreider, Zachary Sowerby, Hui Li, Caroline Maclachlan

Parnassus: Classical Journal (v.1-6)

Parnassus is an undergraduate journal published by the College of the Holy Cross in conjunction with the Classics Department. Parnassus' mission is to share the passion of Holy Cross students for the ancient world. All pieces aim to be generally understandable, allowing the field to be more accessible to non-specialists in the community.

Modernizing Composition With An Online Photography-Themed Course, Sharolyn Richards

All Graduate Theses and Dissertations, Spring 1920 to Summer 2023

In this thesis, I argue that it is important for students in a Freshman English Composition class to learn to compose with images and text. This builds on what other research and professors have done in having students turn in multimedia compositions. Since there is opportunity for students to compose with images and text in print as well as online, it is important for them to know how images and text work together. This thesis includes the research I did and lesson modules for an example semester.