Digital Commons Network^™

Building The Body, Jasmine Flowers

Masters Theses

Bodies and space co-produce each other and the process of co-production originates racializing and gendering work.

The concept, thesis, and subsequent design are informed by the historical context around the House for Josephine Baker by Adolf Loos. Presented here is the culmination of research which grounds itself in the relationship between Primitivism and Modernism, theory on the body and flesh, architectural graphic standards, spectacle, gaze, surveillance, hypervisibility, invisibility, implications of privacy versus publicity, expressions of Blackness and its place in femmehood (a neologism that expands “womanhood” to be trans-inclusive), all of which directly engage in co-production.

This co-production changes how …

Persistence Of African American Students At Predominately White Institutions, Candace Thompson

Masters Theses

Using qualitative methodology, the persistence of African American students at predominately White institutions was analyzed. This was conducted through semi-structured interviews by six participants which evaluated African American students’ overall persistence. Participants expressed what determined their selections of institutions as well as what institutional and personal factors negatively and positively affected their matriculation throughout the institution. In addition, the study provided recommendations to student affairs professionals to better serve this population.

A Jim Crow Welcome Home: African American World War Veterans In Knoxville, Tennessee, Kara Elizabeth Kempski

Masters Theses

This essay will examine black veterans who returned to Knoxville, Tennessee after both world wars. Knoxville was a moderately sized Southern town that believed itself to be fairly progressive about racial issues. The life of average Knoxvillians was perennially disrupted in this period by two wars, two returns, and the racial tension that occasionally exploded into violence. This essay will attempt to show that the experience of Knoxville’s African American veterans was different after WWII from what it was in WWI because of the changing sympathies of the federal government, rather than because of changes within the African American community. …