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"Inspired Industry.", Amanda M. Dock Dec 2005

"Inspired Industry.", Amanda M. Dock

Electronic Theses and Dissertations

This thesis supports the Master of Fine Arts exhibition entitled "Inspired Industry" at Johnson City Area Arts Council, Johnson City, Tennessee, from November 14 - December 22, 2005. It is the culmination of studies and research affected by the artist's own industry vis-à-vis personal inspirations, including: discussion of aesthetics and personal utilization of the techniques learned in relation to both functional and non-functional ceramic forms. This is a self-evaluation of personal preferences and how this body of ceramic work evolved.


Effect Of Age On 11- To 18-Year-Olds’ Discrimination Of Nuances In Instrumental And Speech Phrase Interpretations, Andrew Sioberg Apr 2005

Effect Of Age On 11- To 18-Year-Olds’ Discrimination Of Nuances In Instrumental And Speech Phrase Interpretations, Andrew Sioberg

USF Tampa Graduate Theses and Dissertations

This dissertation was a continuation of study on a theory of a learning window for the perception of expressive qualities in music and speech. The proposed theory suggested that a practice window must overlap a learning window before it closes around the age of 10. This dissertation sought to determine whether children older than the proposed learning window continued to improve in speech and musical discrimination skill, or leveled off in this ability. It also examined the impact of gender and private lesson experience on discrimination ability.

Instrumental music students (n = 292) attending a public magnet school for visual …


Plato On Episteme And Propositional Knowledge, Denis Vlahovic Mar 2005

Plato On Episteme And Propositional Knowledge, Denis Vlahovic

The Society for Ancient Greek Philosophy Newsletter

Epistêmê cannot just be a matter of knowing a logos. Knowledge, it appears, is demonstrated not in the knowledge of any particular logos, but in the ability to defend a logos against refutation. It is precisely the latter ability that is characteristic of epistêmê. This ability, furthermore, cannot be imparted by means of a logos. For, no logos suffices to endow its possessor with the ability to defend it (i.e., the logos) against refutation.

Given that Plato appears to have believed that no knowledge of a logos—no matter how elaborate the logos—is sufficient for epistêmê, one can see why he …


Visual Perception Of Touchdown Point During Simulated Landing, Stephen A. Palmisano, Barbara Gillam Jan 2005

Visual Perception Of Touchdown Point During Simulated Landing, Stephen A. Palmisano, Barbara Gillam

Faculty of Health and Behavioural Sciences - Papers (Archive)

Experiments examined the accuracy of visual touchdown point perception during oblique descents (1.5o-15o) toward a ground plane consisting of (a) randomly positioned dots, (b) a runway outline, or (c) a grid. Participants judged whether the perceived touchdown point was above or below a probe that appeared at a random position following each display. Although judgments were unacceptably imprecise and biased for moving dot and runway displays, accurate and unbiased judgments were found for griddisplays. It is concluded that optic flow per se does not appear to be sufficient for a pilot to land an airplane and …


The Effect Of Conducting Gesture On Expressive-Interpretive Performance Of College Music Majors, Ronald Wayne Gallops Jan 2005

The Effect Of Conducting Gesture On Expressive-Interpretive Performance Of College Music Majors, Ronald Wayne Gallops

USF Tampa Graduate Theses and Dissertations

The purpose of this study was to examine the effect of non-verbal conducting gesture on musicians’ stylistic response and whether conducting gestures alone elicit consistent musical responses from musicians. Through an analysis that utilized a Gestural Response Instrument (GRI) it was determined that, even if the use of verbal and facial cues were eliminated, some experienced conductors successfully utilized non-verbal conducting gestures to communicate specific musical interpretations. It appeared that musicians responded in specific ways to the musical interpretation of conductors who had command of a variety of conducting gestures. The results illustrated the existence of a perceptual contract that …