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Franz Roh And Visual Juxtaposition In Foto-Auge, Irini Zervas

Theses and Dissertations

This study of Foto-Auge (1929) is grounded on the approach of Franz Roh and aims to unlock the book’s meaning through an analysis of layout and visual sequence. This thesis also demonstrates how Foto-Auge proclaims photography’s ability not merely to record, but to disrupt any sense of reality in images.

All Glory Is Fleeting, Steven Beswick

CGU MFA Theses

The statement is specifically linked to my MFA thesis exhibition.

Porous Time And Space In Contemporary Photography: How Social Constructions Of Space And Reenactment Produce Alternative Histories, Emma Brooke Lehrer Stein

Art & Art History ETDs

This dissertation examines how the photograph can exceed the long-rooted debate around medium specific notions of photographic truth, since all realisms are historical and constantly changing. Applying theories of socially constructed space and porous time to analysis of these case studies presents alternative photographic histories that show past and present together. Boris Mikhailov, as a dissident artist and post-Soviet documentarian of new Russian capitalism, presents histories of visual culture that compete and overlap during the Soviet era and afterward. Mikhailov refers to the multiplicity of voices found in his photographic practice as a state of “coexistence.” Looking at photographs of …

Traces Of The (Un)Familiar : Family, Identity, And The Return Of The Repressed In The Photographs Of Ralph Eugene Meatyard., Hunter Martin Kissel

Electronic Theses and Dissertations

This thesis explores the ways in which photographs by Ralph Eugene Meatyard provoke the uncanny—or Das unheimlich as Freud originally wrote in 1919—by breaking from conventions of mid-twentieth century family photography often utilized to establish and maintain genealogical unity. Meatyard’s photographs of his family and friends are accentuated by blurring techniques, prolonged exposures, and the incorporation of dime-store masks, and as a result depict moments when reality is disrupted by the return of repressed material from childhood. For a multitude of reasons, Meatyard’s photographs elicit comparisons to Surrealist photography as well as certain American modernists who also explored the notion …

Collaboration Revisited: The Performative Art Of Claude Cahun And Hannah Weiner, Phillip L. Griffith

Dissertations, Theses, and Capstone Projects

In its most common usage in the artistic context, collaboration refers to a practice of creation in which two artists work together to produce a single artwork or object. Collaboration Revisited: The Performative Art of Claude Cahun and Hannah Weiner focuses on the nexus of photography, writing, and performance in the work of six female avant-garde artists from the transatlantic twentieth century, informed by the important place of surrealism in that history, to reconsider this understanding of collaboration. Instead of the notion of collaboration as founded in the experience of two artists working together in each others’ presence, I examine …

Cokato Through August Akerlund's Lens, Johanna M. Ellison

Culminating Projects in History

Swedish immigrant turned United States citizen August (Gust) Akerlund captured Cokato’s history through his photography from 1902-1950. Today, Akerlund’s photography studio and 14,019 negative collection are preserved due to the care of Akerlund’s family, the staff of the Cokato Museum, and the community of Cokato. Although Akerlund’s collection and studio provides a window into Cokato’s past, the few published works that mention Cokato do not utilize both Akerlund’s life and his photographs as complementary sources. This thesis is an attempt to rectify this neglect by using Akerlund’s resources (including his photographs, life story, and studio) to question the popular perception …

Naturally Occurring Form, Margaret Kristensen

Masters Theses

I am trying to find art in my body, attempting to create images that personalize and desexualize the nude. Between the body of images that we have access to via social media and the images we have seen of female nudes, emphasis is put on finding the form to be within western society’s acceptable range of beautiful; so rarely do we find organic figures existing in the photographic environment.

