Digital Commons Network^™

Leonard Freed's Black In White America, Jennifer Cherry Wilkinson

Theses and Dissertations

Through a dynamic range of photographs and texts from the 1960s, Leonard Freed’s Black in White America is an exceptional artwork that both illustrates the numerous ways the photo book format creates meaning and provides an alternate history of the Civil Rights movement and the lives of those impacted by it.

Lewis Baltz: Discovering Park City, Susan H. West

Theses and Dissertations

This thesis explores the contextual framework of Lewis Baltz’s portfolio Park City, demonstrating that he was operating in an artistic space informed by both predecessors in the field of photography and responsiveness to the latest advances in art by his contemporaries, particularly in Minimalism and Land Art.

Vida En Sombras, Tommy Canales Burns

CGU MFA Theses

Verisimilitude. What is reality? Subconsciously we are acting out and absorbing information collating data and in turn responding with instincts. Learning processes to view and shape this world. I think of the Hermann Hesse’s doppelganger, the idea of a shadow self. Group identities can also have strange shadow selves. It is bizarre to look back at history and see the changing context of social norms, fashions, traditions, scientific, philosophical, and political thought. Art is a sign of the times, creating space for the inner dialogue of collective consciousness to be purged and hashed out.

Spring 2016, Vantage Point

Vantage Point

No abstract provided.

Fall 2015, Vantage Point

Vantage Point

No abstract provided.

Descendants, Katie J. Sheffield

Electronic Theses and Dissertations

The photographer discusses the photographs in Descendants, her Master of Fine Arts thesis exhibition which was held at Tipton Gallery, Johnson City, Tennessee from October 31, 2016 through November 23, 2016. The exhibit consisted of 19 large format color photographs. This body of work visually represents the artistʼs interest in those who participate in Civil War re-enactments.

The historical and contemporary influences discussed are in accordance to Sheffieldʼs photographs. Historical influences include Matthew Brady, James Abbott McNeill Whistler, Walker Evans, and Helen Levitt, as well as those of contemporary artists; Martin Parr, Stacy Kranitz, and Anderson Scott.

"Let Me Tell You What I See" Creating A Culturally Relevant Arts Based Education Through The Use Of Photography And Storytelling, William Tran

Master's Projects and Capstones

There are many constructs that can hinder the ability of students of color to succeed in a classroom environment. Factors such as the construct of whiteness, microaggressions, the banking method, as well as cuts in arts based classes create a learning environment where oppression occurs on multiple levels. The construct of whiteness creates an environment in which only the ideas, values, lived experiences, and knowledge of whites are considered valid. Microaggressions uphold the construct of whiteness by insulting and invalidating any ideas, values, lived experiences, languages, and knowledge that are outside the construct of whiteness. The constructs of whiteness as …

The Art And Science Of Light Painting, Reid Godshaw

The STEAM Journal

A short overview of the making of light painting portraits explained by the artist.

Animals In The Wild, Brittany Samson

The STEAM Journal

As a photographer, I am extremely interested in the concept of perception and I let this concept drive most of my artistic work. I present four images from my photographic series “Animals in the Wild,” which explore this idea of perception. These four images: Giraffe, Dinosaur, Buffalo, and Bunny—are drastically varied photos that include no real animals, but instead beg the mind to perceive shapes, colors, figure, and coincidence as an animal.

Eternal Evolution

SIGNED: The Magazine of The Hong Kong Design Institute

An exhibition at HKDI this autumn titled "Tradition/Anti-Tradition" sought to examine the transformation of photography in Hong Kong and Mainland China by reviewing the early and recent work of leading photographers from both regions. Amanda Shuai discovered that the images also gave powerful insights regarding the future of the photographic arts.

Outside The Frame

SIGNED: The Magazine of The Hong Kong Design Institute

Almond Chu and Tse Ming Chong have pushed the boundaries of photography to create memorable images with the power of fine art. Despite having widely different views regarding the way photographers change our perceptions of reality, both agree that their medium has enomous potential for future innovation.

Mdocs Poster-2016-10-28, Eric Jenks Photography Workshop, Jordana Dym, Jesse Wakeman

MDOCS Publications

Workshop: DSLR Photography Basics

Fri, October 28 @ 2-4 pm, LIB 113

Still stuck in the auto-function of your DSLR camera? Learn the basics of DSLR photography and get some tips on how to create more engaging, lively images. Led by Eric Jenks, Skidmore alum and Capital region photojournalist.

The Year-Long Adventures Of The Blue Shoes & Their Friends, Michael R. Hill

Zea E-Books Collection

While participating in a Teacher Workshop organized by Georgina Valverde at the Art Institute of Chicago in 2013, Michael Hill began a one-year artistic and pedagogical odyssey making original images (always featuring some aspect of one or more athletic shoes) and posting them daily to a visual blog he created to help kick-start writing projects among the many student athletes he tutored at the University of Nebraska-Lincoln. He started the year self-identifying as “scholar/teacher,” but at year’s end Michael looked in the mirror and said, OK, still “scholar/ teacher,” but also “artist.” Here are the workshop organizer’s foreword, the scholar’s …

Picture This

SIGNED: The Magazine of The Hong Kong Design Institute

Hong Kong photographers Leong Ka Tai and Tse Ming Chong discuss the skills required to create an image that is both elegant and powerful.

