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Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Women As Victims In Tennessee Williams' First Three Major Plays, Ruth Foley
Masters Theses
Although Tennessee Williams does not openly champion the rights of women in his plays, he presents strong cases against their social alienation in a harsh and brutal world governed by men. Williams' emotional leanings, sensitivity, and intuition enable him to see life through women's eyes. In The Glass Menagerie, A Streetcar Named Desire, and Summer and Smoke, Williams astutely sounds the battle cry for women to fight against male oppression. He shows how Amanda Wingfield, Laura Wingfield, Blanche Dubois, Stella Kowalski, and Alma Winemiller are held hostage to the rules governing patriarchal society and become unhappy marginalized victims. The self-contained …
Subverting A Mythology: Examining Joseph Campbell's Monomyth In The Fiction Of H. P. Lovecraft, Wesley Vandenbos
Subverting A Mythology: Examining Joseph Campbell's Monomyth In The Fiction Of H. P. Lovecraft, Wesley Vandenbos
Masters Theses
American horror author H. P. Lovecraft's tales of monsters and madness, collectively known as the Cthulhu Mythos, have exploded in popularity in the last few decades and attracted both critical and casual interest. Inspired by his childhood mythological readings, Lovecraft created these chilling stories as a more modern version of ancient myths, drawing upon yet subtly altering the sources that influenced him. The author of this thesis draws attention to the differences between classic myths and the Cthulhu Mythos, using the monomyth of Joseph Campbell as a framework through which to view both ancient mythologies and Lovecraft's tales. This thesis …
Life Inside The Spectacle: David Foster Wallace, George Saunders, And Storytelling In The Age Of Entertainment, John Hawkins
Life Inside The Spectacle: David Foster Wallace, George Saunders, And Storytelling In The Age Of Entertainment, John Hawkins
Masters Theses
This project explores George Saunders's In Persuasion Nation and David Foster Wallace's Infinite Jest as interventionary literature. The thesis asserts that the two works confront the problems of isolation and dehumanization created by entertainment-based consumerism; they do so by depicting satirically exaggerated consumer societies and placing well-developed, sympathetic characters in those settings. The thesis includes a consideration of Jameson and deBord's theories of spectacle and Wallace's stated concerns with postmodern irony as an ineffective form of critique.