Having been taught how to photograph the body by looking at images of women taken by men, I don’t see myself. The photographs by Edward Weston and Irving Penn look, gaze, …

Same Stuff, Just Packaged A Different Way (Maybe It's Not So Bad?), Kyle Strobel

Bachelor of Fine Arts Senior Papers

Who Would You Be? examines the interplay between person and persona, relationship building, and artist-sitter dynamics. By placing contemporary sitters in the context of historical portraiture conventions, it seeks to lead viewers to consider the issue of self-absorption and vanity in social media profiles from a different angle. Additionally, this project became a way to enhance the quality of my personal relationships with those involved through providing a space to interact and creating a link for them between myself and each other.

Encounter: Alone In The Woods, Max Zagor

Bachelor of Fine Arts Senior Papers

Encounter aims to take the viewer into the darkest parts of the mind through my own journey into the woods. With the images, my work attempts to capture a pure level of the fear that I felt as I ventured into the woods, alone, at night to experience the emotions I wanted to show. Similarly, Encounter deals with why we see what we see; as in, why do we think we see Bigfoot in the shadows? Where does that idea come from? Through my research, I work to prove that our culture has implanted the imagery and thoughts of monsters …

The Process That Eats Itself, Brent Houzenga

University of New Orleans Theses and Dissertations

Chance and the found object set the stage for artworks that illustrate the clash between the everyman, popular culture and high art. The investigation of my process, surroundings and interests leads to an infinite amount of possibilities in a process that is beginning to eat itself.

Everything, Everything Seemed Once-Upon-A-Time, Denisse Leung Liu

CGU MFA Theses

The pleasant feeling of being relaxed is what I want the viewer to feel with my work. The art I make is the source of peacefulness and tranquility I treasure, in a way that there is tranquility and absence of noise, yet it whispers quietly to the viewer.

Everything, Everything Seemed Once-Upon-A-Time, Denisse Leung Liu

CGU MFA Theses

The pleasant feeling of being relaxed is what I want the viewer to feel with my work. The art I make is the source of peacefulness and tranquility I treasure, in a way that there is tranquility and absence of noise, yet it whispers quietly to the viewer.

A Corpus In First-Person: Weegee And The Performance Of The Self, Emily Annis

Theses and Dissertations

This thesis explores the varied platforms that the Austrian-born New York photographer Weegee engaged with to perform his public self-fashioning from the beginning of his career as a news photographer in the mid-1930s through the publication of his first two photo-books, Naked City (1945) and Weegee’s People (1946).

Duality, The Methodology Of Shooting A Documentary As A One-Man Crew, James Mcmahen

Electronic Theses and Dissertations

This thesis will discuss Duality, a long-form documentary about artistic nude models who also create art involving the nude female form. This thesis will discuss the inspiration for the film, as well as the deciding factors that made me choose this as the topic for my thesis documentary.

This thesis will also cover the process and methodology of shooting a documentary as a one-man crew, beginning with the process of preproduction, then the principal photography of the documentary, followed by the editing and postproduction process, and finally premiering the final film.

From A Traveling Daughter: A Photographic Memoir, Lilian Murnen

Honors Projects

“World sits outside the door, A voice in your heart is calling, The ends of the world await, Traveling daughter, Feel the sunshine on your face, Starlight guides your feet, Earth and Sky will carry you, Journey after journey, One mountain to the next, Voice in your heart is calling.” (Abigail Washburn, “Song of the Traveling Daughter” translated from Mandarin Chinese)

My family keeps me safe, but it is this safety that protects me from the discomfort that is necessary for growth. Like Abigail Washburn’s “voices,” my discontent and my curiosity call me to venture far beyond what I can …

Meat Cake, Todd Wilson Reynolds

MSU Graduate Theses

There is a language being spoken in visual art; a rhetorical dis­course that uses semiotics to communicate with a viewer. My research has fo­cused on way s to break the traditional ideas of narrative in photography . By focusing on the forms of delivery, and by combining digital and ana­logue techniques, my work forms a distortion of communication that forms a new language to communicate with the viewer. Much of this research has led to a specific form of communication that has been termed "punk" which began as a musical and artistic movement in the 70's. This sty le, both …