Mythic Moments

SIGNED: The Magazine of The Hong Kong Design Institute

An exhibition at HKDI this autumn aimed to introduce the power of photography through a series of family portraits that combined simplicity and emotional depth.

Visual Feats

SIGNED: The Magazine of The Hong Kong Design Institute

In October 2012 a collection of the world's best news images came to HKDI, highlighting the virtues of professional skills in a world where abundant smart phones and instant Internet access have turned everybody into a press photographer.

1.3. Sangro Valley And The Five (Paperless) Seasons: Lessons On Building Effective Digital Recording Workflows For Archaeological Fieldwork, Christopher F. Motz

Mobilizing the Past

Since 2011 the Sangro Valley Project (Italy) has employed a custom-built paperless recording system with iPads and FileMaker at its core. This paper summarizes the evolution of the project’s paperless system and presents lessons learned during five seasons of use (2011–2015) and during the author’s work with two other projects: the Pompeii Archaeological Research Project: Porta Stabia (Italy), and the Say Kah Archaeological Project (Belize). It identifies problems commonly encountered during the implementation of paperless systems and offers recommendations for avoiding or fixing them. Many of these problems are not unique to projects with digital recording systems, and most difficulties …

Mdocs Postcard-2016-10-01, Fall Documentary Photo Talks And Workshops, Jordana Dym, Jesse Wakeman

MDOCS Publications

Fall Documentary Photography Talks and Workshops:

Through a native lens: Portraiture, social documentary and narrative in Saratoga

Mon, October 17 @ 7pm, Emerson

On October 17, join Daesha Devón Harris, a Saratoga Springs native and documentary photographer who creates powerful multimedia pieces that speak to social issues in a creative and compelling way. The photos depict subjects not as victims, but instead show them in a light of determination illuminating Daesha's relentless optimism.

Moderated by Robert ParkeHarrison

This event is part of MDOCS' series on portraiture and biography in documentary work. One Monday each month, creators from photography, audio …

Reframing The Archive: Vietnamese Refugee Narratives In The Post-9/11 Period, Mai-Linh Hong

Faculty Journal Articles

This article considers how recent narratives about Vietnamese refugees engage with the Vietnam War’s visual archive, particularly iconic photographs from the war and ensuing “boat people” crisis, and contribute to present-day discourses on American militarism and immigration. The article focuses on two texts, a National Public Radio special series about a US naval ship (2010) and Thanhha Lai’s Inside Out & Back Again (2011), which recounts a Vietnamese child’s refugee passage. By refiguring famous photojournalistic images from the war, the radio series advances a familiar rescue-and-gratitude narrative in which the US military operates as a care apparatus, exemplifying a cultural …

North And South: Photographic Mediation In The Work Of Seamus Heaney And Natasha Trethewey, Amanda Sperry, Jill Goad

Irish Studies South

No abstract provided.

Beyond The Wall In Dheisheh Camp: From Local To Transnational Image-Making, Philip Hopper

Pedagogy and Theatre of the Oppressed Journal

Murals and graffiti on the Israeli separation barrier near Bethlehem have been well documented by journalists and discussed in academic journals. Though the image and texts on the barrier may be “transnational” they are of little consequence to the local population. Murals and graffiti within the nearby Dheisheh Palestinian Refugee Camp consolidate local public opinion, generally about the occupation and dismemberment of the West Bank and specifically about individual martyrs or shaheed. The performative nature of these images goes beyond the act of painting them. Children from the Camp pose with these images, identifying with the abstraction of justice and …

The Visual Rhetoric Of Royalty, Barbara Joann Anderson

MSU Graduate Theses

This thesis examines how three British female royals, Queen Elizabeth II, Diana Princess of Wales, and Catherine, Duchess of Cambridge, use visual rhetoric to gain and maintain power in a world where they are rarely allowed to use their actual voices. The female royals use photographs to convey their messages and gain support from the public. Elizabeth's visual agenda of androgyny allows her to gain the authority that her role of sovereign requires, while Diana used pathos to create a connection with a public to emphasize that she was the people's princess. Following their leads, Catherine is learning to use …

Making A Mountain Of A Mole Hill, Nihit N. Mehta

Akesis

There are times when students develop a certain amount of tunnel vision, which focuses their vision at the problem in front, making the proverbial "mountain out of a molehill.”

Untitled, Veronica Gonzalez

The Anthology

Artwork

Campfire Delights, Tarah Catalano

The Anthology

Artwork

Untitled, Rebecca Jacobs

The Anthology

Artwork

Ablution Of The Self, Sarah Gregory

The Anthology

Artwork

Untitled, Greyson Smith

The Anthology

Artwork

Albedo Detail, Sarah Scherini

The Anthology

Artwork

Untitled, Sarah Cason

The Anthology

Artwork