Horizon Cross : A Parafictional History Through Photographs., Tom Legoff

Electronic Theses and Dissertations

Horizon Cross: A Parafictional History Through Photographs is a body of work that dwells within the intersection between truth and fiction in photography. It is informed by the history of hoax photographs and my fascination with the Large Hadron Collider in Switzerland and black holes, the space-time boundary of which is known as an event horizon. I have imagined into being a community in northern Ontario Province, equipped with the technology of the mid-nineteenth century but also with concepts far ahead of their time. To portray the inhabitants of Horizon Cross I have created photographic portraits of fictional people that …

The Third Coast, Catherine Jane Davis

Theses and Dissertations

The Third Coast is a photographic exploration of the vernacular landscape of the US Gulf Coast. Stretching some 1,600 miles from the mouth of the Rio Grande in Texas to the Florida Everglades, America's southernmost shore is vast and complex. The region is a patchwork of both the natural and built environments, a tangled combination of history and geography, culture and ecology that reflects an intimate and ever-evolving relationship between man, land and sea. The Gulf Coast resists tidy hierarchies or easy classification. Rather, the rhythms of the region comprise its own syntax, a way in which seemingly dissimilar locations …

Seeking The Invisible, Alexis Bragg

Theses and Dissertations

Seeking The Invisible is a photography portrait series which explores the internal context of those suffering from invisible illness. This body of work examines the interior worlds of those often stigmatized as “outsiders,” and those who seek to be acknowledged beyond their illness. When one is told of another’s physical malady with no visible indicators of a problem, skepticism or outright disbelief is an unfortunately likely response. By asking my subjects “What would a portrait of your life look like?” I sought to observe the interior world of this subset and empower my subjects as something more than their illness.

Ghost Water Exhibition, Michael G. Sharp

Theses and Dissertations

The Ghost Water exhibition of artworks by Michael Sharp was comprised of four main works titled: 30 x 60 Minute Grid Series, Suspension, History/Prehistory, and Lake Bonneville Remnants. The artwork was created as a reaction to the land that once held the prehistoric Lake Bonneville and to its current remnant Great Salt Lake. The work explores the dialogue between absence and presence.

Gender In Contemporary Iran In The Works Of Abbas Kowsari, Domantas Karalius

Senior Projects Spring 2017

Senior Project submitted to The Division of Arts of Bard College

Second Helpings, Teddy Daniel Trocki-Ryba

Senior Projects Spring 2017

“Photographs are the visual assimilations of experiences. When the suceed it is a miracle. To expect this to happen in plentitude is a narcissistic sham...that is my interpretation of lissette words of the once a year concept,” said Larry today, digitally reiterating an earlier conversation about his professor’s theory of photographic miracle work because I had forgotten some of the finer points. I’ve been at Bard for eons now, or at least it always feels that way even though I only took one year off. Though by some combination of personal excitement and miraculous happenstance I find myself at the …

The Phallic Woman: A Reexamination Of The Problematics Of Women And Surrealism, Adrienne Anne Chau

Senior Projects Spring 2017

To see a work by a female surrealist is, perhaps, to see surrealistically. In other words, if the canonical, Western accounts of surrealism are what we are accustomed to, then the act of seeing a work of a woman completely disorients our trained familiarity with the movement, which up until the 1970s was left undisturbed. The principles of the movement, founded on the personal investigation of one’s psyche, lent themselves as an opportunity for the surrealist woman to explore the interior sources of her creative imagination. Visual expression of their self-discovery provided a different perspective of modern woman’s world and …

Pleasure Garden, Vanessa Marie Kotovich

Senior Projects Spring 2017

At first it is a world of seductive beauty. A place where life flourishes and fades. A pure fascination dissolves the extremities, forming one’s own isolation. An immersion of the self arises within a foreign world. A world without dimension, direction, orientation, or scale. Lacking one’s standard delineation, senses become heightened, indistinguishably blurring together. Flies become flying jewels. These jewels fill the atmosphere in order to feed upon the paralyzed piglets. Such foreignness is blissfully absorbed through the transparent eyeball.

Beyond The Surface, Tamar Sandalon

Senior Projects Spring 2017

This world is my own. I’m like a child in a new house, I just want to explore. Everything is exciting, and I’m seeing it for the first time.

I’ve created a series that primarily focus on curiosity and base reaction. Ordinary scenes are depicted through a childlike lens. Images are flattened, their planes meld together creating fluctuation and distortion- a nod to reality’s inherent fluidity. These images are not windows, rather, they resemble canvases. They explore color and expression in an immediate fashion, but also contain subtleties- little secrets. When photographing people, I tend to focus on individuals, though …

One Thousand Guinea Pigs, Martie Ilena Stothoff

Senior Projects Spring 2017

One Thousand Guinea Pigs

When I was at home earlier in the year, I explained to my parents that my photography project was about the relationship between humans and animals. My father then told me about how he had heard our friend, Gabi, a professor in agriculture at Smith College, on NPR talking about her newest sustainability project. My father said, “You know how people use goats to mow the lawn? Well, she uses guinea pigs. But she needs to use a lot of them – like a thousand.” So, there I am, picturing one thousand guinea pigs munchin’ away, …

[Rebelution 17]: Gender Bender, Francesca Louise Inocentes

Scripps Senior Theses

Fashion embodies what is accepted and valued in a given culture or society and empowers individuals by building self-confidence, enabling them to express themselves authentically through their bodies and garments. The gender binary, perpetuated by the mainstream fashion industry, marginalizes individuals who do not conform to it. In Rebelution 17, I utilize clothing design and photography to empower and liberate individuals who do not conform to the standards of beauty in regards to gender identity and acceptability. The finished works are featured in a Lookbook – a digital and physical collection of photographs used to market fashion – designed …

On Making A Difference: How Photography And Narrative Produce The Short-Term Missions Experience, Joshua Kerby Jennings

Theses and Dissertations--Community & Leadership Development

Short-term missions participants encounter difference in purportedly captivating ways. Current research, however, indicates the practice does not lead to long-lasting, positive change. Brian M. Howell (2012) argues the short-term missions experience is confined to the limitations of the short-term missions narrative. People who engage in short-term missions build assumptions, seek experiences, understand difference, and convey meaning, as a result of this narrative. The process of telling and retelling travel stories is integral to the short-term missions experience. Drawing upon literature on tourism, narrative, development, and photography, this study intends to evaluate the inefficacy of short-term missions through the stories which …

Remembering In Spite Of All: The Construction Of Collective Memory Of State Terrorism In Mexico, Argentina, And Chile, Telba Espinoza-Contreras

LSU Doctoral Dissertations

This dissertation seeks to contribute to the understanding of the formation of collective memory of State violence in Argentina, Chile, and Mexico. By comparing these three cases, I pursue to discern how citizens can challenge the silence and amnesia that the groups in power want to impose on society after a period of State terrorism. In order to examine the process of formation of collective memory, this dissertation highlights two important figures from which citizens have been able to build counter-hegemonic narratives, that is, los exiliados and los desaparecidos. I will highlight how they become lenses through which citizens can …

This System Has Failed Us, Kate Murray Bickhardt

Senior Projects Spring 2017

When I go to a courtroom the only color I see is orange. I don’t want to talk down to people. The projection is level to the floor. There are 2,500 napkins. They are the people, the garbage, and the repetition of the excess, and my hope of giving them importance. There are roughly 2,500 people in the Orleans Parish Prison on any given day, but the system is bigger than them. It’s more consuming and this is not nearly the amount of napkins it would take to represent the people in even just one state's carceral system. The space …